European culture in the seventeenth and eighteenth centuries witnessed a radical redefinition of 'humanity' and its place in the environment, together with a new understanding of animals and their relation to humans. In examining the dynamics of animal-human relations as embodied in the literature, art, farming practices, natural history, religion and philosophy of this period, leading experts explore the roots of much current thinking on interspecies morality and animal welfare. The animal-human relationship challenged not only disciplinary boundaries - between poetry and science, art and animal husbandry, natural history and fiction - but also the basic assumptions of human intellectual and cultural activity, expression, and self-perception. This is specifically apparent in the re-evaluation of sentiment and sensibility, which constitutes a major theme of this chronologically organised volume. Authors engage with contemporary reactions to the commodification of animals during the period of British imperialism, tracing how eighteenth-century ecological consciousness and notions of animal identity and welfare emerged from earlier, traditional models of the cosmos, and reassessing late eighteenth-century poetic representations of the sentimental encounter with the animal other. They show how human experience was no longer viewed as an iterative process but as one continually shaped by the other. In concluding chapters authors highlight the political resonances of the animal-human relationship as it was used both to represent and to redress the injustices between humans as well as between humans and animals. Through a multifaceted study of eighteenth-century European culture, authors reveal how the animal presence - both real and imagined - forces a different reading not only of texts but also of society.

When Pat Barker was published in 2002, it was the first study to investigate this award-winning and popular writer's fiction in a sustained way. This updated second edition coincides with the centenary of the First World War, a major preoccupation from Liza's England through the Regeneration Trilogyto Toby's Room. Many of Barker's stories balance on the serrated edges of the military experience as she depicts it, to include bombs, bullets and bayonets but also psychological pressures of conscience and class under which soldiers struggle, and debates over how to represent war in which painters, journalists and writers engage. A creative spur to other writers, Barker's work is also a primary source for filmmakers. Barker's leading critic, Monteith has interviewed the author about her work over three decades. Here she positions Barker as a supremely contemporary novelist: when she intervenes imaginatively in history, Barker speaks to present concerns over culture and memory.

'Keogh is the queen of compelling narratives and twisty plots' Jenny O'BrienThe brilliant new psychological thriller from bestseller Valerie Keogh. 'A wonderful book, I can't rate this one highly enough. If only there were ten stars, it's that good. Valerie Keogh is a master story-teller, and this is a masterful performance.' Bestselling author Anita Waller. His prized possession....his greatest mistake? From the moment I saw Ann, I knew she was perfect for me. Her beauty and her social connections would make my miserable life so much better. It didn't matter that I didn't love her. I would give her the lifestyle she craved, and she would give me the life I deserved... But soon my marriage vows were a noose around my neck. I longed to escape my beautiful, horrible wife. And then I saw her and I knew there was only one way out... Don't miss the brand new thriller by Valerie Keogh! Perfect for fans of Sue Watson, Shalini Boland and K.L. Slater. What people are saying about Valerie Keogh... 'This is an amazing book, just buy it, and sit back and enjoy the ride. A massive five shiny stars from me.' Bestselling author Anita Waller This book was previously published as Exit Five From Charing Cross

This book explores queer identity in Morocco through the work of author and LGBT activist Abdellah Taia, who defied the country's anti-homosexuality laws by publicly coming out in 2006. Engaging postcolonial, queer and literary theory, Tina Dransfeldt Christensen examines Taia's art and activism in the context of the wider debates around sexuality in Morocco. Placing key novels such as Salvation Army and Infidels in dialogue with Moroccan writers including Driss Chraibi and Abdelkebir Khatibi, she shows how Taia draws upon a long tradition of politically committed art in Morocco to subvert traditional notions of heteronormativity. By giving space to silenced or otherwise marginalised voices, she shows how his writings offer a powerful critique of discourses of class, authenticity, culture and nationality in Morocco and North Africa.

Perfect for fans of Portia MacIntosh, Milly Johnson and Sophie Kinsella. Daisy's life is going nowhere, but that's just how she likes it. Unable to move on from the tragic accident that killed her parents ten years ago, she's living each day as it comes. After all, what's the point of plans and dreams if one random event can rip them all from you? She's quite comfortable with her dead-end job and her lacklustre love life, thank you. When she and her sister inherit a run-down cafe from a distant relative, her first instinct is to sell it. She doesn't know anything about running a business, so the idea of taking it on and trying to turn it around is way too much of a risk. However, chef Matt has other ideas, and it's not long before his infectious passion for the place starts to rub off on her. Will she be able to save the cafe, or will the cafe end up saving her?

