This book analyses Malraux's writing from his journalism in
Indochina to his novels, art studies and (anti)memorialist essays.
Cutting through the established dual biographical image of Malraux
as a committed leftwinger and revolutionary novelist turned
unconditional Gaullist and diehard anti-Communist at the
Liberation, it makes a balanced assessment of Malraux as a
non-ideological if elitist artist who shaped his public role as
much as he shaped the existence of his heroes both novelistic and
real.
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