One hundred years after Marshall McLuhan's birth, Elena Lamberti
explores a fundamental, yet neglected aspect of his work: the solid
humanistic roots of his original 'mosaic' form of writing. In this
investigation of how his famous communication theories were
influenced by literature and the arts, Lamberti proposes a new
approach to McLuhan's thought.
Lamberti delves into McLuhan's humanism in light of his work on
media and culture, exploring how he began to perceive literature
not just as a subject, but a 'function inseparable from communal
existence.' Lamberti pays particular attention to the central role
played by Modernism in the making of his theories, including the
writings of Ford Madox Ford, James Joyce, Ezra Pound, and Wyndham
Lewis. Reconnecting McLuhan with his literary past, Marshall
McLuhan's Mosaic is a demonstration of one of his greatest ideas:
that literature not only matters, but can help us understand the
hidden patterns that rule our environment.
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