Books > Language & Literature > Literature: texts > Drama texts, plays > From 1900 > Film & television screenplays
|
Buy Now
Caesar and Cleopatra (Paperback)
Loot Price: R288
Discovery Miles 2 880
|
|
Caesar and Cleopatra (Paperback)
(sign in to rate)
Loot Price R288
Discovery Miles 2 880
Expected to ship within 10 - 15 working days
|
Caesar and Cleopatra, a play written in 1898 by George Bernard
Shaw, was first staged in 1901 and first published with Captain
Brassbound's Conversion and The Devil's Disciple in his 1901
collection, Three Plays for Puritans. It was first performed at
Newcastle-on-Tyne on March 15, 1899. The first London production
was at the Savoy Theatre in 1907. The famous scene in which
Cleopatra, concealed in a rolled-up carpet, is smuggled into
Caesar's presence was credited by Otto Skorzeny as the inspiration
for his doing the same to his kidnapping victim Miklos Horthy, Jr.
in 1944 during Operation Panzerfaust. Shaw wants to prove that it
was not love but politics that drew Cleopatra to Julius Caesar. He
sees the Roman occupation of ancient Egypt as similar to the
British occupation that was occurring during his time. Caesar
understands the importance of good government, and values these
things above art and love. Shaw's philosophy has often been
compared to that of Nietzsche. Their shared admiration for men of
action shows itself in Shaw's description of Caesar's struggle with
Pompey. In the prologue, the god Ra says, "the blood and iron ye
pin your faith on fell before the spirit of man; for the spirit of
man is the will of the gods." A second theme, apparent both from
the text of the play itself and from Shaw's lengthy notes after the
play, is Shaw's belief that people have not been morally improved
by civilization and technology. A line from the prologue clearly
illustrates this point. The god Ra addresses the audience and says,
"ye shall marvel, after your ignorant manner, that men twenty
centuries ago were already just such as you, and spoke and lived as
ye speak and live, no worse and no better, no wiser and no
sillier." Another theme is the value of clemency. Caesar remarks
that he will not stoop to vengeance when confronted with Septimius,
the murderer of Pompey. Caesar throws away letters that would have
identified his enemies in Rome, instead choosing to try to win them
to his side. Pothinus remarks that Caesar doesn't torture his
captives. At several points in the play, Caesar lets his enemies go
instead of killing them. The wisdom of this approach is revealed
when Cleopatra orders her nurse to kill Pothinus because of his
"treachery and disloyalty" (but really because of his insults to
her). This probably contrasts with historical fact. The murder
enrages the Egyptian crowd, and but for Mithridates' reinforcements
would have meant the death of all the protagonists. Caesar only
endorses the retaliatory murder of Cleopatra's nurse because it was
necessary and humane.
General
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!
|
You might also like..
|
Email address subscribed successfully.
A activation email has been sent to you.
Please click the link in that email to activate your subscription.