Twilight Histories explores the relationship between nostalgia and the Victorian historical novel, arguing that both responded to the turbulence brought by accelerating modernisation. Nostalgia began as a pathological homesickness, its first victims seventeenth-century soldiers serving abroad. Only gradually did it become the sentimental memory we understand it as today. In a striking parallel to nostalgia's origin, the historical novel emerged in the tumultuous early-years of the nineteenth century, at a time when the Napoleonic Wars once again set troops on the move, creating a new wave of homesick soldiers. In the historical novels of Gaskell, Thackeray, Dickens, Eliot and Hardy, nostalgia offered a language in which to describe the experience of living through changing times as a homesickness for history.

Pre-order the BRAND NEW laugh-out-loud romantic comedy from bestseller Portia MacIntosh! Two reluctant housemates. One question: Is this your place or mine...? When Serena is kicked out of her flat, an offer from her friend, Taylor, to house sit for her while she and her husband go travelling could not be better timing. But unfortunately for Serena she's not the only one to have received this offer... Enter Ziggy: arrogant, messy (and annoyingly handsome) musician, and friend of Taylor's husband. Living with him is far from ideal, especially when he claims the best room, has loud parties - and the least said about his kitchen manner the better... There's just one solution for Serena - drive him out of the house by being twice as difficult to live with than he is! But Ziggy knows Serena's game and as war ensues between them, being forced together under one roof may result in some unexpected consequences... Don't miss bestseller Portia MacIntosh's brand new laugh-out-loud romantic comedy, guaranteed to put a smile on your face.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1954.

The New Zealand-born writer Katherine Mansfield associated intimately with many members of the Bloomsbury group, but her literary aesthetics placed her at a distance from the artistic works of the group. With chapters written by leading international scholars, Katherine Mansfield and the Bloomsbury Group explores this conflicted relationship. Bringing together biographical and critical studies, the book examines Mansfield's relationships - personal and literary - with such major Modernist figures as Virginia Woolf, T.S. Eliot, Aldous Huxley and Walter de la Mare as well as the ways in which her work engaged with and reacted against Bloomsbury. In this way the book reveals the true extent of Mansfield's wider influence on 20th-century modernist writing.

Haitian-American writer Edwidge Danticat is one of the most recognized writers today. Her debut novel, Breath, Eyes, Memory, was an Oprah Book Club selection, and works such as Krik? Krak! and Brother, I'm Dying have earned her a MacArthur ""genius"" grant and National Book Award nominations. Yet despite international acclaim and the relevance of her writings to postcolonial, feminist, Caribbean, African diaspora, Haitian, literary, and global studies, Danticat's work has not been the subject of a full-length interpretive literary analysis until now. In Edwidge Danticat: The Haitian Diasporic Imaginary, Nadege T. Clitandre offers a comprehensive analysis of Danticat's exploration of the dialogic relationship between nation and diaspora. Clitandre argues that Danticat-moving between novels, short stories, and essays-articulates a diasporic consciousness that acts as a form of social, political, and cultural transformation at the local and global level. Using the echo trope to approach Danticat's narratives and subjects, Clitandre effectively navigates between the reality of diaspora and imaginative opportunities that diasporas produce. Ultimately, Clitandre calls for a reconstitution of nation through a diasporic imaginary that informs the way people who have experienced displacement view the world and imagine a more diverse, interconnected, and just future.

This work analyzes 21st-century realistic speculations of human extinction: fictions that imagine future worlds without interventions of as-yet uninvented technology, interplanetary travel, or other science fiction elements that provide hope for rescue or long-term survival. Climate change fiction as a genre of apocalyptic and post-apocalyptic writing usually resists facing the potentiality of human species extinction, following instead traditional generic conventions that imagine primitivist communities of human survivors with the means of escaping the consequences of global climate change. Yet amidst the ongoing sixth great extinction, works that problematize survival, provide no opportunities for social rebirth, and speculate humanity's final end may address the problem of how to reject the impulse of human exceptionalism that pervades climate change discourse and post-apocalyptic fiction. Rather than following the preferences of the genre, the ecocollapse fictions examined here manifest apocalypse where the means for a happy ending no longer exists. In these texts, diminished ecosystems, specters of cannibalism, and disintegrations of difference and othering render human self-identity as radically malleable within their confrontations with the stark materiality of all life. This book is the first in-depth exploration of contemporary fictions that imagine the imbrication of human and nonhuman within global species extinctions. It closely interrogates novels from authors like Peter Heller, Cormac McCarthy and Yann Martel that reject the impulse of human exceptionalism to demonstrate what it might be like to go extinct.

