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Punk Slash! Musicals - Tracking Slip-Sync on Film (Paperback)
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Punk Slash! Musicals - Tracking Slip-Sync on Film (Paperback)
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Punk Slash! Musicals is the first book to deal extensively with
punk narrative films, specifically British and American punk rock
musicals produced from roughly 1978 to 1986. Films such as Jubilee,
Breaking Glass, Times Square, Smithereens, Starstruck, and Sid and
Nancy represent a convergence between independent, subversive
cinema and formulaic classical Hollywood and pop musical genres.
Guiding this project is the concept of "slip-sync." Riffing on the
commonplace lip-sync phenomenon, "slip-sync" refers to moments in
the films when the punk performer "slips" out of sync with the
performance spectacle, and sometimes the sound track itself,
engendering a provocative moment of tension. This tension
frequently serves to illustrate other thematic and narrative
conflicts, central among these being the punk negotiation between
authenticity and inauthenticity. Laderman emphasizes the strong
female lead performer at the center of most of these films, as well
as each film's engagement with gender and race issues.
Additionally, he situates his analyses in relation to the broader
cultural and political context of the neo-conservatism and new
electronic audio-visual technologies of the 1980s, showing how
punk's revolution against the mainstream actually depends upon a
certain ironic embrace of pop culture.
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