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Bad Blood - Staging Race Between Early Modern England and Spain (Hardcover)
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Bad Blood - Staging Race Between Early Modern England and Spain (Hardcover)
Series: RaceB4Race: Critical Race Studies of the Premodern
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Bad Blood explores representations of race in early modern English
and Spanish literature, especially drama. It addresses two
different forms of racial ideology: one concerned with racialized
religious difference-that is, the notion of having Jewish or Muslim
"blood"-and one concerned with Blackness and whiteness.
Shakespeare's Othello tells us that he was "sold to slavery" in his
youth, a phrase that evokes the Atlantic triangle trade for readers
today. For many years, however, scholars have asserted that
racialized slavery was not yet widely understood in early modern
England, and that the kind of enslavement that Othello describes is
related to Christian-Muslim conflict in the Mediterranean rather
than the rise of the racialized enslavement of Afro-diasporic
subjects. Bad Blood offers a new account of early modern race by
tracing the development of European racial vocabularies from Spain
to England. Dispelling assumptions, stemming from Spain's
historical exclusion of Jews and Muslims, that premodern racial
ideology focused on religious difference and purity of blood more
than color, Emily Weissbourd argues that the context of the
Atlantic slave trade is indispensable to understanding race in
early modern Spanish and English literature alike. Through readings
of plays by Shakespeare, Lope de Vega, and their contemporaries, as
well as Spanish picaresque fiction and its English translations,
Weissbourd reveals how ideologies of racialized slavery as well as
religious difference come to England via Spain, and how both
notions of race operate in conjunction to shore up fantasies of
Blackness, whiteness, and "pure blood." The enslavement of Black
Africans, Weissbourd shows, is inextricable from the staging of
race in early modern literature.
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