The lives of South Africans have always been interwoven in complex ways. There is a long history of division; but also of profound (and often surprising) instances of mutual recognition. Recognition is an exciting anthology of short stories in which twenty-two South African writers render these intricate connections.

The writers whose stories have been selected use the transformative power of the imagination and the unique appeal of the short story to illuminate aspects of our past and present. Cumulatively their stories tell of a history tainted by misrecognition but not, finally, bound by it. Amongst the twenty-two contributors are some of our best-known short story writers: Pauline Smith, Herman Charles Bosman, H.I. E. Dhlomo, Can Themba, Nadine Gordimer, Alex La Guma, Dan Jacobson, Miriam Tlali, Ahmed Essop, Njabulo Ndebele, Mandla Langa, Chris van Wyk, Damon Galgut, Achmat Dangor and Zoe Wicomb. And there is also a selection of vibrant newer voices: Makhosazana Xaba, Nadia Davids, Mary Watson, Lindiwe Nkutha, Wamuwi Mbao and Kobus Moolman.

Chronologically the collection ranges from the 1920s to the twenty first century. It builds on its predecessor, Encounters, but devotes significant attention to the transitional and post-apartheid years: almost half the stories were published after 1994. The anthology includes a generous and detailed introduction, written by David Medalie. It traces the motif of recognition, discusses the general characteristics of short stories and the narrative devices used by writers, and includes a brief analysis of each short story.

Recognition will appeal to teachers and students of literature. It will be enjoyed by all those who love short stories and appreciate the craftsmanship involved in telling a memorable tale.

The first ever memoirs from the Number One global bestselling adventure author.

Wilbur Smith has lived an incredible life of adventure, and now he shares the extraordinary true stories that have inspired his fiction. From being attacked by lions to close encounters with deadly reef sharks, from getting lost in the African bush without water to crawling the precarious tunnels of gold mines, from marlin fishing with Lee Marvin to near death from crash-landing a Cessna airplane, from brutal school days to redemption through writing and falling in love, Wilbur Smith tells us the intimate stories of his life that have been the raw material for his fiction.

Always candid, sometimes hilarious, and never less than thrillingly entertaining, On Leopard Rock is testament to a writer whose life is as rich and eventful as his novels are compellingly unputdownable.

Sol Plaatje’s Mhudi is one of South Africa’s most famous novels.

First published in 1930, it is the first full-length novel by a black South African writer, and is widely read and studied in South African schools, colleges and universities. It has been translated into a number of different languages. Written over 30 years before Chinua Achebe’s famous Things Fall Apart, Mhudi is a pioneering African novel too, anticipating many of the themes with which Achebe and other writers from the African continent were concerned.

Mhudi has had a complicated history. Critics have been divided in their views, and there was a delay of ten years between the time Plaatje wrote the book and when it was published. A century on from when it was written, the time is now right to both celebrate its composition and to assess its meanings and legacy.

In this book, a distinguished cast of contributors explore the circumstances in which Mhudi was both written and published, what the critics have made of it, why it remains so relevant today. Chapters look at the eponymous feminist heroine of the novel and what she symbolizes, the role of history and oral tradition, the contentious question of language, the linguistic and stylistic choices that Plaatje made. In keeping with Mhudi’s capacity to inspire, this book also includes a poem and short story, specially written in order to pay tribute to both the book and its author.

Ter viering van Dolf van Niekerk se negentigste verjaarsdag verskyn hier ’n versameling filosofiese, bepeinsende en besinnende essays uit die pen van een van Afrikaans se meesterskrywers.

Vanaf sy vroegste gewaarwordinge tot sy kennismaking met groot filosowe soos Nietzsche, Kant en Hegel op universiteit en in sy daaglikse handel en wandel daarna: altyd maar bly die bewustheid van ’n onsigbare “iets” by hierdie aristokratiese gees – en ’n soeke na ’n beter verstaan van dít wat “die sterretyd en die menstyd aan mekaar verbind”.

