One of the few available books of criticism on the topic, "Bret
Easton Ellis: Underwriting the Contemporary" provides an extended
analysis of Ellis's works to argue that his fiction, through the
technique of underwriting, offers a new politics of literature.
Dealing with his entire body of work to date, from "Less Than Zero"
to "Imperial Bedrooms, " the study provides original readings of
the writer's equivocal engagement with American culture. Reading
Ellis's novels in relation to contemporary political, philosophical
and aesthetic concerns, Colby recasts him as a social critic and a
subversive literary figure who enables us to think differently
about the cultural climates of the 1980s, 1990s, and the first
decade of the twenty-first century.
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