In the late medieval era, pain could be a symbol of holiness,
disease, sin, or truth. It could be encouragement to lead a moral
life, a punishment for wrong doing, or a method of healing.
Exploring the varied depictions and descriptions of pain--from
martyrdom narratives to practices of torture and surgery--"The
Modulated Scream" attempts to decode this culture of suffering in
the Middle Ages.
Esther Cohen brings to life the cacophony of howls emerging from
the written record of physicians, torturers, theologians, and
mystics. In considering how people understood suffering, explained
it, and meted it out, Cohen discovers that pain was imbued with
multiple meanings. While interpreting pain was the province only of
the rarified elite, harnessing pain for religious, moral, legal,
and social purposes was a practice that pervaded all classes of
Medieval life. In the overlap of these contradicting attitudes
about what pain was for--how it was to be understood and who should
use it--Cohen reveals the distinct and often conflicting cultural
traditions and practices of late medieval Europeans. Ambitious and
wide-ranging, "The Modulated Scream "is intellectual history at its
most acute.
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