**BRINGING DANGER CLOSE TO HOME . . . THE GRIPPING NEW THRILLER FROM BESTSELLING AUTHOR NICCI FRENCH, COMING SPRING 2023. PRE-ORDER NOW!** 'Fantastic - a breathless drumbeat of dread and suspense . . . no one does it better than Nicci French' Lee Child 'Heart-thumping, head-scratching, nail-biting stuff: The Favour is classic Nicci French. I read it in one breathless sitting' Erin Kelly A good deed Can turn deadly... When Liam unexpectedly turns up in Jude's life after ten years of no contact, asking her for a favour, she just can't say no. He was her first love, and even though she is now a successful doctor and about to get married, he will always be someone special to her. But after she does the favour, she is contacted by the police, informing her that Liam has been found dead, and suddenly she is caught up in a murder investigation. And she realises this one decision could cost her everything - even her life... Praise for Nicci French: 'Brilliantly twisty, the final reveal will send shivers down your spine' Woman & Home 'Pacy and page-turning, this is a gripping thriller about what happens when one small decision spials out of control... Ardent fans and new readers alike will love it' Prima 'Expertly paced, psychologically sharp, thoroughly enjoyable' Louise Candlish 'Meticulously plotted, psychologically astute' Sarah Vaughan 'Absorbing.' Sabine Durrant 'No-one does the dark distortion of good intentions like Nicci French' Cara Hunter 'Perfection.' Sophie Hannah 'An absolute masterclass of crime writing.' Kate Rhodes 'An intriguing, compelling page-turner.' Liz Nugent 'Elegant and beguiling' C. M. Ewan 'Taut, well-paced and frighteningly familiar' Polly Phillips

"Contexts and Sources" provides readers with a rich selection of documents related to the historical background, language, composition, sale, reception, and newly discovered first half of the manuscript of Mark Twain's greatest work. Included are letters on the writing of the novel, excerpts from the author's autobiography, samples of bad poetry that inspired his satire (including an effort by young Sam Clemens himself), a section on the censorship of Adventures of Huckleberry Finn by schools and libraries over a hundred-year period, and commentary by David Carkeet on dialects of the book and by Earl F. Briden on its "racist" illustrations. In addition, this section reprints the full texts of both "Sociable Jimmy," upon which is based the controversial theory that Huck speaks in a "black voice," and "A True Story, Repeated Word for Word As I Heard It," the first significant attempt by Mark Twain to capture the speech of an African American in print. "Criticism" of Adventures of Huckleberry Finn is divided into "Early Responses" (including the first negative review) and "Modern Views" by Victor A. Doyno, T. S. Eliot, Jane Smiley, David L. Smith, Shelley Fisher Fishkin (the "black voice" thesis), James R. Kincaid (a rebuttal of Fishkin), and David R. Sewell. Also included is Toni Morrison's moving personal "Introduction" to the troubling experience of reading and re-reading Mark Twain's masterpiece. "A Chronology and Selected Bibliography" are also included.

'This is a stunning read that plunges you into another world. Backman writes with incredible sensitivity and insight. Every one of the characters is real and multi-faceted, having you breathlessly turning the pages, following their fears and hopes, fretting for their futures. This is storytelling at its best: Emotional, vivid, wise and utterly brilliant' Hazel Prior 'It's often said that winners write history, but there are no winners here' This is a small story about big questions. It's a story about family, community, life. It starts with a storm - and a death. But how does it end? Two years have passed since the events that no one wants to think about. Everyone has tried to move on, but there's something about this place that prevents it. The residents continue to grapple with life's big questions: What is a family? What is a community? And what, if anything, are we willing to sacrifice in order to protect them? As the locals of Beartown struggle to overcome the past, great change is on the horizon. Someone is coming home after a long time away. Someone will be laid to rest. Someone will fall in love, someone will try to fix their marriage, and someone will do anything to save their children. Someone will submit to hate, someone will fight, and someone will grab a gun and walk towards the ice rink. So what are the residents of Beartown willing to sacrifice for their home? Everything. Praise for the Beartown books: 'I utterly believed in the residents of Beartown, and felt ripped apart by the events in the book' Jojo Moyes 'Surrounded by impenetrable forests, Beartown recreates the stifling atmosphere of a dying community. A mature, compassionate novel' Sunday Times 'Backman can tickle the funny bone and tug on the heart strings when he needs to, and is a clever enough storyteller to not overindulge in either' Independent 'As popular Swedish exports go, Backman is up there with ABBA and Stieg Larsson' The New York Times Book Review 'Backman is a masterful writer' Kirkus Review

Exam board: AQA A, Cambridge Assessment International Education Level & Subject: AS and A Level English Literature First teaching: September 2015 First examination: June 2017, 2021 This edition of Persuasion provides depth and context for A Level students, with the complete novel in an easy to read format, and a detailed introduction and bespoke glossary written by an experienced A Level teacher with academic expertise in the area. * Affordable high quality complete text of Persuasion, ideal for AS and A Level Literature * Perfectly pitched introductions provide the depth and demand required by AS and A Level * Explore the contemporary context, Jane Austen's writing, the novel's critical reception and subsequent interpretations for a deeper reading of the text * Expand your further reading with a list of key articles and critical and theoretical texts * Improve your understanding of the novel with unfamiliar concepts and culturally-specific terms defined in the glossary

Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwinas personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwinas geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themesathe Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalismato bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.

