This collection explores some of the many ways in which sanctity
was closely intertwined with the development of literary strategies
across a range of writings in late medieval Britain. Rather than
looking for clues in religious practices in order to explain such
changes, or reading literature for information about sanctity,
these essays consider the ways in which sanctity - as concept and
as theme - allowed writers to articulate and to develop further
their 'craft' in specific ways. While scholars in recent years have
turned once more to questions of literary form and technique, the
kinds of writings considered in this collection - writings that
were immensely popular in their own time - have not attracted the
same amount of attention as more secular forms. The collection as a
whole offers new insights for scholars interested in form, style,
poetics, literary history and aesthetics, by considering sanctity
first and foremost as literature -- .
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