The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a fresh reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

A popular sub-genre of fantasy and science fiction, steampunk re-imagines the Victorian age in the future, and re-works its technology, fashion, and values with a dose of anti-modernism. While often considered solely through the lens of literature, steampunk is, in fact, a complex phenomenon that also affects, transforms, and unites a wide range of disciplines, such as art, music, film, television, fashion, new media, and material culture. In Steaming into a Victorian Future: A Steampunk Anthology, Julie Anne Taddeo and Cynthia J. Miller have assembled a collection of essays that consider the social and cultural aspects of this multi-faceted genre. The essays included in this volume examine various manifestations of steampunk-both separately and in relation to each other-in order to better understand the steampunk sub-culture and its effect on-and interrelationship with-popular culture and the wider society. This volume expands and extends existing scholarship on steampunk in order to explore many previously unconsidered questions about cultural creativity, social networking, fandom, appropriation, and the creation of meaning. With a foreword by popular culture scholar Ken Dvorak, and an afterword by steampunk expert Jeff VanderMeer, Steaming into a Victorian Future offers a wide ranging look at the impact of steampunk, as well as the individuals who create, interpret, and consume it.

Each volume of the Platinum Vignettes series presents 50 ultra-high-yield case scenarios of frequently tested topics to give you a clear advantage on the vignette-based Step 1 exam. Plus, the case discussions provide a wealth of tips, insights, buzzwords, advice on handling distractors, and guidance on just what the boards will ask and how to answer.

Are we inside the era of disasters or are we merely inundated by mediated accounts of events categorized as catastrophic? America's Disaster Culture offers answers to this question and a critical theory surrounding the culture of "natural" disasters in American consumerism, literature, media, film, and popular culture. In a hyper-mediated global culture, disaster events reach us with great speed and minute detail, and Americans begin forming, interpreting, and historicizing catastrophes simultaneously with fellow citizens and people worldwide. America's Disaster Culture is not policy, management, or relief oriented. It offers an analytical framework for the cultural production and representation of disasters, catastrophes, and apocalypses in American culture. It focuses on filling a need for critical analysis centered upon the omnipresence of real and imagined disasters, epidemics, and apocalypses in American culture. However, it also observes events, such as the Dust Bowl, Hurricane Katrina, and 9/11, that are re-framed and re-historicized as "natural" disasters by contemporary media and pop culture. Therefore, America's Disaster Culture theorizes the very parameters of classifying any event as a "natural" disaster, addresses the biases involved in a catastrophic event's public narrative, and analyzes American culture's consumption of a disastrous event. Looking toward the future, what are the hypothetical and actual threats to disaster culture? Or, are we oblivious that we are currently living in a post-apocalyptic landscape?

Take Note for Exam Success! York Notes offer an exciting approach to English literature. This market leading series fully reflects student needs. They are packed with summaries, commentaries, exam advice, margin and textual features to offer a wider context to the text and encourage a critical analysis. York Notes, The Ultimate Literature Guides.

Take Note for Exam Success! York Notes offer an exciting approach to English literature. This market leading series fully reflects student needs. They are packed with summaries, commentaries, exam advice, margin and textual features to offer a wider context to the text and encourage a critical analysis. York Notes, The Ultimate Literature Guides.

David Foster Wallace is invariably seen as an emphatically American figure. Lucas Thompson challenges this consensus, arguing that Wallace's investments in various international literary traditions are central to both his artistic practice and his critique of US culture. Thompson shows how, time and again, Wallace's fiction draws on a diverse range of global texts, appropriating various forms of world literature in the attempt to craft fiction that critiques US culture from oblique and unexpected vantage points. Using a wide range of comparative case studies, and drawing on extensive archival research, Global Wallace reveals David Foster Wallace's substantial debts to such unexpected figures as Jamaica Kincaid, Julio Cortazar, Jean Rhys, Octavio Paz, Leo Tolstoy, Zbigniew Herbert, and Albert Camus, among many others. It also offers a more comprehensive account of the key influences that Wallace scholars have already perceived, such as Fyodor Dostoevsky, Franz Kafka, and Manuel Puig. By reassessing Wallace's body of work in relation to five broadly construed geographic territories -- Latin America, Russia, Eastern Europe, France, and Africa -- the book reveals the mechanisms with which Wallace played particular literary traditions off one another, showing how he appropriated vastly different global texts within his own fiction. By expanding the geographic coordinates of Wallace's work in this way, Global Wallace reconceptualizes contemporary American fiction, as being embedded within a global exchange of texts and ideas.

