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The New Orleans of Lafcadio Hearn - Illustrated Sketches from the Daily City Item (Paperback)
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The New Orleans of Lafcadio Hearn - Illustrated Sketches from the Daily City Item (Paperback)
Series: Library of Southern Civilization
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Lafcadio Hearn (1850-1904) was a master satirist who displayed a
fiery wit both as a writer and as an artist. For seven months in
1880, he surprised and amused the readers of New Orleans with his
wood-block "cartoons" and accompanying articles, which were
variously funny, scathing, surreal, political, whimsical, and
moral. This delightful book collects in their entirety, for the
first time, all of the extant satirical columns and woodcut
illustrations published in the Daily City Item-181 columns in all.
Hearn displays immense range, illuminating in words and prints the
unique culture of New Orleans, including its Creole history,
debauched underworld, corrupt politicians, and voudou
practitioners. The columns are expertly annotated by Delia LaBarre,
who places them in their unique Crescent City context. With
virtually no training in art of any kind, Hearn began creating his
illustrations partly to boost the circulation of a small daily
newspaper in a competitive market. He believed in the power of
satirical cartoons to communicate big ideas in small spaces-in
particular, to reveal the habits, prejudices, and delusions of the
current generation. Blind in his left eye (since a boyhood
accident) and severely myopic in his right, Hearn nonetheless
painstakingly carved out drawings on wood blocks with a penknife to
be printed alongside his articles on the newspaper's letterpress.
Hearn developed, from the first of these woodcuts to the last, a
unique style that expressed the full range of his wit, from
razor-sharp condemnation to tender affection. Hearn had a keen eye
for the absurd, along with an extraordinary ability to modulate his
criticism and praise in a continuum from cauterizing vitriol to
palliative balm, from the heaviest sarcasm to the lightest wit. In
the pieces collected here, there can be found a unifying thread:
Hearn's love/hate relationship with the virtues and vices of New
Orleans, a city that continually amused and amazed him. Born in
Greece and raised in Ireland, Lafcadio Hearn immigrated to the
United States as a teenager and became a newspaper reporter in
Cincinnati, Ohio. When he married a black woman, an act that was
illegal at the time, the newspaper fired him and Hearn relocated to
New Orleans. In the early 1880s his contributions to national
publications (like Harper's Weekly and Scribners Magazine) helped
mold the popular image of New Orleans as a colorful place of
decadence and hedonism. In 1888, Hearn left New Orleans for Japan,
where he took the name Koizumi Yakumo and worked as a teacher,
journalist, and writer. "And it may come to pass that I shall have
stranger things to tell you; for this is a land of magical moons
and of witches and of warlocks; and were I to tell you all that I
have seen and heard in these years in this enchanted City of Dreams
you would verily deem me mad rather than morbid." -Lafcadio Hearn,
1880, describing New Orleans in a letter to a friend.
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