Marilynne Robinson, Theologian of the Ordinary posits that Robinson's widely celebrated novels and essays are best understood as emerging from a foundational theology that has 'the Ordinary' as its source. Reading Robinson's published work, and drawing on an original interview with Robinson, Andrew Cunning constructs an authentically Robinsonian theology that is at once distinctly American and conversant with contemporary continental philosophy of religion. This book demonstrates that the Ordinary is the source of Robinson's writing and, as a phenomenon that opens onto a surplus of meaning, is where Robinson's notion of transcendence emerges. Robinson's theology is one centered on the material reality of the world and on the subjective nature of one's encounter with oneself and the physical stuff of existence. Arguing that the Ordinary demands an artistic response, this book reads Robinson's fiction as her theological response to the surplus of meaning in ordinary experience. Under the themes of grace, language, time and self, Cunning locates the ordinary, everyday grounding of Robinson's metaphysics.

Sexuality, Maternity, and (Re)productive Futures explores how contemporary Japanese female speculative fiction writers have challenged historical inequalities of sex, gender difference, and family roles by imagining alternative worlds where sexes are fluid and childbearing crosses the boundaries of male/female, biological/bioengineered, and human/nonhuman.

Cultural Memory, Consciousness, and the Modernist Novel is a study of the novel and consciousness in James Joyce, William Butler Yeats, D. H. Lawrence, and Virginia Woolf. This volume focuses on novels of the 1920s and engages in a study of Joyce's epiphany and language play, Yeats's esoteric philosophy, Lawrence's vitalism, and Woolf's stream of consciousness techniques. In this book readers enter the minds of Joyce's characters Stephen Dedalus and Leopold Bloom in the modern city, the esoteric quests of William Butler Yeats, the vitalism and explorations of D. H. Lawrence, the interiority of Virginia Woolf, and the artistic perspectives of the Bloomsbury Group. Within the field of intellectual history, Robert McParland's groundbreaking study places Joyce, Yeats, Lawrence, and Woolf within the cultural and historical context of the first half of the twentieth century. McParland takes a philosophical humanist approach to the innovative techniques and quests of literary modernism and draws from the phenomenology of Edmund Husserl and Maurice Merleau-Ponty, as well as the inquiries of Arthur Schopenhauer and Henri Bergson. This work also follows from the work of intellectual historian H. Stuart Hughes, the studies of James Joyce by Richard Ellmann and Helene Cixous, and David Lodge's Consciousness in Fiction.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

Britain's vote to leave the European Union in the summer of 2016 came as a shock to many observers. But writers had long been exploring anxieties and fractures in British society - from Euroscepticism, to immigration, to devolution, to post-truth narratives - that came to the fore in the Brexit campaign and its aftermath. Reading these tensions back into contemporary British writing, Kristian Shaw coins the term Brexlit to deliver the first in-depth study of how writers engaged with these issues before and after the referendum result. Examining the work of over a hundred British authors, including Julian Barnes, Jonathan Coe, Kazuo Ishiguro, and Ali Smith, as well as popular fiction by Andrew Marr and Stanley Johnson, Brexlit explores how a new and urgent genre of post-Brexit fiction is beginning to emerge.

Introducing readers to a new theory of 'responsible reading', this book presents a range of perspectives on the contemporary relationship between modernism and theory. Emerging from a collaborative process of comment and response, it promotes conversation among disparate views under a shared commitment to responsible reading practices. An international range of contributors question the interplay between modernism and theory today and provide new ways of understanding the relationship between the two, and the links to emerging concerns such as the Anthropocene, decolonization, the post-human, and eco-theory. Promoting responsible reading as a practice that reads generously and engages constructively, even where disagreement is inevitable, this book articulates a mode of ethical reading that is fundamental to ongoing debates about strength and weakness, paranoia and reparation, and critique and affect.

Organized by heretical movements and texts from the Gnostic Gospels to The Book of Mormon, this book uses the work of James Joyce - particularly Ulysses and Finnegan's Wake - as a prism to explore how the history of Christian heresy remains part of how we read, write, and think about books today. Erickson argues that the study of classical, medieval, and modern debates over heresy and orthodoxy provide new ways of understanding modernist literature and literary theory. Using Joyce's works as a springboard to explore different perspectives and intersections of 20th century literature and the modern literary and religious imagination, this book gives us new insights into how our modern and "secular" reading practices unintentionally reflect how we understand our religious histories.