In "The Prestige of Violence" Sally Bachner argues that, starting in the 1960s, American fiction laid claim to the status of serious literature by placing violence at the heart of its mission and then insisting that this violence could not be represented.

Bachner demonstrates how many of the most influential novels of this period are united by the dramatic opposition they draw between a debased and untrustworthy conventional language, on the one hand, and a violence that appears to be prelinguistic and unquestionable, on the other. Genocide, terrorism, war, torture, slavery, rape, and murder are major themes, yet the writers insist that such events are unspeakable. Bachner takes issue with the claim made within trauma studies that history is the site of violent trauma inaccessible to ordinary representation. Instead, she argues, both trauma studies and the fiction to which it responds institutionalize an inability to address violence.

Examining such works as Vladimir Nabokov's" Pale Fire," Thomas Pynchon's "The Crying of Lot 49," Norman Mailer's "Armies of the Night," Margaret Atwood's "Surfacing," and Philip Roth's "The Plot Against America," Bachner locates the postwar prestige of violence in the disjunction between the privileged security of wealthier Americans and the violence perpetrated by the United States abroad. The literary investment in unspeakable and often immaterial violence emerges in Bachner's readings as a complex and ideologically varied literary solution to the political geography of violence in our time.

Dickens, Journalism, Music presents the first full analysis of the articles on music published in the two journals conducted by Charles Dickens, Household Words and its successor, All the Year Round. Robert Bledsoe examines the editorial influence of Dickens on articles written by a range of writers and what it reveals about his own developing attitude to music and its social role in parks, community singing groups, music halls and on the streets. The book also looks at the difference between the two journals and how the greater coverage of classical music and opera in All the Year Round reflects the increasing importance of music to Dickens in his later life.

A valuable reference and collection development tool designed to assist readers' advisors in helping readers find modern "detective" mysteries they will enjoy. In this follow-up and companion to the author's previous title, Make Mine a Mystery: A Reader's Guide to Mystery and Detective Fiction, renowned expert on the mystery and detective genre Gary Warren Niebuhr brings readers' advisors and librarians a new resource guide that categorizes and describes recently published mystery novels. Make Mine a Mystery II examines works by prominent established authors and includes books from new writers not in the previous edition. Organizing some 700 titles in popular mystery series, the books within are divided into the broader types-amateur, public, and private detective. Each of the selections within these groups is further categorized by the type of protagonist: classic, eccentric, lone wolf, police, lawyer, and so on. The author even notes whether each detective is of the "hardboiled," "softboiled" (cozy), or traditional type, enabling users to easily identify read-alikes for mystery fans. This book will be especially helpful for collection development specialists seeking to create a balanced collection of titles. Covers authors that represent best contributors to the mystery series fiction genre Provides a broad bibliography of mystery series fiction Includes an index that references authors, titles, characters, settings, and locations

The concept of the 'desire for technology' originates with Jean Baudrillard, the French postmodernist and high-tech social thinker. Desire for Technology delves into this concept, seeking to understand the relationship between technology and human desire in science fiction and beyond. Academic disciplines have increasingly sought to bridge the gap between human beings and technology. Baudrillard points to three orders of simulacra to rethink the objectivity of science and history, taking simulacra from the Renaissance, through the industrial revolution, to the postmodern era, corresponding to counterfeit, production, and simulation. This title proposes three stages in the procession of science fiction. Fantasy literature belongs to the beginning, science fiction to the developing, and technological theory to the culminating stage: the expansion of science fiction. A Promethean rebellion against God's will announces the death of Nature, disclosing potential technological disasters, and stimulating the building of a human-centred technological utopia.

In his novel Mao II, Don DeLillo lets his protagonist say, "Years ago I used to think it was possible for a novelist to alter the inner life of the culture. Now bomb-makers and gunmen have taken that territory. They make raids on human consciousness." DeLillo suggests that while the collective imagination of the past was guided by the creative order of narrative fictions, our contemporary fantasies and anxieties are directed by the endless narratives of war and terror relayed by the mass media. To take DeLillo's literary reflections on media, terrorism, and literature seriously means to engage with the ethical implications of his media critique. This book departs from existing works on DeLillo not only through its focus on the function of literature as public discourse in culture, but also in its decidedly transatlantic perspective. Bringing together prominent DeLillo scholars in Europe and in the US, it is the first critical book on DeLillo to position his work in a transatlantic context.

