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Books > Language & Literature > Literature: texts > Drama texts, plays > From 1900 > Film & television screenplays
In the Spring of 1975 the film director Richard Pearce
approached Cormac McCarthy with the idea of writing a screenplay.
Though already a widely acclaimed novelist, the author of such
modern classics as The Orchard Keeper and Child of God, McCarthy
had never before written a screenplay. Using nothing more than a
few photographs in the footnotes to a 1928 biography of a famous
pre-Civil War industrialist as inspiration, the author and Pearce
together roamed the mill towns of the South researching their
subject. One year later McCarthy finished The Gardener's Son, a
taut, riveting drama of impotence, rage, and ultimately violence
spanning two generations of mill owners and workers, fathers and
sons, during the rise and fall of one of America's most bizarre
utopian industrial experiments. Produced as a two-hour film and
broadcast on PBS in 1976, The Gardener's Son recieved two Emmy
Award nominations and was shown at the Berlin and Edinburgh Film
Festivals. This is the first appearance of the film script in book
form.
Set in Graniteville, South Carolina, The Gardener's Son is the
tale of two families: the Greggs, a wealthy family that owns and
operates the local cotton mill, and the McEvoys, a family of mill
workers beset by misfortune. The action opens as Robert McEvoy, a
young mill worker, is having his leg amputated -- the limb mangled
in an accident rumored to have been caused by James Gregg, son of
the mill's founder. McEvoy, crippled and isolated, grows into a man
with a "troubled heart"; consumed by bitterness and anger, he
deserts both his job and his family.
Returning two years later at the news of his mother's terminal
illness, Robert McEvoy arrives only to confront the grave diggers
preparing her final resting place. His father, the mill's gardener,
is now working on the factory line, the gardens forgotten. These
proceedings stoke the slow burning rage McEvoy carries within him,
a fury that ultimately consumes both the McEvoys and the
Greggs.
The kids are in bed, you've had a good meal and enough to drink.
What now? You and your friends don't want to play Scrabble or
Trivial Pursuit and you certainly don't want to watch television.
So why not make your own fun by acting out these small and amusing
plays? They will round off your evening nicely...Oh no they won't!
Oh yes they will!
Documentary films have become an exciting and popular genre.
Worldwide, the attractiveness and appeal of documentaries have
increased tremendously. More newcomers are now able to enter this
genre, because with an affordable digital video camera and PC
editing system, a good story, common sense and enthusiasm, anyone
can be a documentary producer. Moreover, we are surrounded by
amazing true stories, waiting to be told. Producing documentaries
will be of interest to existing documentary producers and film or
journalism students, but its primary purpose is to prepare the
first-time documentary producer to make good documentaries on an
affordable, shoestring budget. With the minimum of theory and a
wealth of practical tips, it provides step-by-step and practical
instructions on how to create exciting and well-structured
documentary films, even if you do not have a big budget behind you.
This accessible, understandable and practical guide explains all
the principles, production processes and elements of documentary
film-making. The rest is only a matter of dedication, enthusiasm
and practice, practice, practice Good luck!
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Othello
(Hardcover)
William Shakespeare
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R627
Discovery Miles 6 270
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Ships in 10 - 15 working days
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Othello
(Paperback)
William Shakespeare
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R406
Discovery Miles 4 060
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Ships in 10 - 15 working days
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