This book presents an innovative analysis of the role of
imagination as a central concept in both literary and art
criticism. Dee Reynolds brings this approach to bear on works by
Rimbaud, Mallarme, Kandinsky, and Mondrian. It allows her to
redefine the relationship between Symbolism and abstract art, and
to contribute new methodological perspectives to comparative
studies of poetry and painting. The late nineteenth and early
twentieth century was a crucial period in the emergence of new
modes of representation, and is currently at the forefront of
critical enquiry. This is the first book to examine Symbolism and
abstraction in this way, and the first to treat these poets and
painters together. It is an original contribution to
interdisciplinary scholarship in art history, literary history, and
comparative aesthetics.
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