In 1977, Dave Sim (b. 1956) began to self-publish Cerebus, one of the earliest and most significant independent comics, which ran for 300 issues and ended, as Sim had planned from early on, in 2004. Over the run of the comic, Sim used it as a springboard to explore not only the potential of the comics medium but also many of the core assumptions of Western society. Through it he analyzed politics, the dynamics of love, religion, and, most controversially, the influence of feminism--which Sim believes has had a negative impact on society. Moreover, Sim inserted himself squarely into the comic as Cerebus's creator, thereby inviting criticism not only of the creation, but also of the creator. What few interviews Sim gave often pushed the limits of what an interview might be in much the same way that Cerebus pushed the limits of what a comic might be. In interviews Sim is generous, expansive, provocative, and sometimes even antagonistic. Regardless of mood, he is always insightful and fascinating. His discursive style is not conducive to the sound bite or to easy summary. Many of these interviews have been out of print for years. And, while the interviews range from very general, career-spanning explorations of his complex work and ideas, to tightly focused discussions on specific details of Cerebus, all the interviews contained herein are engaging and revealing.

"All-Electric" Narratives is the first in-depth study of time-saving electrical appliances in American literature. It examines the literary depiction of refrigerators, vacuum cleaners, oven ranges, washing machines, dryers, dishwashers, toasters, blenders, standing and hand-held mixers, and microwave ovens between 1945, when the "all-electric" home came to be associated with the nation's hard-won victory, and 2020, as contemporary writers consider the enduring material and spiritual effects of these objects in the 21st century. The appropriation and subversion of the rhetoric of domestic electrification and time-saving comprises a crucial, but overlooked, element in 20th-century literary forms and genres including Beat literature, Black American literature, second-wave feminist fiction, science fiction, and postmodernist fiction. Through close-readings of dozens of literary texts alongside print and television ads from this period, Dini shows how U.S. writers have unearthed the paradoxes inherent to claims of appliances' capacity to "give back" time to their user, transport them into a technologically-progressive future, or "return" them to some pastoral past. In so doing, she reveals literary appliances' role in raising questions about gender norms and sexuality, racial exclusion and erasure, class anxieties, the ramifications of mechanization, the perils and possibilities of conformity, the limitations of patriotism, and the inevitable fallacy of utopian thinking-while both shaping and radically disrupting the literary forms in which they operated.

The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Mairtin O Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Sean O'Faolain, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.

For anyone who loved St Trinian's - old or new - or read Malory Towers as a kid. St Brides is the perfect read for you. When Gemma Lamb takes a job at a quirky English girls' boarding school, she believes she's found the perfect escape route from her controlling boyfriend - until she discovers the rest of the staff are hiding sinister secrets: Hairnet, the eccentric headmistress who doesn't hold with academic qualifications Oriana Bliss, Head of Maths and master of disguise Joscelyn Spryke, the suspiciously rugged Head of PE Geography teacher Mavis Brook, surreptitiously selling off the library books creepy night watchman Max Security, with his network of hidden tunnels Even McPhee, the school cat, is leading a double life. Tucked away in the school's beautiful private estate in the Cotswolds, can Gemma stay safe and build a new independent future, or will past secrets catch up with her and the rest of the staff? With a little help from her new friends, including some wise pupils, she's going to give it her best shot... Previously published by Debbie Young as Secrets at St Bride's.

This is an essential early Johnson biography, recovered from obscurity and reissued in celebration of the tercentenary of Johnson's birth. This is the first and only scholarly edition of Sir John Hawkins' Life of Samuel Johnson, LL.D., a work that has not been widely available in complete form for more than two hundred years. Published in 1787, some four years before James Boswell's biography of Johnson, ""Hawkins' Life"" complements, clarifies, and often corrects numerous aspects of Boswell's Life. Samuel Johnson (1709-84) is the most significant English writer of the second half of the eighteenth century; indeed, this period is widely known as the Age of Johnson. Hawkins was Johnson's friend and legal adviser and the chief executor of his will. He knew Johnson longer and in many respects better than other biographers, including Boswell, who made unacknowledged use of Hawkins' Life and helped orchestrate the critical attacks that consigned the book to obscurity. Sir John Hawkins had special insight into Johnson's mental states at various points in his life, his early days in London, his association with the ""Gentleman's Magazine"", and his political views and writings. Hawkins' use of historical and cultural details, an uncommon literary device at the time, produced one of the earliest 'life and times' biographies in our language. O M Brack, Jr.'s introduction covers the history of the composition, publication, and reception of the Life and provides a context in which it should be read. Annotations address historical, literary, and linguistic uncertainties, and a full textual apparatus documents how Brack arrived at this definitive text of Hawkins' Life.