In 48 essays wat die biografiese tydperk tussen ongeveer sy vyfde en twintigste lewensjaar dek, skryf ’n deurleefde, wyse Van Niekerk oor sy vroegste herinnerings aan sy geboortedorp, sy gesin en sy helderste herinnerings aan die plekke en mense wat hom gevorm het tot die mens wat hy geword het. Want, soos wat hy in die verhaal “Die skinkbord” skryf: Jy kan net wees wie jy is, en jy is wat jy word.

Includes a new introduction from Sophie Hannah, bestselling author of THE MONOGRAM MURDERS.

Agatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure, and a mystery too in the manner in which she achieved her astonishing success.

H R F Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery. Some analyse the art itself; some explain the reasons for her success, not just the books, but also in film and theatre. The approaches are penetrating, affectionate, enthusiastic, analytical, funny - even critical.

Together, they give an almost unique insight into the life and work of the First Lady of Crime.

Part literary history, part feminist historiography And Wrote My Story Anyway critically examines influential novels in English by eminent black female writers.

Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction critically interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society.

This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoe Wicomb, Rayda Jacobs, Yvette Christianse, Kagiso Lesego Molope and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects.

Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.

"Words have power. Yet that power must be rooted in truth and justice. Words must never stand apart from those principles."

Readers who have long wondered where the mysterious novelist gets his ideas and what inspires his beautifully surreal worlds will be fascinated by this highly personal look at the craft of writing.

In this engaging book, the internationally best-selling author shares with readers what he thinks about being a novelist; his own origins as a writer; and his musings on the sparks of creativity that inspire other writers, artists, and musicians.

The astonishing new portrait of the master of spy fiction, by the woman he kept secret for almost half his life.

John le Carre led a life entirely constructed of secrets. First as a British 'spook' during the Cold War, then as a world-renowned writer of espionage fiction, but also in his personal involvements. He guarded his private life with fierce determination, so that even when he finally permitted his life story to be written, there was still one element he insisted be excluded: the women.

Married with children for virtually all his adult life, le Carre - David Cornwell - had a number of secret affairs, usually conducted abroad with women encountered by chance on his travels. These relationships were always intense, dramatic, even tragic, yet each was destined to last no more than a few months. But there was one love affair that withstood the test of time; just one woman in all his life whom he took into the innermost sanctum of his writing and his heart.

The Secret Heart is the account of Suleika Dawson's unique and enduring love affair with John le Carre. Written with fearless honesty and insight, the book sheds a bold new light on one of the foremost British writers of the 20th century and offers an alternative measure of the man over the literary legend.

The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel's transformative and timeless influence on an entire genre of fantasy.

It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.

Drawing upon multiple comic book series, this collection includes Captain America's very first appearances from 1941 alongside key examples of his first solo stories of the 1960s, in which Steve Rogers, the newly resurrected hero of World War II, searches to find his place in a new and unfamiliar world. As the contents reveal, the transformations of this American icon thus mark parallel transformations in the nation itself.

A foreword by Gene Luen Yang and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of Captain America and classic Marvel comics.

The Penguin Classics black spine paperback features full-colour art throughout.

The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel's transformative and timeless influence on an entire genre of fantasy.

It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.

This anthology contains twelve key stories from the first two years of Spider-Man's publication history (from 1962 to 1964). These influential adventures not only transformed the super hero fantasy into an allegory for the pain of adolescence but also brought a new ethical complexity to the genre-by insisting that with great power there must also come great responsibility.

A foreword by Jason Reynolds and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of The Amazing Spider-Man and classic Marvel comics.

The Penguin Classics black spine paperback features full-colour art throughout.

Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King.

Part memoir, part masterclass by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999 - and how the inextricable link between writing and living spurred his recovery.

Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King's critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.

Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it - fans, writers, and anyone who loves a great story well told.

Life of Pi is a contemporary novel about one boy's story of endurance after a disaster at sea leaves him the sole survivor in a lifeboat for 227 days with a fierce Bengal tiger. The story charts the life and death experiences of the protagonist, Pi, as he is forced to draw on his spiritual and mental strengths to survive every part of his adventure. The layers of vivid story-telling reveal the many complexities of Pi's extraordinary journey.

