In April 1993, as part of the March on Washington for Lesbian,
Gay, and Bi Equal Rights and Liberation, hundreds of couples
participated in "the Wedding," a symbolic commitment ceremony held
in front of the Internal Revenue Service building. Part protest and
part affirmation of devotion, the event was a reminder that
marriage rights have become a major issue among lesbians and gay
men, who cannot marry legally and can only claim domestic partner
rights in a few locations in the United States. Yet despite
official lack of recognition, same-sex wedding ceremonies have been
increasing in frequency over the past decade.
Ellen Lewin, who has consecrated her own lesbian relationship
with a commitment ceremony, decided to explore the myriad ways in
which lesbians and gay men create meaningful ceremonies for
themselves. She offers the first comprehensive account of lesbian
and gay weddings in modern America. A series of richly detailed
profiles -- the result of extensive interviews and participation in
the planning and realization of many of these commitment rituals --
is woven together to show how new traditions, and ultimately new
families, are emerging within contemporary America.
Just as the book is a moving portrait of same-sex couples today,
it is also a significant political document on a new arena in the
struggle for lesbian and gay rights. In a larger sense, Lewin's
work is about the politics surrounding same-sex marriages and the
ramifications for central dimensions of American culture such as
kinship, community, morality, and love.
Lewin explores the ceremonies themselves, which range from
traditional church weddings to Wicca rituals in the countryside,
with portraits of the planning, the joys, and the anxieties that
led up to the weddings. She introduces Bob and Mark, a leather
fetishist couple who sanctified their love by legally changing
their last names and exchanging vows in tuxedos, leather bow ties,
and knee-high police boots. In an equally absorbing profile, Lewin
describes Khadija, from a working-class black family deeply
suspicious of whites (and especially Jews) and Shulamith, raised in
a Zionist household. She tells of how the two women struggled to
reconcile their widely disparate upbringings and how they
ultimately combined elements of African and Jewish traditions in
their wedding. These, among many other stories, make "Recognizing
Ourselves" a vivid tapestry of lesbian and gay life in
post-Stonewall United States.
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