The fifth and final volume of the Collected Letters of Katherine Mansfield covers the almost thirteen months during which her attention at first was firmly set on a last chance medical cure, then finally on something very different--if death came to seem inevitable, how should one behave in the time that remained, so one could truly say one lived?
Mansfield's biographers, like her friends, have wondered at the seemingly extraordinary decision to ditch conventional medicine, for the bizarre choice of Gurdjieff's Institute for the Harmonious Development of Man at Fontainebleau. These letters show the clarity of mind and will that led to that decision, the courage and distress in making it, and the gaiety even once it was made. She went against what her education, her husband, and most of her friends would regard as reasonable, as she opted to spend her last months with Russian emigres and a strange assortment of Gurdjieff disciples (which she was not). But Fontainebleau give her the space and the incentive to shake free from the intellectualism that she thought the malaise of her time, as she worked at kitchen chores, took in the details of farm life, tried to learn Russian, and attempted to reach total honesty with herself. "If I were allowed one simple cry to God," she wrote in one of her last letters, "that cry would be I want to be REAL."

Featuring close readings of commonly studied texts, this book takes students of Children's Literature through the key works, their contexts and critical and popular afterlives. "Children's Literature in Context" is a clear, accessible and concise introduction to children's literature and its wider contexts. It begins by introducing key issues involved in the study of children's literature and its social, cultural and literary contexts. Close readings of commonly studied texts including Lewis Carroll's Alice books, "The Wonderful Wizard of Oz", "The Lion", "The Witch and the Wardrobe", the "Harry Potter" series and the "His Dark Materials" trilogy highlight major themes and ways of reading children's literature. A chapter on afterlives and adaptations explores a range of wider cultural texts including the film adaptations of "Harry Potter", "The Chronicles of Narnia" and "The Golden Compass". The final section introduces key critical interpretations from different perspectives on issues including innocence, gender, fantasy, psychoanalysis and ideology. 'Review, Reading and Research' sections give suggestions for further reading, discussion and research. Introducing texts, contexts and criticism, this is a lively and up-to-date resource for anyone studying children's literature. Texts and Contexts is a series of clear, concise and accessible introductions to key literary fields and concepts. The series provides the literary, critical, historical context for texts and authors in a specific literary area in a way that introduces a range of work in the field and enables further independent study and reading.

This book sets out to correct received accounts of the emergence of art history as a masculine field. It investigates the importance of female writers from Anna Jameson, Elizabeth Eastlake and George Eliot to Alice Meynell, Vernon Lee and Michael Field in developing a discourse of art notable for its complexity and cultural power, its increasing professionalism and reach, and its integration with other discourses of modernity. Proposing a more flexible and inclusive model of what constitutes art historical writing, including fiction, poetry and travel literature, this book offers a radically revisionist account of the genealogy of a discipline and a profession. It shows how women experienced forms of professional exclusion that, whilst detrimental to their careers, could be aesthetically formative; how working from the margins of established institutional structures gave women the freedom to be audaciously experimental in their writing about art in ways that resonate with modern readers.

Britain's domestic intelligence agencies maintained secret records on many left-wing writers after the First World War. Drawing on recently declassified material from 1930 to 1960, this revealing study examines how leading figures in Britain's literary scene fell under MI5 and Special Branch surveillance, and the surprising extent to which writers became willing participants in the world of covert intelligence and propaganda. Chapters devoted to W. H. Auden and his associates, theatre pioneers Ewan MacColl and Joan Littlewood, George Orwell and others describe methods used by MI5 to gather information through and about the cultural world. The book also investigates how these covert agencies assessed the political influence of such writers, providing scholars and students of twentieth-century British literature with an unprecedented account of clandestine operations in popular culture.

Alice Walker, Pulitzer Prize-winning author of "The Color Purple," is one of America's major and most prolific writers. She is also among its most controversial. How has Walker's work developed over the last forty years? Why has it often provoked extreme reactions? Does Walker's cultural, political and spiritual activism enhance or distort her fiction? Where does she belong in the evolving tradition of African American literature?
"Alice Walker," second edition:
* Examines the full range of Walker's prose writings: her novels, short stories, essays, activist writings, speeches and memoirs
* Has been thoroughly revised in the light of the latest scholarship and critical developments
* Brings coverage of Walker's work right up to date with a new chapter on "Now is the Time to Open Your Heart" (2004), and discussion of her recent non-fictional writing, including "Overcoming Speechlessness" (2010)
* Traces Walker's lineage back to nineteenth-century visionary black women preachers and activists
* Assesses Walkers prose oeuvre both in terms of its literary and its activist merits and shortcomings.
Ideal for students and scholars alike, this established text remains an essential guide to the work of a key US author as it explains her unique place in contemporary American letters.