Locating Science Fiction is a ground breaking and potentially paradigm-shifting book, a major intervention into contemporary theoretical debates about SF. Academic literary criticism has tended to locate SF primarily in relation to the older genre of utopia; fan criticism primarily in relation to fantasy and SF in other media, especially film and television; popular fiction studies primarily in relation to other contemporary genres such as the romance and the thriller. This bold new synthesis relocates SF in relation to each of these other genres and media and also to the historical and geographic contexts of its emergence and development. Locating Science Fiction effects a series of vital shifts in the way SF theory and criticism has conceptualised its subject, away from prescriptively abstract dialectics of cognition and estrangement and towards the empirically grounded understanding of what is actually a messy amalgam of texts, practices and artefacts. Inspired by Raymond Williams's cultural materialism, Pierre Bourdieu's sociology of culture and Franco Moretti's application of world systems theory to literary studies, Locating Science Fiction draws on the disciplinary competences of Comparative Literature, Cultural Studies, Critical Theory and Sociology to produce a powerfully persuasive mode of analysis, engagement and argument.

This volume highlights the wealth of medieval storytelling and the fundamental unity of the medieval Mediterranean by combining in a comprehensive overview popular eastern tales along with their Greek adaptations and examining Byzantine love tales, both learned and vernacular, alongside their Persian counterparts and the later adaptations of Western romances.

Hold on to the feeling of sunshine at the seaside with this gorgeous romance, perfect for fans of Holly Martin and Jo Thomas. When Sacha Collins, cafe owner and sundae-maker extraordinaire, meets Italian archaeologist, Alessandro Salvatore in Rome, she's grateful to him for being her tour guide. Now he's turned up in the seaside village where she lives and is setting up a gelateria in direct competition to her retro Summer Sundaes Cafe. She's only been running her cafe for two years since taking over from her father. Until now the only other shops on the boardwalk have been a wool shop, an antique shop and a second-hand book shop. These have helped rather than hindered her custom. How will her creative sundaes made from fresh Jersey ice cream compete with his delicious Italian gelato? Sacha is worried. Is there enough custom for both businesses to thrive? Who is behind the strange changes being made on the boardwalk? And when the oldest resident on the boardwalk is threatened with eviction can Sacha and Alessandro come together and find a way of helping her? For a peaceful little boardwalk overlooking one of the quieter beaches on the island, there's an awful lot going on and some of it is going to lead to big changes. Previously published by Georgina Troy as Summer Sundaes. Read what people are saying about Summer Sundaes on the Boardwalk: 'A gorgeous beachside setting, divine ice-cream sundaes, and a scorching summer love story - this book has it all!' Christina Jones 'I thoroughly enjoyed spending time in this charming, evocative story. It's a perfect book to enjoy by the pool, in the sunshine, with a glass of Prosecco!' Kirsty Greenwood 'A wonderfully warm and sweet summer read' Karen Clarke

Exile is usually defined as the time one lives elsewhere, involuntarily separated from home. However, exile can also be conceptualized more broadly as a process already starting at home, while traveling into exile and/or before arriving in the place of exile. This volume sheds detailed light on those early stages of exile. Exil wird gewoehnlich als die Zeit definiert, in der man unfreiwillig getrennt von der Heimat anderswo lebt. Exil kann aber weiter gefasst auch als Prozess begriffen werden, der bereits in der Heimat, unterwegs und/oder vor der Ankunft im Exilland anfangt. Dieser Band geht den Vorstufen des Exils detailliert nach.