Exam board: AQA A, Cambridge Assessment International Education Level & Subject: AS and A Level English Literature First teaching: September 2015 First examination: June 2017, 2021 This edition of Persuasion provides depth and context for A Level students, with the complete novel in an easy to read format, and a detailed introduction and bespoke glossary written by an experienced A Level teacher with academic expertise in the area. * Affordable high quality complete text of Persuasion, ideal for AS and A Level Literature * Perfectly pitched introductions provide the depth and demand required by AS and A Level * Explore the contemporary context, Jane Austen's writing, the novel's critical reception and subsequent interpretations for a deeper reading of the text * Expand your further reading with a list of key articles and critical and theoretical texts * Improve your understanding of the novel with unfamiliar concepts and culturally-specific terms defined in the glossary

THE ULTIMATE GUIDES TO EXAM SUCCESS from York Notes - the UK's favourite English Literature Study Guides. York Notes for AS & A2 are specifically designed for AS & A2 students to help you get the very best grade you can. They are comprehensive, easy to use, packed with valuable features and written by experienced experts to give you an in-depth understanding of the text, critical approaches and the all-important exam. An enhanced exam skills section which includes essay plans, expert guidance on understanding questions and sample answers. You'll know exactly what you need to do and say to get the best grades. A wealth of useful content like key quotations, revision tasks and vital study tips that'll help you revise, remember and recall all the most important information. The widest coverage and the best, most in-depth analysis of characters, themes, language, form, context and style to help you demonstrate an exhaustive understanding of all aspects of the text. York Notes for AS & A2 are available for these popular titles: The Bloody Chamber (9781447913153) Doctor Faustus (9781447913177) Frankenstein (9781447913214) The Great Gatsby (9781447913207) The Kite Runner (9781447913160) Macbeth (9781447913146) Othello (9781447913191) Wuthering Heights (9781447913184) Jane Eyre (9781447948834) Hamlet (9781447948872) A Midsummer Night's Dream (9781447948841) Northanger Abbey (9781447948858 Pride & Prejudice (9781447948865) Twelfth Night (9781447948889)

For anyone who loved St Trinian's - old or new - or loves a cozy mystery on a grand estate filled with rather 'interesting' characters. Gemma Lamb is ready for an uneventful term at St Bride's, she's had enough of dastardly deeds and sinister strangers. However, she's barely back at school before: Unlucky in love Oriana is sneaking around at odd hours Handsome Joe is keeping secrets Militant Mavis feels a scandal is brewing It's all a bit much, so when a stranger appears, Gemma thinks she's had enough. But this stranger isn't so sinister, instead he looks rather too familiar. If Gemma can't get him away from the school the whispers and scandal his presence could unleash may just close St Bride's doors for good. Gemma's joined forces with her colleagues to save the school in the past, but this time she's going to have to do it on her own . . .

Is Laurence Sterne one of the great Christian apologists? Ryan Stark recommends him as such, perhaps to the detriment of the parson's roguish reputation. The book's aim, however, is not to dispel roguishness but rather to discern the theological motives behind Sterne's comic rhetoric, from Tristram Shandy and the sermons to A Sentimental Journey. To this end, Stark reveals a veritable avalanche of biblical themes and allusions to be found in Sterne, often and seemingly awkwardly in the middle of sex jokes, and yet the effect is not to produce irreverence. On the contrary, we find an irreverently reverent apologetic, Stark argues, and a priest who knows how to play gracefully with religious ideas. Through Sterne, in fact, we might rethink humour's role in the service of religion.