Features:

- Includes introductory notes about the author, and background information about the novel, themes and characters

- Annotations in the margins highlight literary concepts to guide learners' thinking as the novel progresses

- Footnotes throughout the novel provides learners with explanations of new words and key concepts

- Short questions, contextual questions and essay questions address all cognitive levels, prepare learners for their exams and promote critical thinking

- Includes answers to all questions

Lewis Nkosi's insights into South African literature, culture and society first appeared in the 1950s, when the `new' urban African in Sophiatown and on Drum magazine mockingly opposed then Prime Minister H.F. Verwoerd's Bantu retribalisation policies. Before his death in 2010, Nkosi focused on the literary-cultural challenges of post-Mandela times. Having lived for 40 years in exile, he returned to South Africa, intermittently, after the unbannings of 1990. His critical eye, however, never for long left the home scene. Hence, the title of this selection of his articles, essays and reviews, Writing Home. Writing home with wit, irony and moral toughness Nkosi assesses a range of leading writers, including Herman Charles Bosman, Breyten Breytenbach, J.M. Coetzee, Athol Fugard, Nadine Gordimer, Bessie Head, Alex La Guma, Bloke Modisane, Es'kia Mphahlele, Nat Nakasa, Njabulo S. Ndebele, Alan Paton and Can Themba. Combining the journalist's penchant for the human-interest story with astute analysis, Nkosi's ideas, observations and insights are as fresh today as when he began his 60-year career as a writer and critic. Selected from his out-of-print collections, Home and Exile, The Transplanted Heart and Tasks and Masks, as well as from journals and magazines, Lewis Nkosi's punchy commentaries will appeal to a wide readership.

The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel's transformative and timeless influence on an entire genre of fantasy.

It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few.

This anthology contains twelve key stories from the first two years of Spider-Man's publication history (from 1962 to 1964). These influential adventures not only transformed the super hero fantasy into an allegory for the pain of adolescence but also brought a new ethical complexity to the genre-by insisting that with great power there must also come great responsibility.

A foreword by Jason Reynolds and scholarly introductions and apparatus by Ben Saunders offer further insight into the enduring significance of The Amazing Spider-Man and classic Marvel comics.

The Deluxe Hardcover edition features gold foil stamping, gold top stain edges, special endpapers with artwork spotlighting series villains, and full-colour art throughout.

Pre Order 'For You and You Only' the next suspense-filled book in the 'You' series. 'The latest in the thriller series behind Netflix stalker blockbuster You' GUARDIAN 'Crazy, sexy, cool: Caroline Kepnes gets better - and Joe Goldberg gets worse - with every book' ERIN KELLY 'Caroline Kepnes writes with such malevolent energy, such dark grace and such ink-black humour. An utterly unique character and an utterly unique writer, in a marriage made somewhere between heaven and hell' RICHARD OSMAN 'Fiendish, fast-paced, and very funny' PAULA HAWKINS 'Another dark, thrilling, and blackly hilarious adventure from everyone's favourite murderer' CLAIRE MCGOWAN 'I absolutely loved it. It's completely addictive, razor-sharp writing from Kepnes. Internet creeping at its most darkly humorous. Joe's back, and this time it's definitely real love' CATHERINE STEADMAN 'Caroline Kepnes must be some kind of storytelling sorcerer. How else can Joe Goldberg - stalker, creep, multiple-murderer, blamer of everyone else but himself, a "long overdue book, the one you never thought was coming" - be such an entertaining narrator? Even Tom Ripley, Patricia Highsmith's famously amoral character (a clear inspiration for Kepnes), could be enjoyed at a third-person remove, unlike the in-your-face immediacy of Joe's blinkered perspective . . . brilliant' New York Times The highly anticipated new thriller in Caroline Kepnes's hit YOU series, now a blockbuster Netflix show.Joe Goldberg is back. And he's going to start a family - even if it kills him . . . Joe Goldberg is done with cities, done with the muck and the posers, done with Love. Now, he's saying hello to nature, to simple pleasures on a cosy island in the Pacific Northwest. For the first time in a long time, he can just breathe. He gets a job at the local library - he does know a thing or two about books - and that's where he meets her: Mary Kay DiMarco. Librarian. Joe won't meddle, he will not obsess. He'll win her the old fashioned way . . . by providing a shoulder to cry on, a helping hand. Over time, they'll both heal their wounds and begin their happily ever after in this sleepy town. The trouble is . . . Mary Kay already has a life. She's a mother. She's a friend. She's . . . busy. True love can only triumph if both people are willing to make room for the real thing. Joe cleared his decks. He's ready. And hopefully, with his encouragement and undying support, Mary Kay will do the right thing and make room for him.

