The Santa Killer is coming to town...One night less than two weeks before Christmas, a single mother is violently assaulted. It's a brutal crime at the time of year when there should be goodwill to all. When DI Barton begins his investigation, he's surprised to find the victim is a woman with nothing to hide and no reason for anyone to hurt her. A few days later, the mother of the woman attacked rings the police station. Her granddaughter has drawn a shocking picture. It seems she was looking out of the window when her mother was attacked. And when her grandmother asks the young girl who the person with the weapon is, she whispers two words. Bad Santa. The rumours start spreading, and none of the city's women feel safe - which one of them will be next? He's got a list. It's quite precise. It won't matter even if you're nice. Ross Greenwood is back with his bestselling series, perfect for fans of Mark Billingham and Ian Rankin. Praise for Ross Greenwood: 'Ross Greenwood is at the top of his game.' Owen Mullen 'Move over Rebus and Morse; a new entry has joined the list of great crime investigators in the form of Detective Inspector John Barton. A rich cast of characters and an explosive plot kept me turning the pages until the final dramatic twist.' author Richard Burke 'Master of the psychological thriller genre Ross Greenwood once again proves his talent for creating engrossing and gritty novels that draw you right in and won't let go until you've reached the shocking ending.' Caroline Vincent at Bitsaboutbooks blog 'Ross Greenwood doesn't write cliches. What he has written here is a fast-paced, action-filled puzzle with believable characters that's spiced with a lot of humour.' author Kath Middleton

When Bunny Carter, the old lady from the Manor House, is discovered in an open grave, Sophie Sayers is sure it's a case of foul play. But when it comes to suspects, she's spoiled for choice. One of Bunny's squabbling children from three different husbands? Petunia Lot from the Cats Prevention charity, always angling for a legacy? All these and more had motive and opportunity. But who is to blame? And can Sophie and her boyfriend, village bookseller Hector Munro, stop them before they strike again? Previously published by Debbie Young.

Mining the borderlands where history meets literature in Britain and Europe as well as America, this book shows how the imminence and outbreak of World War II ignited the imaginations of writers ranging from Ernest Hemingway, W.H. Auden, and James Joyce to Bertolt Brecht, Evelyn Waugh, Henry Green, and Irene Nemirovsky. Taking its cue from Percy Shelley's dictum that great writers are to some extent created by the age in which they live, this book shows how much the politics and warfare of the years from 1939 to 1941 drove the literature of this period. Its novels, poems, and plays differ radically from histories of World War II because-besides being works of imagination-- they are largely products of a particular stage in the author's life as well as of a time at which no one knew how the war would end. This is the first comprehensive study of the impact of the outbreak of the Second World War on the literary work of American, English, and European writers during its first years.

Family first. Family last. The Glass family always... Charley Glass arrived in her family's lives like the hurricane she'd escaped. But she hadn't run far enough: the ruthless Giordano family are on her tail and want two things - her life, and the return of the property she stole from them. No matter how many bodies stack up. After years of hoping, Charley finally has the family she's always wanted, but now she's going to have to tell them the real reason she came looking for them. There is only one way she's going to stay alive, and that is to employ the muscle of the notorious Glass Family. The head of the family, Luke, isn't sure they're strong enough to take on one of New Orleans' biggest crime gangs. But he'd put his life on the line to protect the empire they've built - even if they'll have to take on an enemy hurting enough to cross an ocean for revenge. Page-turning, gritty, and utterly compelling, Thief is Owen Mullen's best book yet. Perfect for fans of Martina Cole, Kimberley Chambers and Mandasue Heller. What readers say about Owen Mullen: 'Owen Mullen knows how to ramp up the action just when it's needed... he never fails to give you hard-hitting thrillers that have moments that will stay with you forever...' 'One of the very best thriller writers I have ever read.' 'Owen Mullen writes a good story, he really brings his characters to life and the endings are hard to guess and never what you expected.'