The Rise of the African Novel is the first book to situate South African and African-language literature of the late 1880s through the early 1940s in relation to the literature of decolonization that spanned the 1950s through the 1980s, and the contemporary generation of established and emerging continental and diaspora African writers of international renown.

Calling it a major crisis in African literary criticism, Mukoma Wa Ngugi considers key questions around the misreading of African literature: Why did Chinua Achebe’s generation privilege African literature in English despite the early South African example? What are the costs of locating the start of Africa’s literary tradition in the wrong literary and historical period? What does it mean for the current generation of writers and scholars of African literature not to have an imaginative consciousness of their literary past?

While acknowledging the importance of Achebe’s generation in the African literary tradition, Mukoma Wa Ngugi challenges that narrowing of the identities and languages of the African novel and writer. In restoring the missing foundational literary period to the African literary tradition, he shows how early South African literature, in both aesthetics and politics, is in conversation with the literature of the African independence era and contemporary rooted transnational literatures.

This book will become a foundational text in African literary studies, as it raises questions about the very nature of African literature and criticism. It will be essential reading for scholars of African literary studies as well as general readers seeking a greater understanding of African literary history and the ways in which critical consensus can be manufactured and rewarded at the expense of a larger and historical literary tradition.

Biographies of America's greatest humorist abound, but none have charted the overall influence of the key male friendships that profoundly informed his life and work. Combining biography, literary history, and gender studies, Mark Twain and Male Friendship presents a welcome new perspective as it examines three vastly different friendships and the stamp they left on Samuel Clemens's life.
With accessible prose informed by impressive research, the study provides an illuminating history of the friendships it explores, and the personal and cultural dynamic of the relationships. In the case of Twain and his pastor, Joseph Twichell, emphasis is put on the latter's role as mentor and spiritual advisor and on Twain's own waning sense of religious belonging. Messent then shifts gears to consider Twain's friendship with fellow author and collaborator William Dean Howells. Fascinating in its own right, this relationship also serves as a prism through which to view the literary marketplace of nineteenth-century America. A third, seemingly unlikely friendship between Twain and Standard Oil executive H.H. Rogers focuses on Twain's attitude toward business and shows how Rogers and his wife served as a surrogate family for the novelist after the death of his own wife.
As he charts these relationships, Messent uses existing work on male friendship, gender roles, and cultural change as a framework in which to situate altered conceptions of masculinity and of men's roles, not just in marriage but in the larger social networks of their time. In sum, Mark Twain andMale Friendship is not only a valuable new resource on the great novelist but also a lively cultural history of male friendship in nineteenth-century America.

Carol A. Senf traces the vampire's evolution from folklore to twentieth-century popular culture and explains why this creature became such an important metaphor in Victorian England. This bloodsucker who had stalked the folklore of almost every culture became the property of serious artists and thinkers in Victorian England, including Charlotte and Emily Bronte, George Eliot, Charles Dickens, Karl Marx, and Friedrich Engels. People who did not believe in the existence of vampires nonetheless saw numerous metaphoric possibilities in a creature from the past that exerted pressure on the present and was often threatening because of its sexuality.

Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage. She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester. However, there is great kindness and warmth in this epic love story, which is set against the magnificent backdrop of the Yorkshire moors. Ultimately the grand passion of Jane and Rochester is called upon to survive cruel revelation, loss and reunion, only to be confronted with tragedy.

Living overseas but writing, always, about his native city, Joyce made Dublin unforgettable. The stories in Dubliners show us truants, seducers, gossips, rally-drivers, generous hostesses, corrupt politicians, failing priests, amateur theologians, struggling musicians, moony adolescents, victims of domestic brutishness, sentimental aunts and poets, patriots earnest or cynical, and people striving to get by. In every sense an international figure, Joyce was faithful to his own country by seeing it unflinchingly and challenging every precedent and piety in Irish literature.

Much has been written about Graham Greene's relationship to his Catholic faith and its privileged place within his texts. His early books are usually described as "Catholic Novels" - understood as a genre that not only uses Catholic belief to frame the issues of modernity, but also offers Catholicism's vision and doctrine as a remedy to the present crisis in Western civilization. Greene's later work, by contrast, is generally regarded as falling into political and detective genres. In this book, Mark Bosco argues that this is a false dichotomy created by a narrowly prescriptive understanding of the Catholic genre and obscures the impact of Greene's developing religious imagination on his literary art.