**BRINGING DANGER CLOSE TO HOME . . . THE GRIPPING NEW THRILLER FROM BESTSELLING AUTHOR NICCI FRENCH, COMING SPRING 2023. PRE-ORDER NOW!** 'Fantastic - a breathless drumbeat of dread and suspense . . . no one does it better than Nicci French' Lee Child 'Heart-thumping, head-scratching, nail-biting stuff: The Favour is classic Nicci French. I read it in one breathless sitting' Erin Kelly A good deed Can turn deadly... When Liam unexpectedly turns up in Jude's life after ten years of no contact, asking her for a favour, she just can't say no. He was her first love, and even though she is now a successful doctor and about to get married, he will always be someone special to her. But after she does the favour, she is contacted by the police, informing her that Liam has been found dead, and suddenly she is caught up in a murder investigation. And she realises this one decision could cost her everything - even her life... Praise for Nicci French: 'Brilliantly twisty, the final reveal will send shivers down your spine' Woman & Home 'Pacy and page-turning, this is a gripping thriller about what happens when one small decision spials out of control... Ardent fans and new readers alike will love it' Prima 'Expertly paced, psychologically sharp, thoroughly enjoyable' Louise Candlish 'Meticulously plotted, psychologically astute' Sarah Vaughan 'Absorbing.' Sabine Durrant 'No-one does the dark distortion of good intentions like Nicci French' Cara Hunter 'Perfection.' Sophie Hannah 'An absolute masterclass of crime writing.' Kate Rhodes 'An intriguing, compelling page-turner.' Liz Nugent 'Elegant and beguiling' C. M. Ewan 'Taut, well-paced and frighteningly familiar' Polly Phillips

Exam board: AQA A, Cambridge Assessment International Education Level & Subject: AS and A Level English Literature First teaching: September 2015 First examination: June 2017, 2021 This edition of Persuasion provides depth and context for A Level students, with the complete novel in an easy to read format, and a detailed introduction and bespoke glossary written by an experienced A Level teacher with academic expertise in the area. * Affordable high quality complete text of Persuasion, ideal for AS and A Level Literature * Perfectly pitched introductions provide the depth and demand required by AS and A Level * Explore the contemporary context, Jane Austen's writing, the novel's critical reception and subsequent interpretations for a deeper reading of the text * Expand your further reading with a list of key articles and critical and theoretical texts * Improve your understanding of the novel with unfamiliar concepts and culturally-specific terms defined in the glossary

"What's this you're writing?... asked Pooh, climbing onto the writing table. "The Tao of Pooh,... I replied. "The how of Pooh?... asked Pooh, smudging one of the words I had just written. "The Tao of Pooh,... I replied, poking his paw away with my pencil. "It seems more like ow! of Pooh,... said Pooh, rubbing his paw. "Well, it's not,... I replied huffily. "What's it about?... asked Pooh, leaning forward and smearing another word. "It's about how to stay happy and calm under all circumstances!... I yelled. "Have you read it?... asked Pooh... ...Winnie-the-Pooh has a certain way about him, a way of doing things that has made him the world's most beloved bear, and Pooh's Way, as Benjamin Hoff brilliantly demonstrates, seems strangely close to the ancient Chinese principles of Taoism. Follow the Pooh Way in this humorous and enlightening introduction to Taoism, with classic decorations by E.H.Shepard throughout. Over a million copies sold to date. This deluxe anniversary edition is a beautiful gift for any fans of this classic title or everyone's favourite bear.

