Eudora Welty holds a prominent position among Southern writers, receiving critical attention in publications that scan a wide range of interests. Journals that specialize in American literature, journals that publish general essays, and journals that focus on Southern literature frequently include articles about her works. Her writings have been included in anthologies and have been adapted for the stage and television. This book traces the evolving critical response to her fiction.

In a lucid introductory essay, Champion presents an overview and summarizes the body of criticism on Welty's fiction. The rest of the volume presents representative selections of criticism from the initial reception of Welty's work to the present day. The selections are grouped in chapters devoted to Welty's principal writings. Her fiction is treated chronologically, and the selections within each chapter are also arranged in chronological order. Thus the book charts the development of Welty criticism over an extended period of time. A bibliography of works for further reading completes the volume.

Mystery and detective novels are popular fictional genres within Western literature. As such, they provide a wealth of information about popular art and culture. When the genre develops within various cultures, it adopts, and proceeds to dominate, native expressions and imagery. American mystery and detective novels appeared in the late nineteenth century. This reference provides a selective guide to the important criticism of American mystery and detective novels and presents general features of the genre and its historical development over the past two centuries. Critical approaches covered in the volume include story as game, images, myth criticism, formalism and structuralism, psychonalysis, Marxism and more. Comparisons with related genres, such as gothic, suspense, gangster, and postmodern novels, illustrate similarities and differences important to the understanding of the unique components of mystery and detective fiction.

The guide is divided into five major sections: a brief history, related genres, criticism, authors, and reference. This organization accounts for the literary history and types of novels stemming from the mystery and detective genre. A chronology provides a helpful overview of the development and transformation of the genre.

"Did the artistic aspirations of Ulysses make its salacious parts any less salacious? This work of scrupulous scholarship is an entertaining and important book that traces the fascinating historical details behind the Ulysses trials. It shows that judge Woolsey's famous decision was based on testimony by experts who were calculating, fuzzy, and illogical. Vanderham exposes some of the facile pieties about Art that have prevailed in the academy and the courts ever since. His analysis has important implications for the law, helping us see that such judicial decisions should have a different basis altogether."
--E. D. Hirsch, Jr.Author of Cultural Literacy: What Every American Needs to Know

When James Joyce's Ulysses began to appear in installments in 1918, it provoked widespread outrage and disgust. The novel violated a long list of taboos by denigrating English royalty, describing masturbation, and mingling the erotic with the excremental--in a style that some early reviewers called literary bolshevism. As a result, U.S. Postal authorities denied several installments of Ulysses access to the mails, initiating a series of suppressions that would result in a thirteen-year ban on Joyce's novel. Obscenity trials spanned the next decade. Using personal interviews and primary sources never before discussed in depth, James Joyce and Censorship closely examines the legal trials of Ulysses from 1920 to 1934.

Paying particular attention to the decision that lifted the ban on Ulysses in 1933, a decision that the ACLU cites to this day in cases involving censorship, Vanderham traces the growth of the fallacy that literature is incapable of influencing individuals. He argues persuasivelythat underneath every esthetic lie ethical, political, philosophical, and religious convictions. The legal and the literary aspects of the Ulysses controversy, Vanderham insists, are virtually inseparable. By analyzing the writing and revising of Ulysses in the context of Joyce's lifelong struggle with the censors, he argues that the censorship of Ulysses affected not only the critical reception of the novel but its very shape.

"Passionate and revealing love letters from the iconic lesbian novelist . . . Radclyffe Hall is getting a fresh look. . . . Glasgow has chosen these letters well and provides helpful context."
"--Kirkus Review"

"Many assumptions have been made about the degree to which Radclyffe Hall's lesbian classic, "The Well of Loneliness," may be autobiographical. Your John dismisses such notions. This exhaustive collection of letters written between 1934 and 1942 to Evguenia Souline, a White Russian emigre with whom Hall fell deeply in love are detailed, intimate records of Hall's personal life and convictions. . . . the collection is a heart-wrenching record of how politics, money, and geography converged to undermine these women's dreams."
"--Publisher's Weekly"

This landmark book represents the first publication of original writing by Radclyffe Hall, author of "The Well of Loneliness," in over 50 years.