Romance's Rival argues that the central plot of the most important genre of the nineteenth century, the marriage plot novel, means something quite different from what we thought. In Victorian novels, women may marry for erotic desire-but they might, instead, insist on "familiar marriage," marrying trustworthy companions who can offer them socially rich lives and futures of meaningful work. Romance's Rival shows how familiar marriage expresses ideas of female subjectivity dating back through the seventeenth century, while romantic marriage felt like a new, risky idea. Undertaking a major rereading of the rise-of-the-novel tradition, from Richardson through the twentieth century, Talia Schaffer rethinks what the novel meant if one tracks familiar-marriage virtues. This alternative perspective offers new readings of major texts (Austen, the Brontes, Eliot, Trollope) but it also foregrounds women's popular fiction (Yonge, Oliphant, Craik, Broughton). Offering a feminist perspective that reads the marriage plot from the woman's point of view, Schaffer inquires why a female character might legitimately wish to marry for something other than passion. For the past half-century, scholars have valorized desire, individuality, and autonomy in the way we read novels; Romance's Rival asks us to look at the other side, to validate the yearning for work, family, company, or social power as legitimate reasons for women's marital choices in Victorian fiction. Comprehensive in its knowledge of several generations of scholarship on the novel, Romance's Rival convinces us to re-examine assumptions about the nature and function of marriage and the role of the novel in helping us not simply imagine marriage but also process changing ideas about what it might look like and how it might serve people.

This is the first study of May 68 in fiction and in film. It looks at the ways the events themselves were represented in narrative, evaluates the impact these crucial times had on French cultural and intellectual history, and offers readings of texts which were shaped by it. The chosen texts concentrate upon important features of May and its aftermath: the student rebellion, the workers strikes, the question of the intellectuals, sexuality, feminism, the political thriller, history, and textuality. Attention is paid to the context of the social and cultural history of the Fifth Republic, to Gaullism, and to the cultural politics of gauchisme. The book aims to show the importance of the interplay of real and imaginary in the text(s) of May, and the emphasis placed upon the problematic of writing and interpretation. It argues that re-reading the texts of May forces a reconsideration of the existing accounts of postwar cultural history. The texts of May reflect on social order, on rationality, logic, and modes of representation, and are this highly relevant to contemporary debates on modernity.

The third volume of the Collected Letters of Katherine Mansfield covers the eight months she spent in Italy and the South of France between the English summers of 1919 and 1920. It was a time of intense personal reassessment and distress. Mansfield's relationship with her husband John Middleton Murry was bitterly tested, and most of the letters in this present volume chart that rich and enduring partner'ship through its severest trial. This was a time, too, when Mansfield came to terms with the closing off of possibilities that her illness entailed. Without flamboyance or fuss, she felt it necessary to discard earlier loyalties and even friendships, as she sought for a spiritual standpoint that might turn her illness to less negative ends. As she put it, 'One must be ... continually giving & receiving, and shedding & renewing, & examining & trying to place'. For all the grimness of this period of her life, Mansfield's letters still offer the joie de vivre and wit, self-perception and lively frankness that make her correspondence such rewarding reading - an invaluable record of a `modern' woman and her time.

The first comprehensive intellectual biography of one of the greatest cultural figures of the Spanish-speaking world. This Companion to Jose Enrique Rodo (1871-1917) is the first comprehensive intellectual biography in English of the great Latin Americanist, stylist, and writer on the ethical and aesthetic development of the youth of his subcontinent. Rodo is best known for his essay Ariel (1900), which marked the consolidation of modernity in Latin America in the wake of mass immigration and Spain's crushing defeat at the hands of a United States that wasimpressing upon its southern neighbours the unequivocal signs of its might. The circumstances were therefore most propitious for reflection on what being Latin American meant; Ariel did precisely that, as it pondered "roots" and proposed future "routes". The book provides, in chronological order, a detailed and up-to-date assessment of Rodo's writings, his context and legacy, both immediate (during the period of arielismo) and current,and draws widely on unpublished material from the extensive archives of his papers held in Montevideo. As befits its subject matter, the book's aim has been idealistic: to cover all relevant aspects of Rodo's work in order to givethe fullest possible account of his worldview, including hitherto little-explored areas that shed new light on it, notably the relationship between his philosophical stance, religion and politics. Gustavo San Roman is Professor of Spanish at the University of St Andrews.