'This is a stunning read that plunges you into another world. Backman writes with incredible sensitivity and insight. Every one of the characters is real and multi-faceted, having you breathlessly turning the pages, following their fears and hopes, fretting for their futures. This is storytelling at its best: Emotional, vivid, wise and utterly brilliant' Hazel Prior 'It's often said that winners write history, but there are no winners here' This is a small story about big questions. It's a story about family, community, life. It starts with a storm - and a death. But how does it end? Two years have passed since the events that no one wants to think about. Everyone has tried to move on, but there's something about this place that prevents it. The residents continue to grapple with life's big questions: What is a family? What is a community? And what, if anything, are we willing to sacrifice in order to protect them? As the locals of Beartown struggle to overcome the past, great change is on the horizon. Someone is coming home after a long time away. Someone will be laid to rest. Someone will fall in love, someone will try to fix their marriage, and someone will do anything to save their children. Someone will submit to hate, someone will fight, and someone will grab a gun and walk towards the ice rink. So what are the residents of Beartown willing to sacrifice for their home? Everything. Praise for the Beartown books: 'I utterly believed in the residents of Beartown, and felt ripped apart by the events in the book' Jojo Moyes 'Surrounded by impenetrable forests, Beartown recreates the stifling atmosphere of a dying community. A mature, compassionate novel' Sunday Times 'Backman can tickle the funny bone and tug on the heart strings when he needs to, and is a clever enough storyteller to not overindulge in either' Independent 'As popular Swedish exports go, Backman is up there with ABBA and Stieg Larsson' The New York Times Book Review 'Backman is a masterful writer' Kirkus Review

"Contexts and Sources" provides readers with a rich selection of documents related to the historical background, language, composition, sale, reception, and newly discovered first half of the manuscript of Mark Twain's greatest work. Included are letters on the writing of the novel, excerpts from the author's autobiography, samples of bad poetry that inspired his satire (including an effort by young Sam Clemens himself), a section on the censorship of Adventures of Huckleberry Finn by schools and libraries over a hundred-year period, and commentary by David Carkeet on dialects of the book and by Earl F. Briden on its "racist" illustrations. In addition, this section reprints the full texts of both "Sociable Jimmy," upon which is based the controversial theory that Huck speaks in a "black voice," and "A True Story, Repeated Word for Word As I Heard It," the first significant attempt by Mark Twain to capture the speech of an African American in print. "Criticism" of Adventures of Huckleberry Finn is divided into "Early Responses" (including the first negative review) and "Modern Views" by Victor A. Doyno, T. S. Eliot, Jane Smiley, David L. Smith, Shelley Fisher Fishkin (the "black voice" thesis), James R. Kincaid (a rebuttal of Fishkin), and David R. Sewell. Also included is Toni Morrison's moving personal "Introduction" to the troubling experience of reading and re-reading Mark Twain's masterpiece. "A Chronology and Selected Bibliography" are also included.

The Rise of the African Novel is the first book to situate South African and African-language literature of the late 1880s through the early 1940s in relation to the literature of decolonization that spanned the 1950s through the 1980s, and the contemporary generation of established and emerging continental and diaspora African writers of international renown.

Calling it a major crisis in African literary criticism, Mukoma Wa Ngugi considers key questions around the misreading of African literature: Why did Chinua Achebe’s generation privilege African literature in English despite the early South African example? What are the costs of locating the start of Africa’s literary tradition in the wrong literary and historical period? What does it mean for the current generation of writers and scholars of African literature not to have an imaginative consciousness of their literary past?

While acknowledging the importance of Achebe’s generation in the African literary tradition, Mukoma Wa Ngugi challenges that narrowing of the identities and languages of the African novel and writer. In restoring the missing foundational literary period to the African literary tradition, he shows how early South African literature, in both aesthetics and politics, is in conversation with the literature of the African independence era and contemporary rooted transnational literatures.

This book will become a foundational text in African literary studies, as it raises questions about the very nature of African literature and criticism. It will be essential reading for scholars of African literary studies as well as general readers seeking a greater understanding of African literary history and the ways in which critical consensus can be manufactured and rewarded at the expense of a larger and historical literary tradition.

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop your analysis and understanding, plus regular study tips, revision questions and progress checks to track your learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping you to succeed.