One of the most famous and influential lesbian novelists of the twentieth century, Hall became a cause clbre in 1928, upon the publication of her novel "The Well of Loneliness," when the British government brought action on behalf of the Crown to declare the book obscene. Probably the most widely read lesbian novel ever written, the book has been continuously in print since its first publication and remains to this day an important part of the literary landscape.

Expertly deciphered and edited by Hall scholar and biographer Joanne Glasgow, Your John is a selection of Hall's love letters to Evguenia Souline, a White Russian emigre with whom Hall fell completely and passionately in love in the summer of 1934. Written between this first meeting and the onset of Hall's last illness in 1942, these letters detail Hall's growing obsession, the pain to her life partner Una Troubridge of this betrayal, and the poignant hopelessness of a happy resolution for any of the three women. It was ultimately this relationship, Glasgow argues, which tragically precipitated the decline in Hall's creative work and her health. The letters also provide important new information about her views on lesbianism and take us well beyond the artistic limits she imposed on the characters in "The Well of Loneliness." They shed light on her views on religion, politics, war, and the literary and artistic scene. Illuminating both the nature of her relationships and her views on the current politics of the time, Your John will greatly extend the range of our knowledge about Radclyffe Hall."

This book explores the aesthetic practices used by Dickens to make the space which we have come to know as the Dickensian City. It concentrates on three very precise techniques for the production of social space (counter-mapping, overlaying and troping). The chapters show the scapes and writings which influenced him and the way he transformed them, packaged them and passed them on for future use. The city is shown to be an imagined or virtual world but with a serious aim for a serious game: Dickens sets up a workshop for the simulation of real societies and cities. This urban building with is transferable to other literatures and medial forms. The book offers vital understanding of how writing and image work in particular ways to recreate and re-enchant society and the built environment. It will be of interest to scholars of literature, media, film, urban studies, politics and economics.

Exam Board: AQA, Edexcel, WJEC, Eduqas & CCEA Level: AS/A-level Subject: Modern Languages First Teaching: September 2017 First Exam: June 2018 Literature analysis made easy. Build your students' confidence in their language abilities and help them develop the skills needed to critique their chosen work: putting it into context, understanding the themes and narrative technique, as well as specialist terminology. Breaking down each scene, character and theme in Como agua para chocolate (Like Water for Chocolate), this accessible guide will enable your students to understand the historical and social context of the novel and give them the critical and language skills needed to write a successful essay. - Strengthen language skills with relevant grammar, vocab and writing exercises throughout - Aim for top marks by building a bank of textual examples and quotes to enhance exam response - Build confidence with knowledge-check questions at the end of every chapter - Revise effectively with pages of essential vocabulary and key mind maps throughout - Feel prepared for exams with advice on how to write an essay, plus sample essay questions, two levels of model answers and examiner commentary

Ireland has a rich mythological tradition that stretches back for centuries, and much of this folklore tells tales of the fantastic. During the Irish Renaissance, authors such as William Butler Yeats and Lady Gregory resurrected Irish folklore in their literary and dramatic works, thus restoring the popularity of Irish myth and legend. Since the Irish Renaissance, many Irish authors have continued to incorporate Celtic folklore in their novels. This book examines how various conventions from Irish folklore have been subsumed in twelve Irish novels published between 1912 and 1948, including works by James Joyce, Flann O'Brien, Mervyn Wall, Darrell Figgis, Eimar O'Duffy, and James Stephens. The volume explores how these writers have incorporated in their own works such conventions as heroic obligations, metamorphoses, and the blending of pagan and Christian myths.

