How is art both distinct and different from the rest of human life,
while also mattering in and for it? This central yet overlooked
question in contemporary philosophy of art is at the heart of Georg
W. Bertram's new aesthetic. Drawing on the resources of diverse
philosophical traditions - analytic philosophy, French philosophy,
and German post-Kantian philosophy - his book offers a systematic
account of art as a human practice. One that remains connected to
the whole of life.
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