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Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music

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America in the French Imaginary, 1789-1914 - Music, Revolution and Race (Hardcover) Loot Price: R2,478
Discovery Miles 24 780
America in the French Imaginary,  1789-1914 - Music, Revolution and Race (Hardcover): Diana R. Hallman, Cesar A. Leal

America in the French Imaginary, 1789-1914 - Music, Revolution and Race (Hardcover)

Diana R. Hallman, Cesar A. Leal; Contributions by Diana R. Hallman, Mariane Smith, Sarah Gutsche-Miller, Helena Kopchick Spencer, Charlotte Bentley, Laura Moore Pruett, Douglas Shadle, Ruth E. Rosenberg

Series: Music in Society and Culture

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Loot Price R2,478 Discovery Miles 24 780 | Repayment Terms: R232 pm x 12*

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Just as America was observed in French literary and political commentary, we find representations of America in French music, dance, and theatre which serve as the focus of this volume. Following the American Revolution, French authors often viewed the United States as a laboratory for the forging of new practices of liberte and egalite, in affinity with France's own Revolutionary ideals but in competition with lingering anti-American depictions of an inferior, untamed New World. The volume examines French imagining of America through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, homages to Washington, Franklin and Lafayette and negotiations of Francophone identity in New Orleans. The subject of race features prominently in paradoxical depictions of slavery, freedom, and revolution in the United States and French Caribbean colonies of 'Amerique' and in varied interpretations of American music and gendered identity. Essays consider French constructions of the Indigenous American and Black American 'exotic' that intersect with tropes of noble, pastoral savagery, menacing barbarism and the 'civilising' potency of French culture. Such French constructions reveal both a revulsion of racial alterity and an attraction to the expressive, even subversive, freedom of Americanness. Investigations of French conceptions of America extend to critiques of American orchestral music, Gottschalk's Louisianan-Caribbean Creole works, Buffalo Bill's spectacles and the cakewalk in Paris. With scholarly contributions on music, dance, theatre and opera, the volume will be essential reading for students and scholars of these disciplines.

General

Imprint: The Boydell Press
Country of origin: United Kingdom
Series: Music in Society and Culture
Release date: May 2022
First published: 2022
Editors: Diana R. Hallman • Cesar A. Leal
Contributors: Diana R. Hallman • Mariane Smith (Person) • Sarah Gutsche-Miller (Royalty Account) • Helena Kopchick Spencer • Charlotte Bentley • Laura Moore Pruett • Douglas Shadle • Ruth E. Rosenberg
Dimensions: 234 x 156 x 29mm (L x W x T)
Format: Hardcover - Cloth over boards
Pages: 410
ISBN-13: 978-1-78327-700-1
Categories: Books > Arts & Architecture > Performing arts > Dance > Ballet
Books > Arts & Architecture > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Arts & Architecture > Music > Western music, periods & styles > 20th century music
Books > Humanities > History > World history > 1750 to 1900
Books > Social sciences > Politics & government > Political ideologies > Imperialism
Books > History > World history > 1750 to 1900
Books > Music > Western music, periods & styles > 20th century music
Books > Music > Western music, periods & styles > Classical music (c 1750 to c 1830)
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
LSN: 1-78327-700-9
Barcode: 9781783277001

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