Books > Arts & Architecture > History of art / art & design styles > 1400 to 1600
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The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy (Hardcover, New Ed)
Loot Price: R4,552
Discovery Miles 45 520
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The Antonio II Badile Album of Drawings: The Origins of Collecting Drawings in Early Modern Northern Italy (Hardcover, New Ed)
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Evelyn Karet's in-depth study of the Antonio II Badile Album - the
earliest known example of an art collection pasted onto the pages
of a book - is both focused and broad in its appeal to those
interested in the early modern era. The provenance of the album is
traced from its assemblage to the seventeenth-century collection of
Conte Lodovico Moscardo to its dismantling by the dealer Francis
Matthiesen in the 1950s, establishing that the volume conserved in
the Frits Lugt Collection is not an original but a replica produced
by Matthiesen. Although Antonio II must be celebrated as the
collector of the drawings, new paleographic analysis has identified
the actual compiler of the album after Antonio's death providing a
terminus post quem in the late 1530s or early 1540s. Karet enlarges
the focus from the album itself to the historic tradition of
collecting drawings in northern Italy in the early modern era
before Vasari, for which the album provides a new point of
reference. Throughout the book, Karet discusses the Badile family,
examines the individual drawings in the book, investigates the
contacts between artists and humanists, their rich, diverse
collections and the humanist mind-set that fostered the
appreciation of drawings. She explores notable early drawing
collections in northern Italy and the role of northern Italy as a
center of collection in the sixteenth and seventeenth centuries.
The book concludes with two appendices: a reconstruction of the
original album, including a discussion of the reconstruction
process, suggestions about what the album originally looked like,
and a page-by-page guide to its contents; and a detailed analysis
of Francis Matthiesen's career. This book opens up new areas of
inquiry into an overlooked subject.
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