Focusing on literary and popular poets, as well as work by
women, African Americans, and soldiers, this book considers how
writers used poetry to articulate their relationships to family,
community, and nation during the Civil War. Faith Barrett suggests
that the nationalist "we" and the personal "I" are not opposed in
this era; rather they are related positions on a continuous
spectrum of potential stances. For example, while Julia Ward Howe
became famous for her "Battle Hymn of the Republic," in an earlier
poem titled "The Lyric I" she struggles to negotiate her
relationship to domestic, aesthetic, and political stances.
Barrett makes the case that Americans on both sides of the
struggle believed that poetry had an important role to play in
defining national identity. She considers how poets created a
platform from which they could speak both to their own families and
local communities and to the nations of the Confederacy, the Union,
and the United States. She argues that the Civil War changed the
way American poets addressed their audiences and that Civil War
poetry changed the way Americans understood their relationship to
the nation.
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