'A dark and devastating story that grips you from the very first page' T. J. Emerson, author of The Perfect Holiday. What you don't know can hurt you. Thirty years ago Anthony Mailer was a seven-year-old boy trapped in Dr Galbraith's basement. Now he's a journalist, a husband and a father. But no matter how far he's come, at times he's still that scared little boy. In order to save his marriage, he has to stop hiding from what happened and deal with it once and for all. But digging into the past holds dangers Anthony never imagined . . . A note from the author: While fictional, this book was inspired by true events. It draws on the author's experiences as a police officer and child protection social worker. The story contains content that some readers may find upsetting. It is dedicated to survivors everywhere. ________ What people are saying about The Father: 'The chill is tangible' Owen Mullen 'Dark, disturbing, and brilliant. Kept me up all night!' Diana Wilkinson 'A frightening book that lures us into the darkness where monsters live. John Nicholl's knowledge of this world from his years of police work makes his characters ring true' Billy Hayes 'An emotional roller coaster...I couldn't stop reading until I reached the end' McGarvey Black 'Dark and disturbing. One to really get your pulse racing. This is a story you won't forget' Ross Greenwood 'An outstanding piece of work by a truly masterful storyteller' Anita Waller 'Disturbing and gripping . . . John Nicholl's experience of police and child protection work adds truth and reality to Anthony's search for closure' Phil Rowlands

When Stoner was published in 1965, the novel sold only a couple of thousand copies before disappearing with hardly a trace. Yet John Williams's quietly powerful tale of a Midwestern college professor, William Stoner, whose life becomes a parable of solitude and anguish eventually found an admiring audience in America and especially in Europe. The New York Times called Stoner "a perfect novel," and a host of writers and critics, including Colum McCann, Julian Barnes, Bret Easton Ellis, Ian McEwan, Emma Straub, Ruth Rendell, C. P. Snow, and Irving Howe, praised its artistry. The New Yorker deemed it "a masterly portrait of a truly virtuous and dedicated man." The Man Who Wrote the Perfect Novel traces the life of Stoner's author, John Williams. Acclaimed biographer Charles J. Shields follows the whole arc of Williams's life, which in many ways paralleled that of his titular character, from their shared working-class backgrounds to their undistinguished careers in the halls of academia. Shields vividly recounts Williams's development as an author, whose other works include the novels Butcher's Crossing and Augustus (for the latter, Williams shared the 1972 National Book Award). Shields also reveals the astonishing afterlife of Stoner, which garnered new fans with each American reissue, and then became a bestseller all over Europe after Dutch publisher Lebowski brought out a translation in 2013. Since then, Stoner has been published in twenty-one countries and has sold over a million copies.

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The essays in this collection provide in-depth analyses of Samuel Beckett's major works in the context of his international presence and circulation, particularly the translation, adaptation, appropriation and cultural reciprocation of his oeuvre. A Nobel Prize winner who published and self-translated in both French and English across literary genres, Beckett is recognized on a global scale as a preeminent author and dramatist of the 20th century. Samuel Beckett as World Literature brings together a wide range of international contributors to share their perspectives on Beckett's presence in countries such as China, Japan, Serbia, India and Brazil, among others, and to flesh out Beckett's relationship with postcolonial literatures and his place within the 'canon' of world literature.

Fathers, Daughters, and Slaves brings to life the unique contribution by French women during the early nineteenth century, a key period in the history of colonialism and slavery. The book enriches our understanding of French and Atlantic history in the revolutionary and postrevolutionary years when Haiti was menaced with the re-establishment of slavery and when class, race, and gender identities were being renegotiated. It offers in-depth readings of works by Germaine de Stael, Claire de Duras, and Marceline Desbordes-Valmore. In addition to these now canonical French authors, it calls attention to the lives and works of two lesser-known but important figures-Charlotte Dard and Sophie Doin. Approaching these five women through the prism of paternal authority, Fathers, Daughters, and Slaves explores the empathy that daughters show toward blacks as well as their resistance against the oppression exercised by male colonists and other authority figures. The works by these French women antislavery writers bear significant similarities, which the book explores, with twentieth and twenty-first century Francophone texts. These women's contributions allow us to move beyond the traditional boundaries of exclusively male accounts by missionaries, explorers, functionaries, and military or political figures. They remind us of the imperative for ever-renewed gender research in the colonial archive and the need to expand conceptions of French women's writing in the nineteenth century as being a small minority corpus. Fathers, Daughters, and Slaves contributes to an understanding of colonial fiction, Caribbean writing, romanticism, and feminism. It undercuts neat distinctions between the cultures of France and its colonies and between nineteenth and twentieth-century Francophone writing."