How do we understand memory in the early novel? Departing from traditional empiricist conceptualizations of remembering, Mind over Matter uncovers a social model of memory in Enlightenment fiction that is fluid and evolving - one that has the capacity to alter personal histories. Memories are not merely imprints of first-hand experience stored in the mind, but composite stories transacted through dialogue and reading.Through new readings of works by Daniel Defoe, Frances Burney, Laurence Sterne, Jane Austen, and others, Sarah Eron tracks the fictional qualities of memory as a force that, much like the Romantic imagination, transposes time and alters forms. From Crusoe's island and Toby's bowling green to Evelina's garden and Fanny's east room, memory can alter, reconstitute, and even overcome the conditions of the physical environment. Memory shapes the process and outcome of the novel's imaginative world-making, drafting new realities to better endure trauma and crises. Bringing together philosophy of mind, formalism, and narrative theory, Eron highlights how eighteenth-century novelists explored remembering as a creative and curative force for literary characters and readers alike. If memory is where we fictionalize reality, fiction--and especially the novel--is where the truths of memory can be found.

William Faulkner remains a historian's writer. A distinguished roster of historians have referenced Faulkner in their published work. They are drawn to him as a fellow historian, a shaper of narrative reflections on the meaning of the past; as a historiographer, a theorist, and dramatist of the fraught enterprise of doing history; and as a historical figure himself, especially following his mid-century emergence as a public intellectual after winning the Nobel Prize for Literature. This volume brings together historians and literary scholars to explore the many facets of Faulkner's relationship to history: the historical contexts of his novels and stories; his explorations of the historiographic imagination; his engagement with historical figures from both the regional and national past; his influence on professional historians; his pursuit of alternate modes of temporal awareness; and the histories of print culture that shaped the production, reception, and criticism of Faulkner's work. Contributors draw on the history of development in the Mississippi Valley, the construction of Confederate memory, the history and curriculum of Harvard University, twentieth-century debates over police brutality and temperance reform, the history of modern childhood, and the literary histories of anti-slavery writing and pulp fiction to illuminate Faulkner's work. Others in the collection explore the meaning of Faulkner's fiction for such professional historians as C. Vann Woodward and Albert Bushnell Hart. In these ways and more, Faulkner and History offers fresh insights into one of the most persistent and long-recognized elements of the Mississippian's artistic vision.

Conversations with Colum McCann brings together eighteen interviews with a world-renowned fiction writer. Ranging from his 1994 literary debut, Fishing the Sloe-Black River, to a new and unpublished interview conducted in 2016, these interviews represent the development as well as the continuation of McCann's interests. The number and length of the later conversations attest to his star-power. Let the Great World Spin earned him the National Book Award and promises to become a major motion picture. His most recent novel, TransAtlantic, has awed readers with its dynamic yoking of the 1845-46 visit of Frederick Douglass to Ireland, the 1919 first nonstop transatlantic flight of Alcock and Brown, and Senator George Mitchell's 1998 efforts to achieve a peace accord inNorthern Ireland. An extensive interview by scholar Cecile Maudet is included here, as is an interview by John Cusatis, who wrote Understanding Colum McCann, the first extensive critical analysisof McCann's work. An author who actually enjoys talking about his work, McCann (b. 1965) offers insights into his method of writing, what he hopes to achieve, as well the challenge of writing each novel to go beyond his accomplishments in the novel before. Readers will note how many of his responses include stories in which hehimself is the object of the humor and how often his remarks reveal insights into his character as a man who sees the grittiness of the urban landscape but never loses faith in the strength of ordinary people and their capacity to prevail.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1984.

The subject of this timely book is that body of fiction which speculates in narrative form about the nature of wars likely to break out in the near or distant future. Although earlier instances occur, the origins of this mode lie primarily in the late nineteenth century but writing about future wars continues to this day with notable fiction on the conflicts in Iraq and Afghanistan. Ranging widely across periods and conflicts real and imagined, and boasting contributions from the late I. F. Clarke, H. Bruce Franklin and Patrick Parrinder, Future Wars explores the fascinating process of interaction between politics and literature, science fiction and war in a range of classic texts. Individual essays explore Reagan's 'star wars' project, nuclear fiction, Martian invasion, and the Pax Americana among other topics. The use of future war scenarios in military planning dates back to the nineteenth century. Future Wars concludes with an assessment by an officer in the U.S. Army of the continuing usefulness of future wars fiction.

