The book analyzes the transition from communism and a planned
economy to democracy and capitalism, focusing specifically on the
case of Romania. More specifically it analyzes how the transition
is reflected in the cultural space of films. The research
highlights the importance of films in reflecting political
struggles within society: struggles over basic definitions of the
nation, state, (gendered) self, and symbolic Other. This is
accomplished by building on the theory of cinematic nationhood and
via the method of relational constructivism combined with insights
from Lacanian psychoanalytic theory. It is an interdisciplinary
research that would appeal to a wide postgraduate and undergraduate
audience specializing in: transitions, nationalism and state
formation, gender studies, Eastern European film and
interdisciplinary methods.
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