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Race and the Animated Bodyscape - Constructing and Ascribing a Racialized Asian Identity in Avatar and Korra (Paperback)
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Race and the Animated Bodyscape - Constructing and Ascribing a Racialized Asian Identity in Avatar and Korra (Paperback)
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Race does not exist in animation-it must instead be constructed and
ascribed. Yet, over the past few years, there has been growing
discourse on the intersection of these two subjects within both
academic and popular circles. In Race and the Animated Bodyscape:
Constructing and Ascribing a Racialized Asian Identity in "Avatar"
and "Korra," author Francis M. Agnoli introduces and illustrates
the concept of the animated bodyscape, looking specifically at the
US television series Avatar: The Last Airbender and its sequel, The
Legend of Korra. Rather than consider animated figures as unified
wholes, Agnoli views them as complexes of signs, made up of visual,
aural, and narrative components that complement, contradict, and
otherwise interact with each other in the creation of meaning.
Every one of these components matters, as they are each the result
of a series of creative decisions made by various personnel across
different production processes. This volume (re)constructs
production narratives for Avatar and Korra using original and
preexisting interviews with cast and crew members as well as
behind-the-scenes material. Each chapter addresses how different
types of components were generated, tracing their development from
preliminary research to final animation. In doing so, this project
identifies the interlocking sets of production communities behind
the making of animation and thus behind the making of racialized
identities. Due to its illusory and constructed nature, animation
affords untapped opportunities to approach the topic of race in
media, looking beyond the role of the actor and taking into account
the various factors and processes behind the production of
racialized performances. The analysis of race and animation calls
for a holistic approach, one that treats both the visual and the
aural as intimately connected. This volume offers a blueprint for
how to approach the analysis of race and animation.
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