In an episodic overview of Joyce's "Ulysses," specific Irish source works are discussed, including the Irish "imram" or sea voyage, and the "bruidhean" adventure, or entrapment episode. The conventions of "geis," metamorphosis, and the Ossianic tradition are studied in "Finnegans Wake," alongside a traditional Irish ballad, "The Annals of the Four Masters," and the "Acallamh na Senorach" In Flann O'Brien's "At Swim-Two-Birds, /i> and "The Third Policeman," an innovative approach to parody is shown. Mervyn Wall operates as a sometimes unwitting commentator on Irish hero tales, via comic irony and inverted motifs, while Darrell Figgis recalls the passing of Celtic heroic traditions in his bitter satire of Saint Patrick and Ois DEGREESD'in's legendary dispute, in "The Return of the Hero." Eimar O'Duffy's satire of modern Ireland mourns the end of Celtic heroic values in a fantasy that is overwhelmingly pessimistic in tone, while James Stephens extols the virtues of the imagination in "The Crock of Gold" and "The Demi-Gods."

There's nothing a mother wouldn't do for her children - even if it means telling a lie...Sisters Georgie and Kate have always been close. Brought up by their mum Jan after the death of their father, this family of women have always been able to rely on each other. Jan loves her daughters with all her heart. She knows some people think she's an over-protective mother, but they didn't know what she knows. She has always kept her girls close but now she can feel them slipping away. Secrets have a nasty habit of refusing to stay hidden, and now Georgie and Kate are about to discover that while lies can cause pain, the truth could destroy them all. Two beloved girls. The mother who adores him. The secret that could tear them apart. Bestselling novelist Clare Swatman returns with a heart-breaking, devastating, but ultimately uplifting story about mothers, daughters and the bonds of love. Praise for Clare Swatman: 'Before We Grow Old is an unashamedly big, life-affirming, tear-jerking love story. Beautifully told, characters Fran and Will had me from the first page, and crying buckets by the last ! Just gorgeous.' Katy Regan 'Before We Grow Old took me on an intense emotional journey, and I cried at the end (and I rarely cry when I'm reading!) The portrayal of the mother and son bond - with its peaks and troughs of intensity and frustration - felt incredibly real, and the dialogue in particular was brilliantly done.' Victoria Scott 'A beautifully written tale of enduring love' - Rowan Coleman 'Irresistible . . . A delightfully bittersweet story that will appeal to fans of One Day' - Sunday Mirror 'Wonderful' - Sun

Postcolonial discourse is fast becoming an area of rich academic debate. At the heart of coloniality and postcoloniality is the contested authority of empire and its impact upon previously colonized peoples and their indigenous cultures. This book examines various theories of colonization and decolonization, and how the ideas of a British empire create networks of discourses in contemporary postcolonial cultures. The various essays in this book address the question of empire by exploring such constructs as nation and modernity, third-world feminisms, identity politics, the status and roles of exiles, exilic subjectivities, border intellectuals, and the presence of a postcolonial body in today's classrooms. Topics discussed include African-American literature, the nature of postcolonial texts in first-world contexts, jazz, films, and TV as examples of postcolonial discourse, and the debates surrounding biculturalism and multiculturalism in New Zealand and Australia.

This volume contains commentary on the text from Partition 1, Section 2, Member 4, Subsection 1 to the end of the second Partition. It thus concludes Burton's account of the causes, symptoms, and prognosis of melancholy, and his examination of remedies, spiritual and medical. As before, the commentary elucidates Burton's meaning (as well as translating all passages in Latin) and identifies the sources of his many quotations from and references to other authors.

This book reappraises the philosophical value of short fiction by Virginia Woolf, Katherine Mansfield and Elizabeth Bowen, examining the stories through the lens of specific everyday objects. Looking at Woolf and armchairs, Mansfield and snack food, and Bowen and fashion accessories, it probes the aesthetic resonance between these stories' form and contents and also considers the modes of thinking they might promote. Conceiving of their short fiction as intrinsically radical and experimental even within a wider context of modernist innovation, this book shows how these important women writers brought quotidian objects to riotous life, in such a way that tasked readers with reevaluating their everyday existence. Overall, Modernist Short Fiction and Things argues that short fiction epitomises modernist aesthetics, functioning as a resonant source for investigation and complementing and expanding our understanding of modernist epistemology.