The most substantial collection of critical essays on Morrison to appear since her death in mid-2019, this book contains previously unpublished essays which both acknowledge the universal significance of her writing even as they map new directions. Essayists include pre-eminent Morrison scholars, as well as scholars who work in cultural criticism, African American letters, American modernism, and women's writing. The book includes work on Morrison as a public intellectual; work which places Morrison's writing within today's currents of contemporary fiction; work which draws together Morrison's "trilogy" of Beloved, Jazz, and Paradise alongside Dos Passos' USA trilogy; work which links Morrison to such Black Atlantic artists as Lubaina Himid and others as well as work which offers a reading of "influence" that goes both directions between Morrison and Faulkner. Another cluster of essays treats seldom-discussed works by Morrison, including an essay on Morrison as writer of children's books and as speaker for children's education. In addition, a "Teaching Morrison" section is designed to help teachers and critics who teach Morrison in undergraduate classes. The Bloomsbury Handbook to Toni Morrison is wide-ranging, provocative, and satisfying; a fitting tribute to one of the greatest American novelists.

'Packed full of emotional wisdom, heartbreak and hope. Wonderful - I loved it.' Daily Mail A story about friends, sisters, motherhood and starting again - one day at a time... Stella fell in love with Simon hard and fast. He was everything she wanted in a husband, and he seemed to feel the same way about her. More than a decade of marriage later, life is sweet. They have three much-wanted children, a successful business, and a comfortable London home. What more could Stella possibly want? But then, out of the blue, Simon is gone. Vanished. No one knows where he's gone or why. Now Stella, with the help of her friends and family, has to pick up the pieces of her and her children's life, all the while wondering what she missed. Was her husband who he said he was, and can she trust her own memories of their life together? Helen McGinn's latest novel is a love story to friendship, sisters, motherhood and starting again - one day at a time. Perfect for fans of Elizabeth Noble, Cathy Kelly and JoJo Moyes. Praise for Helen McGinn: 'This is McGinn's third novel and it's her best yet. Packed full of emotional wisdom, heartbreak and hope and is particularly brilliant on the importance of friendship and taking things one day at a time. Wonderful - I loved it.' Daily Mail 'This is a lovely uplifting book that transported me away, firstly to the beautiful city of Rome and then to gorgeous Cornwall. It's a moving and emotional story of families in all their messy wonderfulness, of people losing one another, and then coming together again - sometimes in unexpected ways. A hugely enjoyable family tale, it was exactly what I wanted to read at this time.' Louise Douglas 'This Changes Everything is the perfect tonic. An uplifting, forget-about-everything-else read that I couldn't put down. Romantic, emotional and page-turning, Helen McGinn's debut novel can't fail to cheer you up!' Zoe Folbigg 'I loved reading this book. I needed escapism and it gave me Rome, Cornwall and a family who immediately felt like old friends. I took it to the bath, to bed and had finished it within 24 hours. It was the perfect antidote to tough times.' Victoria Moore The Daily Telegraph

The Secular Rabbi is an intellectual biography of Philip Rahv, co-founder of Partisan Review, which T.S. Eliot called the best American literary periodical. It focuses on the ambivalent ties that Rahv, a Russian immigrant, retained to his Jewish cultural background. Drawing on letters Rahv wrote to her mother from 1928 to 1931, when he was still named Philip Greenberg, Doris Kadish delves into the complex and enigmatic character of a man admired by luminaries as diverse as George Orwell, Mary McCarthy, Saul Bellow, Elizabeth Hardwick, and William Styron. Textual analyses of Rahv's works are woven together with other disparate materials: historical accounts, genealogical records, memoirs by Rahv's colleagues, friends, and associates, interviews with persons who knew him, and the abundant body of secondary scholarship devoted to the New York intellectuals, the history of Partisan Review, and Jewish studies. Kadish positions herself in relation to Rahv in attempting to understand her own Jewish identity. In tracing Rahv's personal, political, and literary evolution, Kadish sheds light on such literary movements as modernism, proletarian literature, and Jewish writing as well as movements that defined American political history in the 20th century: immigration, socialism, communism, fascism, the cold war, feminism, and the New Left.