A Jumble of Stories by Katie Gray is a compilation of eight individual short stories for a variety of audiences. The stories include: Case of Self Defence A warning to husbands who are not appreciative of their wives. Do you know what she gets up to during the day? Merry Little Christmas Even the most intelligent and apparently contented of of young ladies might discover there is more to life than they realise! All on a cold and frosty morning We all have a talent of which we might be unaware. One young lady unexpectedly realises hers. Christmas at Frederico's Something of a cautionary tale. Do as you would be Done By, or Be Done By as you Did! A Christmas Story Retirement does not have to be the end, there could be a whole new career just around the corner. Sally's Story If you think you can........... you might surprise yourself and attain much more than you might have hoped. Fairy Godmother She was just playing a part - or was she? What do you think I am Not someone with whom to be trifled - EVER!!

An enhanced exam section: expert guidance on approaching exam questions, writing high-quality responses and using critical interpretations, plus practice tasks and annotated sample answer extracts. Key skills covered: focused tasks to develop your analysis and understanding, plus regular study tips, revision questions and progress checks to track your learning. The most in-depth analysis: detailed text summaries and extract analysis to in-depth discussion of characters, themes, language, contexts and criticism, all helping you to succeed.

This book explores the inter-relationships between Agatha Christie and her works to seek the wholeness in the Christie experience. The authors perceive an integration in personal experience and moral and aesthetic values between the woman and her art.

When Franz Kafka died in 1924, his loyal friend and champion Max Brod could not bring himself to fulfil Kafka's last instruction: to burn his remaining manuscripts. Instead, Brod devoted the rest of his life to canonizing Kafka as the most prescient chronicler of the twentieth century. By betraying Kafka's last wish, Brod twice rescued his legacy - first from physical destruction, and then from obscurity. But that betrayal was also eventually to lead to an international legal battle over Kafka's legacy: as a writer in German, should his papers come to rest with those of the other great German writers, in the country where his three sisters died as victims of the Holocaust? Or, as Kafka was also a great Jewish writer, should they be considered part of the cultural inheritance of Israel, a state that did not exist at the time he died in 1924? Alongside an acutely observed portrait of Kafka and Brod and the influential group of writers and intellectuals known as the Prague Circle, Kafka's Last Trial also provides a gripping account of the recent series of Israeli court cases - cases that addressed dilemmas legal, ethical, and political - that determined the final fate of the manuscripts Brod had rescued when he fled from Prague to Palestine in 1939. It tells of a wrenching escape from Nazi invaders as the gates of Europe closed to Jews; of a love affair between exiles stranded in Tel Aviv; and of two countries whose national obsessions with overcoming the traumas of the past came to a head in the Israeli courts. Ultimately, Benjamin Balint invites us to question not only whether Kafka's legacy belongs by right to the country of his language, that of his birth, or that of his cultural and religious affinities - but also whether any nation state can lay claim to writers who belong more naturally to the international republic of letters.

A Game of Four ....Ralph Connor arrives at work one morning to find his world turned upside down by a sinister, cloaked character known as the Watcher, who claims to have kidnapped his wife and seems to mysteriously know his every move and deepest, most innermost secrets..... .....Ralph unwittingly becomes the key player in a deadly battle of wits with a psychopathic rival, whose sole obsession is to destroy the very core of his world, by any means....

"Every page brings forth the elegiac tone of JRR Tolkien's work... It is a beautiful book, including many wonderful pictures by Tolkien himself... Garth's book made me realise the impact that Tolkien has had on my life." The Times A lavishly illustrated exploration of the places that inspired and shaped the work of J.R.R. Tolkien, creator of Middle-earth. This new book from renowned expert John Garth takes us to the places that inspired J.R.R. Tolkien to create his fictional locations in The Lord of the Rings, The Hobbit and other classic works. Featuring more than 100 images, it includes Tolkien's own illustrations, contributions from other artists, archive images, maps and spectacular present-day photographs. Inspirational locations range across Great Britain - particularly Tolkien's beloved West Midlands and Oxford - but also overseas to all points of the compass. Sources are located for Hobbiton, the elven valley of Rivendell, the Glittering Caves of Helm's Deep, and many other key spots in Middle-earth, as well as for its mountain scenery, forests, rivers, lakes and shorelands. A rich interplay is revealed between Tolkien's personal travels, his wide reading and his deep scholarship as an Oxford professor. Garth uses his own profound knowledge of Tolkien's life and work to uncover the extraordinary processes of invention, to debunk popular misconceptions about the inspirations for Middle-earth, and to put forward strong new claims of his own. Organised by theme, The Worlds of J.R.R. Tolkien is an illustrated journey into the life and imagination of one of the world's best-loved authors, an exploration of the relationship between worlds real and fantastical, and an inspiration for anyone who wants to follow in Tolkien's footsteps.

Isandro has left his Spanish Andalucian village to search for his sister in Paris. There he meets members of the International Brigade and moves to Madrid to form a protest group against Franco's tyranny. The road ahead is long and hard and fraught with danger ... not least the rage that burns within him, ready to ignite in a political climate that demands a cool head...