This book is about haunting in modernist literature. Offering an extended and textually-sensitive reading of modernist spectrality that has yet to be undertaken by scholars of either haunting or modernism, it provides a fresh reconceptualization of modernist haunting by synthesizing recent critical work in the fields of haunting studies, Gothic modernisms, and mourning modernisms. The chapters read the form and function of the ghostly as it appears in the work of a constellation of important modernist contributors, including T. S. Eliot, Virginia Woolf, D. H. Lawrence, Elizabeth Bowen, Wyndham Lewis, Richard Aldington, and Ford Madox Ford. It is of particular significance to scholars and students in a wide range of fields of study, including modernism, literary theory, and the Gothic.

Ralph Ellison's literary career began in 1937 with the publication of his review of Waters Edward Turpin's "These Low Grounds." Over the next 15 years he published 10 short stories and 37 essays on literary, cultural, and political topics. But when "Invisible Man" was published in 1952, Ellison received immediate acclaim from a wide variety of critics, scholars, and novelists. While his novel emerged as a major work of African American literature, it also engaged the European literary tradition and influenced an entire generation of post-World War II writers. Ellison is now one of the most studied African American writers, and the posthumous publication of his second novel, "Juneteenth, " in 1999 has drawn even more attention to his contribution.

Through previously published reviews and essays, and original material, this book charts the response to Ellison's writings. While the bulk of the volume focuses on "Invisible Man, " the book also includes sections devoted to Ellison's short fiction and nonfiction, as well as posthumous estimates of his work. A chronology highlights the most important events in his life and career, while an introductory essay overviews the broad trends in Ellison scholarship. The volume concludes with a selected bibliography of primary and secondary works.

After the publication in 1932 of Angela Thirkell's first Barsetshire novel, her fans eagerly awaited a new book in the series, and they were rewarded annually for the next 27 years. Drawing upon the entire body of Barsetshire novels (set in Trollope's imaginary county whose seat, Barchester, is a cathedral town), Laura Collins shows Angela Thirkell's larger purposes in chronicling the daily lives of the rural English. English Country Life demonstrates Thirkell's conviction that loyalty to family, county, and country is the essential bond that strengthens middle-class culture; her close acquaintance with the English countryside, her high regard for the wit and wisdom of its people, and her firm conviction that the strong family unit is the backbone of the nation, are recurrently illustrated in the Barsetshire series. Collins traces the development of representative county families and their responses to the forces of political and economic decline. The book conveys Thirkell's mastery of detail in recreating life on the county's estates and farms, and in towns and villages, reflecting the cultural changes forced upon all social classes by the two World Wars and their aftermath. Collins shows how Thirkell's own life is reflected in her county chronicles. Perhaps most significantly, Collins believes Thirkell's own experiences as a daughter and as a mother to three sons is reflected throughout the novels, revealing largely in hindsight the touching ironies as well as the comedy of these relations. In the course of these narratives, her sharp sense of human nature is seen at its best when she introduces readers to the many babies, toddlers, and adolescents who grow up in Barsetshire. Makingextensive use of the series, Collins demonstrates convincingly that Thirkell presents an authentic record of upper middle-class English country life. For public libraries and research collections where Angela Thirkell's novels are read, enjoyed, and studied.