Harry Gilmore has no idea of the terrible danger he faces when he meets a beautiful girl in a local student bar. Drugged and abducted, Harry wakes up in a secure wooden compound deep in the Welsh countryside, where he is groomed by the leaders of a manipulative cult, run by the self-proclaimed new messiah known as The Master. When the true nature of the cult becomes apparent, Harry looks for any opportunity to escape. But as time passes, he questions if The Master's extreme behavior and teachings are the one true religion. With Harry's life hanging by a thread, a team of officers, led by Detective Inspector Laura Kesey, investigate his disappearance. But will they find him before it's too late? *Previously published as The Girl in White*

Science fiction might not be the first thing that springs to mind when we think of Irish literature. But in the post-war period in Belfast, two authors, Bob Shaw and James White, began producing science fiction stories, eventually selling them to international markets and gaining the respect of luminaries such as Arthur C. Clarke, Brian Aldiss and Stanley Kubrick. Although lauded in the international science fiction scene for their innovations in the genre, Shaw and White's work has been relatively ignored within Irish Studies. This book connects the emergence of science fiction in Belfast with the position of the city as the locus of technological development on the island of Ireland, and the development of a corresponding technological imaginary. Breaking new ground in the study of Irish modernity, Richard Howard draws parallels between the narratives of Shaw and White and the persistent influence of historical narratives embodied by the two-traditions paradigm in the region, as well as exploring the figure of the alien both in science fiction and in the history of Northern Ireland. He also considers the works of Shaw and White as utopian gestures against the backdrop of the Irish Troubles, finding both repressive and redemptive elements therein. The book makes an important contribution to the growing conversation about Irish science fiction and our understanding of modernity in Ireland.

In a career that spanned over thirty years, Iain M. Banks became one of the best-loved and most prolific writers in Britain, with his space opera series concerned with the pan-galactic utopian civilisation known as "the Culture" widely regarded as his most significant contribution to science fiction. The Culture of "The Culture" focuses solely on this series, providing a comprehensive, thematic analysis of Banks's Culture stories from Consider Phlebas to The Hydrogen Sonata. It explores the development of Banks's political, philosophical and literary thought, arguing that the Culture offers both an image of a harmonious civilisation modelled on an alternative socialist form of globalisation and a critique of our neo-liberal present. As Joseph Norman explains, the Culture is the result of an ongoing utopian process, attempting through the application of technoscience to move beyond obstacles to progress such as imperialism, capitalism, the human condition, religious dogma, patriarchy and crises in artistic representation. The Culture of "The Culture" defines Banks's creation as culture: a utopian way of doing, of being, of seeing: an approach, an attitude and a lifestyle that has enabled, and is evolving alongside, utopia, rather than an image of a static end-state.

The relationship between Conrad's Malay fiction and colonialism is a prominent subject of commentary now, and has been for some time. Most scholars would point to Chinua Achebe's important article "An Image of Africa" as the initiation into the interest in Conrad and colonialism, but if fact decades previously, Florence Clemens had begun this conversation in her ground-breaking commentary on Conrad's Malay fiction. At the time Florence Clemens was writing, almost nothing had been written on the Conrad's colonial world, and for many years her work thus was relatively unknown and relatively difficult to obtain. However, Clemens' work is significant, and its appearance in Brill's Conrad Studies series now makes this important study readily available to scholars.

The brand new gritty, addictive gangland thriller from bestseller Edie Baylis!Revenge will come at a price... With his once thriving casino business now in ruins, Seb Stoker is certain about two things: One - he will rebuild bigger and better than ever. And two - someone will pay for torching his club. But until that day comes, Seb has bigger things to worry about and a business deal that could make or break them all... Sam Reynold knows Seb is out for revenge, and she'll do anything she can to help him. But Sam has her own enemies and battles to fight - ones much closer to home. With pressure mounting for both of them, tensions run high. And payback will be deadly. A gripping new gangland story perfect for fans of Kimberley Chambers, Heather Atkinson and Caz Finlay. What people are saying about Edie Baylis! 'From start to finish, fast paced and gripping. Gangland fiction at its best! Bestselling author Kerry Kaya. 'Shocking and thrilling at the same time. It will take your breath away!' Bestselling author Gillian Godden. 'Edie Baylis has produced another fantastic gangland read. I loved the characters and was gripped from the first page. A massive 5 stars!' Bestselling author Caz Finlay.

