The Panic Theatre is a set of plays conceived by Fernando Arrabal
between 1957 and 1966, the author's first years in Paris. Composed
at the zenith of the avant-garde movement, they convey a radically
new and challenging theatricality whose cornerstone is their
ceremonial shape. The plays' underlying panic ceremony is
thoroughly studied in light of Arrabal's programmatice text 'Le
Panique, ' that singles out three key concepts responsible for
artistic creation: memory, chance and confusion
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