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The Age of Figurative Theo-humanism - The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) (Paperback, Softcover reprint of the original 1st ed. 2015)
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The Age of Figurative Theo-humanism - The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) (Paperback, Softcover reprint of the original 1st ed. 2015)
Series: Boston Studies in Philosophy, Religion and Public Life, 3
Expected to ship within 10 - 15 working days
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This is a comprehensive, integrated account of eighteenth and early
nineteenth century German figurative aesthetics. The author focuses
on the theologically-minded discourse on the visual arts that
unfolded in Germany, circa 1754-1828, to critique the assumption
that German romanticism and idealism pursued a formalist worship of
beauty and of unbridled artistic autonomy. This book
foregrounds what the author terms an “Aesthetics of
Figurative Theo humanism”. It begins with the sculptural
aesthetics of Johann Joachim Winckelmann and Gottfried Herder
before moving on to Karl Philipp Moritz, Wilhelm Heinrich
Wackenroder and Friedrich Schelling. The reader will discover how
this aesthetic tradition, after an initial obsession with classical
sculpture, chose painting as the medium more suited to
the modern self’s exploration of transcendence.
This paradigm-shift is traced in the aesthetic discourse of
Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this
work, the widespread prejudice that such aesthetics initiated a
so-called “Modern Grand Narrative of the Arts” is
deconstructed. One accusation directed at 18th century aesthetics
has been that it realised into “Art” what had previously been a
living, rich tissue of meaning: this work shows
how Figurative Theo humanism's attention to aesthetic
values was never detached from deeper theological and humanistic
considerations. Furthermore, it argues that this aesthetic
discourse never forgot that it emerged from modern
disenchantment—far from occluding the dimension of
secularization, it draws poignant meaning from it. Anyone
with an interest in the current debates about the scope and nature
of aesthetics(philosophers of art, theology, or religion) will find
this book of great interest and assistance.
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