This is the first annotated critical edition of works of Lancelot Andrewes (1555-1626), a writer recognized by literary critics, historians, and theologians as one of the most important figures in Elizabethan and Jacobean England. Peter McCullough, a leading expert on religious writing in the early modern period, presents fourteen complete sermons and lectures preached by Andrewes across the whole range of his adult career, from Cambridge in the 1580s to the court of James I and VI in the 1620s. Through a radical reassessment of Andrewes's life, influence, and surviving texts, the editor presents Andrewes as his contemporaries saw, heard, and read him, and as scholars are increasingly recognizing him: one of the most subtle, yet radical critics of mainstream Elizabethan Protestantism, and a literary artist of the highest order.
The centuries-old influence of William Laud's authorized edition of Andrewes (1629) is here complicated and contextualized by the full use for the first time of the whole range of Andrewes's works printed before and after his lifetime, as well as manuscript sources. The edition also showcases the aesthetic brilliance of Andrewes's remarkable prose, and suggests new ways for scholars to carry forward the modern literary appreciation of Andrewes famously begun by T. S. Eliot. A full introductory essay sets study of Andrewes on a new footing by placing his works in the context of his life and career, surveying the history of responses to his writings, and summarizing the history of the transmission of his texts. The texts here are edited to high modern critical standards. The exhaustive commentary sets each selection in its historical context, documentsAndrewes's myriad sources, glosses important and unfamiliar words and allusions, and translates his frequent quotations from the ancient Biblical languages.

This book is open access under a CC BY 4.0 license. This is the first book-length exploration of the thoughts and experiences expressed by dementia patients in published narratives over the last thirty years. It contrasts third-person caregiver and first-person patient accounts from different languages and a range of media, focusing on the poetical and political questions these narratives raise: what images do narrators appropriate; what narrative plot do they adapt; and how do they draw on established strategies of life-writing. It also analyses how these accounts engage with the culturally dominant Alzheimer's narrative that centres on dependence and vulnerability, and addresses how they relate to discourses of gender and aging. Linking literary scholarship to the medico-scientific understanding of dementia as a neurodegenerative condition, this book argues that, first, patients' articulations must be made central to dementia discourse; and second, committed alleviation of caregiver burden through social support systems and altered healthcare policies requires significantly altered views about aging, dementia, and Alzheimer's patients.

The Oxford University Studies in the Enlightenment series, previously known as SVEC (Studies on Voltaire and the Eighteenth Century), has published over 500 peer-reviewed scholarly volumes since 1955 as part of the Voltaire Foundation at the University of Oxford. International in focus, Oxford University Studies in the Enlightenment volumes cover wide-ranging aspects of the eighteenth century and the Enlightenment, from gender studies to political theory, and from economics to visual arts and music, and are published in English or French.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

This is an up-to-date readers guide to Atwood's contemporary classic covering contexts, themes and criticism. Margaret Atwood's popular dystopian novel "A Handmaid's Tale", engages the reader with a broad range of issues relating to power, gender and religious politics. This guide provides an overview of the key critical debates and interpretations of the novel and encourages you to engage with key questions and readings in your reading of the text. It includes discussion of key themes and concepts including: representation of women's roles, gender, sexuality and power; language, style and form; dystopias and genre fictions; and, power, control and religious fundamentalism. Combining helpful guidance on reading Atwood's text with overviews of significant stylistic and thematic issues and an introduction to criticism, this is an ideal companion to reading and studying "A Handmaid's Tale". "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

George Eliot has been widely praised both for the richness of her prose and the universality of her themes. In this compelling study, Peggy Fitzhugh Johnstone goes beyond these traditional foci to examine the role of aggression in Eliot's fiction and to find its source in the author's unconscious sense of loss stemming from traumatic family separations and deaths during her childhood and adolescence. Johnstone demonstrates that Eliot's creative work was a constructive response to her sense of loss and that the repeating patterns in her novels reflect the process of release from her state of mourning for lost loved ones.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.

For more than 25 years, York Notes have been helping students throughout the UK to get the inside track on the written word. Firmly established as the nation's favourite and most comprehensive range of literature study guides, each and every York Note has been carefully researched and written by experts to make sure that you get the most wide-ranging critical analysis, the most detailed commentary and the most helpful key points and checklists. York Notes Advanced offer a fresh and accessible approach to English Literature. Written by established literature experts, they introduce students to a more sophisticated analysis, a range of critical perspectives and wider contexts.