This provocative collection elaborates a trans-cultural
definition of being a woman in struggle. Looking at the films of
women directors in countries in the Mediterranean rim, this book
spurs a contemporary discussion of women's human, civil, and social
rights while situating feminist arguments on women's identity,
roles, psychology and sexuality. Although their methodologies are
diverse, these artists are united in their use of cinema as a means
of intervention, taking on the role as outspoken and leading
advocates for women's problems. Contributors examine the ways in
which cinematic art reproduces and structures the discourses of
realism and represents Mediterranean women's collective experience
of struggle.
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