This is a timely contribution to the debates regarding future
possibilities for feminism, theater, and performance. An excellent,
cross-generational mix of theater scholars (Sue-Ellen Case, Dee
Heddon, Meenakshi Ponnuswami, Janelle Reinelt, Joanne Tompkins) and
practitioners (Anna Furse, Leslie Hill and Helen Paris, SuAndi)
engage in lively, cutting-edge critical debates on topics that
include citizenship, autobiography, cultural heritage and politcal
agency as circulating in contemporary feminism and
performance.
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