Dominick LaCapra's History and Its Limits articulates the
relations among intellectual history, cultural history, and
critical theory, examining the recent rise of "Practice Theory" and
probing the limitations of prevalent forms of humanism. LaCapra
focuses on the problem of understanding extreme cases, specifically
events and experiences involving violence and victimization. He
asks how historians treat and are simultaneously implicated in the
traumatic processes they attempt to represent. In addressing these
questions, he also investigates violence's impact on various types
of writing and establishes a distinctive role for critical theory
in the face of an insufficiently discriminating aesthetic of the
sublime (often unreflectively amalgamated with the uncanny).
In History and Its Limits, LaCapra inquires into the related
phenomenon of a turn to the "postsecular," even the messianic or
the miraculous, in recent theoretical discussions of extreme events
by such prominent figures as Giorgio Agamben, Eric L. Santner, and
Slavoj Zizek. In a related vein, he discusses Martin Heidegger's
evocative, if not enchanting, understanding of "The Origin of the
Work of Art." LaCapra subjects to critical scrutiny the sometimes
internally divided way in which violence has been valorized in
sacrificial, regenerative, or redemptive terms by a series of
important modern intellectuals on both the far right and the far
left, including Georges Sorel, the early Walter Benjamin, Georges
Bataille, Frantz Fanon, and Ernst Junger.
Violence and victimization are prominent in the relation between
the human and the animal. LaCapra questions prevalent
anthropocentrism (evident even in theorists of the "posthuman") and
the long-standing quest for a decisive criterion separating or
dividing the human from the animal. LaCapra regards this attempt to
fix the difference as misguided and potentially dangerous because
it renders insufficiently problematic the manner in which humans
treat other animals and interact with the environment.
In raising the issue of desirable transformations in modernity,
History and Its Limits examines the legitimacy of normative limits
necessary for life in common and explores the disconcerting role of
transgressive initiatives beyond limits (including limits blocking
the recognition that humans are themselves animals)."
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