George Eliot has been widely praised both for the richness of
her prose and the universality of her themes. In this compelling
study, Peggy Fitzhugh Johnstone goes beyond these traditional foci
to examine the role of aggression in Eliot's fiction and to find
its source in the author's unconscious sense of loss stemming from
traumatic family separations and deaths during her childhood and
adolescence. Johnstone demonstrates that Eliot's creative work was
a constructive response to her sense of loss and that the repeating
patterns in her novels reflect the process of release from her
state of mourning for lost loved ones.
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