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The Making of the State Writer - Social and Aesthetic Origins of Soviet Literary Culture (Hardcover)
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The Making of the State Writer - Social and Aesthetic Origins of Soviet Literary Culture (Hardcover)
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This book completes the author's study of the sociology of the
literary process in Soviet Russia, begun in "The Making of the
State Reader: Social and Aesthetic Contexts of the Reception of
Soviet Literature" (Stanford, 1997). The history of the literary
process of the Soviet era, understood as the living process of the
clash of political and ideological aspirations and the interests
and psychology of cultural elites, allows one to understand the
social origins and cultural aims of Stalinist art in an entirely
new way.
Previous scholarship has concentrated largely on Sovietological
answers to the basic problems of Stalinist aesthetics--such as
"political control," "repressions," and "pressure from the regime."
However, the author demonstrates that Socialist Realism is not so
much directed as it is self-directed; it is not a matter of control
but of self-control. The transformation of the author into his own
censor is the true history of Soviet literature.
Socialist Realism is cultural revolution not only from above but
from below as well. The state simply took into account, and
accurately discerned, the demands of the masses, and Soviet
literature became the reader's answer to these demands. The reader
not only shaped Socialist Realist aesthetics down to his own
expectations, but in fact created it. The Soviet writer was
yesterday's Soviet reader who had learned how to write books.
The Soviet writer can be called the product of authority only to
the extent that this authority recognized and institutionalized
what Lenin called the "lively creativity of the masses." On the
other hand, the author shows, the Soviet writer is the radical
realization and embodiment of the nineteenth-century Russian
populist utopia of enlightenment of the people.
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