Pablo Picasso's continued search for the essential features of
perceived objects and his natural abidance to the general
principles regulating artistic creation determined his intuitive
analysis of the various stages of vision. His exploration of
pictorial language is reflected in the well-established periods in
the development of Cubism. Progressively, objects were analyzed
first by their image (or retinal) and surface (or external)
features as viewed from particular observer-oriented viewpoints
during the Pre-Cubist and Cezannian Cubist stages; then by
viewer-independent, structural features during Analytic Cubism; and
finally by categorial features during Synthetic Cubism. This final
re-evaluation allowed the artist to treat pictorial language as
truly arbitrary, leading to metaphorical correlations between
objects that went beyond what was actually depicted on the surface
of the canvas.
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