A wandering "Orpheus among the barbarians," a lively flatterer of the powerful and an appreciator of good food and pleasant company: the sixth-century poet Venantius Fortunatus is known to us today for being all these things. Yet in the Middle Ages people knew and loved "Fortunatus the priest:" a man of the Church and a teacher of Christian dogma. This book for the first time looks at this other side of Fortunatus' character through the lens of what he wrote when he was bishop of Poitiers at the end of his life: two sermons and a hymn to the Virgin Mary. Here you will encounter something unexpected: Bishop Fortunatus the stern yet skillful preacher of Augustinian grace and Chalcedonian orthodoxy.

The viscerally haunting and politically disturbing Painted Bird, the most famous novel by the Polish-American writer, Jerzy Kosinski, finally receives a long overdue fresh scientific perspective: a truly insightful study of linguistic and cultural controversy in translation against the benchmark of a tailor-made iron-clad methodology of such concepts as involved culture, detached culture and the universe of the opus. The study presents the kaleidoscopic cross section of renditions into as many as thirteen languages, making it a pioneering elaboration of a macrocosm of the afterlife of a translated novel and a tour de force of comparative translation studies. The dark contents of the work, heavily loaded with political and moral issues, vulnerable to shifts and refractions in the process of translation, have been analysed, unaffected by ideological sway, debunking any persistent myths about Kosinski's harrowing work.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1958.

The brand new novel from top 5 bestseller Louise Douglas.A notebook full of secrets, two untimely deaths - something sinister is stirring in the perfect seaside town of Morranez...It's summer and holidaymakers are flocking to the idyllic Brittany coast. But when first an old traveller woman dies in suspicious circumstances, and then a campaign of hate seemingly drives another victim to take his own life, events take a very dark turn. Mila Shepherd has come to France to look after her niece, Ani, following the accident in which both Ani's parents were lost at sea. Mila has moved into their family holiday home, as well as taken her sister Sophie's place in an agency which specialises in tracking down missing people, until new recruit Carter Jackson starts. It's clear that malevolent forces are at work in Morranez, but the local police are choosing to look the other way. Only Mila and Carter can uncover the truth about what's really going on in this beautiful, but mysterious place before anyone else suffers. But someone is desperate to protect a terrible truth, at any cost... Praise for Louise Douglas: 'I loved The Lost Notebook so much! From the opening lines, I was drawn in to a gripping story, beautifully written and so cleverly orchestrated. I rooted for the main character, I held my breath at the denouement and as for the climax of the book - just wow. Highly recommended.' Judy Leigh 'Louise Douglas achieves the impossible and gets better with every book.' Milly Johnson 'A brilliantly written, gripping, clever, compelling story, that I struggled to put down. The vivid descriptions, the evocative plot and the intrigue that Louise created, which had me constantly asking questions, made it a highly enjoyable, absolute treasure of a read.' Kim Nash on The Scarlet Dress 'Another stunning read from the exceptionally talented Louise Douglas! I love the way in which Louise creates such an atmospheric mystery, building the intrigue and suspense brick by brick. Her writing is always beautiful and multi-layered, her characters warm and relatable and the intriguing nature of the mystery makes this unputdownable.' Nicola Cornick on The Scarlet Dress 'A tender, heart-breaking, page-turning read'Rachel Hore on The House by the Sea 'The perfect combination of page-turning thriller and deeply emotional family story. Superb' Nicola Cornick on The House by the Sea 'Kept me guessing until the last few pages and the explosive ending took my breath away.' C.L. Taylor, author of The Accident on Your Beautiful Lies 'Beautifully written, chillingly atmospheric and utterly compelling, The Secret by the Lake is Louise Douglas at her brilliant best' Tammy Cohen, author of The Broken 'A master of her craft, Louise Douglas ratchets up the tension in this haunting and exquisitely written tale of buried secrets and past tragedy.' Amanda Jennings, author of Sworn Secret 'A clammy, atmospheric and suspenseful novel, it builds in tension all the way through to the startling final pages.' Sunday Express, S Magazine 'A chilling, unputdownable new novel from the bestselling author of The House By The Sea. 'A brilliantly written, gripping, clever, compelling story, that I struggled to put down.'