The next thrilling adventure, all NEW from MJ Porter Icel is a lone wolf no more... Oath sworn to Wiglaf, King of Mercia and acknowledged as a member of Ealdorman AElfstan's warrior band, Icel continues to forge his own destiny on the path to becoming the Warrior of Mercia. With King Ecgberht of Wessex defeated and Londonium back under Mercian control, the Wessex invasion of Mercia is over. But the Wessex king was never Mercia's only enemy. An unknown danger lurks in the form of merciless Viking raiders, who set their sights on infiltrating the waterways of the traitorous breakaway kingdom of the East Angles, within touching distance of Mercia's eastern borders. Icel must journey to the kingdom of the East Angles and unite against a common enemy to ensure Mercia's hard-won freedom prevails. Praise for MJ Porter 'Immediate and personal' Bestselling author Matthew Harffy 'No lover of Dark Age warfare is going to be disappointed. Personal, real, fascinating and satisfying.' S.J.A. Turney 'If you love history, fiction, adventure and great stories - You won't regret it!" Eric Schumacher 'MJ Porter recounts a sensitive, reluctant hero's coming-of-age within a Dark Age realm riven by chaos and conflict' Bestselling author Matthew Harffy 'Refreshing... I was reluctant to put the book down' Historical Novel Society Readers are spell-bound 'So real I felt I was there!... A page-turner' Reader review 'Wonderful to read and hard to put down' Reader review 'I found the pages flying by... A great book' Reader review

Will it be tears or triumph for the Hat Girl from Silver Street?It's been five years since Ella Bancroft lost the love of her life, Harper Fortescue, and despite her friends' encouragement, she's still not been able to move on. The one thing keeping Ella smiling is the success of her hat shop, Ivella. Her beautiful designs and fabulous creations are the first choice for the fashionable Edwardian ladies of Walsall, and her fame is spreading far and wide. Darcie Newland won't ever forgive Ella for stealing her fiance and ruining her life, even though Harper was never really hers in his heart. After being exiled by her parents to Scotland after yet another scandal, Darcie is now back in Birmingham and set on revenge. As her hat shop flourishes, and the possibility of a new love appears when she least expects it, Ella finally dares to hope for a happy future. But storm clouds are gathering over the Black Country, and life might have other plans for the hat girl from Silver Street. The Queen of the Black Country sagas is back with this page-turning story of friendship and fun, love and second chances. Perfect for fans of Val Wood and Lyn Andrews. Praise for Lindsey Hutchinson: 'I love Lindsey Hutchinson's stories, they always seem heartfelt and I can really identify with the characters as if I know them personally.' 'Wow, what can I say about this book, brilliant from page one, thanks Lindsey Hutchinson!' 'I absolutely loved the hat girl and pray there is a sequel to it. Such a wonderful story, full of love and trials. More please.' 'Loved this book from page one , couldn't put it down , definitely recommend and it's five stars from me.'

Featured on the 2021 Locus Recommended Reading List For over 50 years, Darko Suvin has set the agenda for science fiction studies through his innovative linking of scifi to utopian studies, formalist and leftist critical theory, and his broader engagement with what he terms "political epistemology." Disputing the Deluge joins a rapidly growing renewal of critical interest in Suvin's work on scifi and utopianism by bringing together in a single volume 24 of Suvin's most significant interventions in the field from the 21st century, with an Introduction by editor Hugh O'Connell and a new preface by the author. Beginning with writings from the early 2000s that investigate the function of literary genres and reconsider the relationship between science fiction and fantasy, the essays collected here--each a brilliant example of engaged thought--highlight the value of scifi for grappling with the key events and transformations of recent years. Suvin's interrogations show how speculative fiction has responded to 9/11, the global war on terror, the 2008 economic collapse, and the rise of conservative populism, along with contemporary critical utopian analyses of the Capitalocene, the climate crisis, COVID-19, and the decline of democracy. By bringing together Suvin's essays all in one place, this collection allows new generations of students and scholars to engage directly with his work and its continuing importance and timeliness.

What is the ocean's role in human and planetary history? How have writers, sailors, painters, scientists, historians, and philosophers from across time and space poetically envisioned the oceans and depicted human entanglements with the sea? In order to answer these questions, Soren Frank covers an impressive range of material in A Poetic History of the Oceans: Greek, Roman and Biblical texts, an Icelandic Saga, Shakespearean drama, Jens Munk's logbook, 19th century-writers such as James Fenimore Cooper, Herman Melville, Jules Michelet, Victor Hugo, Jules Verne, Jonas Lie, and Joseph Conrad as well as their 20th and 21st century-heirs like J. G. Ballard, Jens Bjorneboe, and Siri Ranva Hjelm Jacobsen. A Poetic History of the Oceans promotes what Frank labels an amphibian comparative literature and mobilises recent theoretical concepts and methodological developments in Blue Humanities, Blue Ecology, and New Materialism to shed new light on well-known texts and introduce readers to important, but lesser-known Scandinavian literary engagements with the sea.