Samuel Beckett's private writings and public work show his deep interest in the workings of the human mind. Samuel Beckett and Psychology is an innovative study of the author's engagement with key concepts in early experimental psychology and rapidly developing scientific ideas about perception, attention and mental imagery. Through innovative new readings of Beckett's later dramatic and prose works, the book reveals the links between his aesthetic method and the methodologies of experimental psychology through the 20th century. Covering important later works including Happy Days, Not I and Footfalls, Samuel Beckett and Psychology sheds important new light on Beckett's depictions of the workings of the embodied mind.

Vietnam and Beyond: Tim O'Brien and the Power of Storytelling is a comprehensive, in-depth study of one of the most thought-provoking writers of the Vietnam war generation. This volume breaks away from previous readings of O'Brien's development as a trauma artist and an outspoken chronicler of the American involvement in Vietnam: its thematic, rather than chronological, approach contextualizes O'Brien's work beyond the confines of war literature. The necessary exploration of O'Brien's recurrent engagement with the conflict in Vietnam leads to a thorough discussion of the writer's revision of key American (and western) ideas and concerns: the association between courage, heroism and masculinity, the celebration of the pioneering spirit in the frontier narrative, the sense of superiority in the encounter with foreign civilizations, the fraught relationship between power and truth, or reality and imagination, and the attempt and the right to speak about unspeakable events. All these themes, as Ciocia illustrates, highlight O'Brien's compelling preoccupation with the role and the ethical responsibility of the storyteller. With his clear privileging of 'story-truth' over 'happening-truth', O'Brien makes a bold, serious investment in the power of fiction, as testified by his formal experimentations, metanarrative reflections and sustained meditations on matters such as individual agency, moral accountability and authenticity. Approached from this fresh perspective, O'Brien emerges as a figure deserving to find a wider audience and demanding renewed scholarly attention for his remarkable achievements as a contemporary mythographer, an acute observer of the human condition and a sharp critic of American culture.

This volume brings together candid, revealing interviews with one of the twentieth century's master prose writers. Vladimir Nabokov (1899-1977) was a Russian American scientist, poet, translator, and professor of literature. Critics throughout the world celebrated him for developing the luminous and enigmatic style which advanced the boundaries of modern literature more than any author since James Joyce. In a career that spanned over six decades, he produced dozens of iconic works, including Lolita, Pale Fire, Ada, and his classic autobiography, Speak, Memory. The twenty-eight interviews and profiles in this collection weredrawn from Nabokov's numerous print and broadcast appearances over a period of nineteen years. Beginning with the controversy surrounding the American publication of Lolita in 1958, he offers trenchant, witty views on society, literature, education, the role of the author, and a range of other topics. He discusses the numerousliterary and symbolic allusions in his work, his use of parody and satire, as well as analyses of his own literary influences. Nabokov also provided a detailed portrait of his life-from his aristocratic childhood in pre-revolutionary Russia, education at Cambridge, apprenticeship as an emigre writer in the capitals of Europe, to his decision in 1940 to immigrate to the United States, where he achieved renown and garnered an international readership. The interviews in this collection are essential for seeking aclearer understanding of the life and work of an author who was pivotal in shaping the landscape of contemporary fiction.

This book suggests that James Joyce, like Yeats and his fellow Revivalists, was attracted to the west of Ireland as a place of authenticity and freedom. It shows how his acute historical sensibility is reflected in Dubliners, posing new questions about one of the most enduring collections of short stories ever written. The answers provided are a fusion of history and literary criticism, using close readings that balance techniques of realism and symbolism. The result is an original study that shines new light on Dubliners and Joyce's later masterpieces.

Authorship's Wake examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes's essay, "The Death of the Author." This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question - how to move beyond the critique of the author-subject - but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. Authorship's Wake traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.