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Thackeray and Slavery (Hardcover, illustrated edition)
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Thackeray and Slavery (Hardcover, illustrated edition)
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Slavery fascinated Thackeray. For him, the essence of slavery
consisted of treating people like things. Thomas examines
relationships in Thackeray's fiction in which people have been
reduced to objects and power is an end. These relationships include
not only actual slaves and blacks, but also servants, dependents of
all races, upper-class women sold into marriage, and children
struggling to escape parental domination.
Thomas also clarifies Thackeray's view of black slavery. Many of
his remarks about black men and women reflect an attitude that we
could today call racist. He regarded blacks of the American South
(where he traveled on lecture tours in 1852-53 and 1855-56) as
inherently different from whites. At the same time, he viewed
slavery as inherently wrong and condemned its exploitive aspects.
Nonetheless, in some of his letters from America, he observed that
the slaves he had seen appeared better treated, on the whole, than
many domestic servants and industrial workers in England. It was
characteristic of Thackeray to try to see both sides of a complex
issue. However, modern students of Thackeray often seem to be so
uncomfortable with his effort to present what he considered a
balanced picture that they overlook his basic awareness of the vils
of slavery and the way in which the idea of slavery repeatedly
occurs in his writing. The prominence of this idea in his fiction
has important implications for anyone studying nineteenth-century
literature and culture.
For Thackeray, as for most of his nineteenth-century British
contemporaries, the major form of slavery was that to be found in
the New World. However, ideas regarding galley (penal) slavery and
Western concepts of "Oriental" slavery also contributed to his
thinking about human bondage. Prior to his visits to the United
States, the image of slavery had a powerful creative effect on
Thackeray's writing. In contrast, after his exposure to the reality
of slavery in the American South, this image waned in creative
power in his fiction. For Thackeray in this regard, the unseen was
imaginatively more stimulating than the seen.
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