Examining the ways in which modernism is created within specific historical contexts, as well as how it redefines the concept of history itself, this book sheds new light on the historical-mindedness of modernism and the artistic avant-gardes. Cutting across Anglophone and less explored European traditions and featuring work from a variety of eminent scholars, it deals with issues as diverse as artistic medium, modernist print culture, autobiography as history writing, avant-garde experimentations and modernism's futurity. Contributors examine both literary and artistic modernism, combining theoretical overviews and archival research with case studies of Anglophone as well as European modernism, which speak to the current historicizing trend in modernist and literary studies.

Pre-order the BRAND NEW psychological thriller from the bestselling author of My Little Brother. Four sisters, four secrets. Who has the deadliest of them all?Something happened to me when I was nine. My childhood memories before that fateful day are gone. Extinguished. The aftermath has become a living nightmare with a guilt that runs so deep that I'm not sure I can ever tell anyone. I fear I've left it too late... The burden of my secret and the hurt and pain that silence cost each and every member of my family is too overwhelming. But you can't avoid fate and now I have the opportunity to right the wrongs inflicted on us. There was no justice. Not then. Not now. But I can change that. The big question is, how far am I willing to go? Diane Saxon's immersive thriller will have you debating how far you would go for your family to right a wrong...

'A dark and devastating story that grips you from the very first page' T. J. Emerson, author of The Perfect Holiday. What you don't know can hurt you. Thirty years ago Anthony Mailer was a seven-year-old boy trapped in Dr Galbraith's basement. Now he's a journalist, a husband and a father. But no matter how far he's come, at times he's still that scared little boy. In order to save his marriage, he has to stop hiding from what happened and deal with it once and for all. But digging into the past holds dangers Anthony never imagined . . . A note from the author: While fictional, this book was inspired by true events. It draws on the author's experiences as a police officer and child protection social worker. The story contains content that some readers may find upsetting. It is dedicated to survivors everywhere. ________ What people are saying about The Father: 'The chill is tangible' Owen Mullen 'Dark, disturbing, and brilliant. Kept me up all night!' Diana Wilkinson 'A frightening book that lures us into the darkness where monsters live. John Nicholl's knowledge of this world from his years of police work makes his characters ring true' Billy Hayes 'An emotional roller coaster...I couldn't stop reading until I reached the end' McGarvey Black 'Dark and disturbing. One to really get your pulse racing. This is a story you won't forget' Ross Greenwood 'An outstanding piece of work by a truly masterful storyteller' Anita Waller 'Disturbing and gripping . . . John Nicholl's experience of police and child protection work adds truth and reality to Anthony's search for closure' Phil Rowlands

Through readings of Ishiguro's repurposing of key elements of realism and modernism; his interest in childhood imagination and sketching; interrogation of aesthetics and ethics; his fascination with architecture and the absent home; and his expressionist use of 'imaginary' space and place, Kazuo Ishiguro's Gestural Poetics examines the manner in which Ishiguro's fictions approach, but never quite reveal, the ineffable, inexpressible essence of his narrators' emotionally fraught worlds. Reformulating Martin Heidegger's suggestion that the 'essence of world can only be indicated' as 'the essence of world can only be gestured towards,' Sloane argues that while Ishiguro's novels and short stories are profoundly sensitive to the limitations of literary form, their narrators are, to varying degrees, equally keenly attuned to the failures of language itself. In order to communicate something of the emotional worlds of characters adrift in various uncertainties, while also commenting on the expressive possibilities of fiction and the mimetic arts more widely, Ishiguro appropriates a range of metaphors which enable both author and character to gesture towards the undisclosable essences of fiction and being.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.