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Rabelais's Radical Farce - Late Medieval Comic Theater and Its Function in Rabelais (Hardcover, New Ed)
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Rabelais's Radical Farce - Late Medieval Comic Theater and Its Function in Rabelais (Hardcover, New Ed)
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In the first extended investigation of the importance of dramatic
farce in Rabelais studies, Bruce Hayes makes an important
contribution to the understanding of the theater of farce and its
literary possibilities. By tracing the development of farce in late
medieval and Renaissance comedic theater in comparison to the
evolution of farce in Rabelais's work, Hayes distinguishes
Rabelais's use of the device from traditional farce. While
traditional farce is primarily conservative in its aims, with an
emphasis on maintaining the status quo, Rabelais puts farce to
radical new uses, making it subversive in his own work. Bruce Hayes
examines the use of farce in Pantagruel, Gargantua, and the Tiers
and Quart livres, showing how Rabelais recast farce in a humanist
context, making it a vehicle for attacking the status quo and
posing alternatives to contemporary legal, educational, and
theological systems. Rabelais's Radical Farce illustrates the rich
possibilities of a genre often considered simplistic and
unsophisticated, disclosing how Rabelais in fact introduced both a
radical reformulation of farce, and a new form of humanist satire.
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