Representing a shift in Carter studies for the 21st century, this book critically explores her legacy and showcases the current state of Angela Carter scholarship. It gives new insights into Carter's pyrotechnic creativity and pays tribute to her incendiary imagination in a reappraisal of Angela Carter's work, her influences and influence. Drawing attention to the highly constructed artifice of Angela Carter's work, it brings to the fore her lesser-known collection of short stories, Fireworks: Nine Profane Pieces to reposition her as more than just the author of The Bloody Chamber. On the way, it also explores the impact of her experiences living in Japan, in the light of Edmund Gordon's 2016 biography and Natsumi Ikoma's translation of Sozo Araki's Japanese memoirs of Carter.

European culture in the seventeenth and eighteenth centuries witnessed a radical redefinition of 'humanity' and its place in the environment, together with a new understanding of animals and their relation to humans. In examining the dynamics of animal-human relations as embodied in the literature, art, farming practices, natural history, religion and philosophy of this period, leading experts explore the roots of much current thinking on interspecies morality and animal welfare. The animal-human relationship challenged not only disciplinary boundaries - between poetry and science, art and animal husbandry, natural history and fiction - but also the basic assumptions of human intellectual and cultural activity, expression, and self-perception. This is specifically apparent in the re-evaluation of sentiment and sensibility, which constitutes a major theme of this chronologically organised volume. Authors engage with contemporary reactions to the commodification of animals during the period of British imperialism, tracing how eighteenth-century ecological consciousness and notions of animal identity and welfare emerged from earlier, traditional models of the cosmos, and reassessing late eighteenth-century poetic representations of the sentimental encounter with the animal other. They show how human experience was no longer viewed as an iterative process but as one continually shaped by the other. In concluding chapters authors highlight the political resonances of the animal-human relationship as it was used both to represent and to redress the injustices between humans as well as between humans and animals. Through a multifaceted study of eighteenth-century European culture, authors reveal how the animal presence - both real and imagined - forces a different reading not only of texts but also of society.

Classical Studies is Volume 8 in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for its own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life. Pater carried this spirit into his studies of Greek mythology and sculpture in the 1870s and 1880s-among the most important encounters of any Victorian writer with the classical tradition. Pater's classical studies offer revisionary accounts of the myths of Demeter and Persephone and Dionysus and undertake original interpretations of the history of Greek sculpture and tragedy. Deeply informed by, but never beholden to, the verities of classical scholarship, Pater approaches Greek myth and art from the perspective of what he famously called 'aesthetic criticism': with an eye to their beauty and the ways they speak to modern life. Pater's interpretations of classical culture cut against the grain of the high Victorian appreciation of ancient Greece, which imagined a placid world of reason and pure white beauty. Like his contemporary Friedrich Nietzsche, Pater is by contrast attentive to the dark side of antiquity, highlighting its depths of emotion, its dissident sexuality, its gaudy colours, and its transgressive challenges to the ruling order. These essays were highly influential among Pater's younger contemporaries, and would later inform works like James Joyce's Ulysses, which likewise traces links between ancient Greece and modern life.

Since his death in 1969, the legend of Jack Kerouac, 'King of the Beats', has continued to grow. Clark's biography reveals the essential Kerouac, often through his own words and writings.

Postmodern realist fiction uses realism-disrupting literary techniques to make interventions into the real social conditions of our time. It seeks to capture the complex, fragmented nature of contemporary experience while addressing crucial issues like income inequality, immigration, the climate crisis, terrorism, ever-changing technologies, shifting racial, sex and gender roles, and the rise of new forms of authoritarianism. A lucid, comprehensive introduction to the genre as well as to a wide variety of voices, this book discusses more than forty writers from a diverse range of backgrounds, and over several decades, with special attention to 21st-century novels. Writers covered include: Kathy Acker, Chimamanda Ngozi Adiche, Julia Alvarez, Sherman Alexie, Gloria Anzaldua, Margaret Atwood, Toni Cade Bambara, A.S. Byatt, Octavia Butler, Angela Carter, Ana Castillo, Don DeLillo, Junot Diaz, Jennifer Egan, Awaeki Emezi, Mohsin Hamid, Jessica Hagedorn, Maxine Hong Kingston, Ursula K. Le Guin, Daisy Johnson, Bharati Mukherjee, Toni Morrison, Vladimir Nabokov, Tommy Orange, Ruth Ozeki, Ishmael Reed, Eden Robinson, Salman Rushdie, Jean Rhys, Leslie Marmon Silko, Art Spiegelman, Kurt Vonnegut, and Jeannette Winterson, among others.

William Marston was an unusual man-a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston's many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.

York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.