A movie that drew rave reviews for its fearless and razor-sharp humor, Your Friends and Neighbors is a searing display of today's war between the sexes. Everywhere in the film's screenplay, we encounter the kind of wit used by great Restoration playwrights to expose the hypocrisies in male/female relationships.

Neil LaBute's debut feature, in the company of men, was described by Variety as "a dark, probing, truly disturbing exploration of yuppie angst and male anxieties." In Your Friends and Neighbors, male anxiety is again on show, but this time in a much wider context, revealing the rabid desires of all people—regardless of sex—to serve their own interests at any cost.

Inspired by Dostoyevsky's short story, The Double tells the story of Simon, a timid man, scratching out an isolated existence in an indifferent world. He is overlooked at work, scorned by his mother, and ignored by the woman of his dreams. He feels powerless to change any of these things. The arrival of a new co-worker, James, serves to upset the balance. James is both Simon's exact physical double and his opposite - confident, charismatic and good with women. To Simon's horror, James slowly starts taking over his life.

Death is always the issue-in life, and in the Western. Joel and Ethan Coen's The Ballad of Buster Scruggs is a movie of six Western stories. In each, our common destination is approached by a different road. Through each, diverse characters hurry for their final appointment: Oregon Trail-travelers, a gold prospector, a motley crew of stagecoach passengers, a high-plains drifting bank robber, even a singing cowboy. These six stories escort them with a care that either respects, or mocks, the dignity of all. The film stars Tom Waits, James Franco, Liam Neeson, Tim Bake Nelson and Zoe Kazan and is shot with the harsh grandeur of the classic John Ford westerns.

This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent.

The book teaches all vital script supervising functions, including how to:
.prepare, or "break down" a script for shooting
.maintaining screen direction and progression
.matching scenes and shots for editing
.cuing actors
.recording good takes and prints
preparing time and log sheets for editing
This revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.

At the centre of Tarkovsky's oeuvre, _Mirror_ is his most complex and autobiographical film. It stretches the viewer by moving without apparent effort between past, present and imagined realities, in a series of episodes which observe neither plot nor overt logic. The film reconstructs and records iconic memories and deep emotional impressions in the life of an individual, a nation and an era. Audience reaction to 'Mirror' was overwhelming and it came to represent a watershed in many people's lives. It also occasioned Tartovsky's first open dialogue with his viewers, as letters poured in to convince him of the importance and need for his films. It remains to this day most Russians' favourite Tarkovsky film.

A quintessential work of 1960s European art cinema, "L'Annee derniere a Marienbad "("Last Year in Marienbad, "1961) was a collaboration between director Alain Resnais and 'New Novel" enfant terrible Alain Robbe-Grillet. Three people, known only by their initials, move through the sprawling luxury of a mysterious hotel and its ornamental gardens. Perhaps M is A's husband and X her lover. Perhaps '"last year," A promised X she would leave with him. Or is there something more terrible in the past? An abstract thriller, a love story, a philosophical puzzle, the film's deviations are, for Jean-Louis Leutrat, as complex as those of the human heart.

An exciting new strand in The Television Series, the 'Moments in Television' collections celebrate the power and artistry of television, whilst interrogating key critical concepts in television scholarship. Each 'Moments' book is organised around a provocative binary theme. Substance / styleoffers fresh perspectives on television's essential qualities and aesthetic significance. It reassesses the synergy between substance and style, highlighting the potential for meaning to arise through their integration. The book's chosen programmes are persuasively illuminated in new ways. The book explores an eclectic range of TV fictions, dramatic and comedic. Contributors from diverse perspectives come together to expand and enrich the kind of close analysis most commonly found in television aesthetics. Sustained, detailed programme analyses are sensitively framed within historical, technological, institutional, cultural, creative and art-historical contexts. -- .

Star Wars exploded onto our cinema screens in 1977, and the world has not been the same since. After watching depressing and cynical movies throughout the early 1970s, audiences enthusiastically embraced the positive energy of the Star Wars universe as they followed moisture farmer Luke Skywalker on his journey through a galaxy far, far away, meeting extraordinary characters like mysterious hermit Obi-Wan Kenobi, space pirates Han Solo and Chewbacca, loyal droids C-3PO and R2-D2, bold Princess Leia and the horrific Darth Vader, servant of the dark, malevolent Emperor. Writer, director, and producer George Lucas created the modern monomyth of our time, one that resonates with the child in us all. He formed Industrial Light & Magic to develop cutting-edge special effects technology, which he combined with innovative editing techniques and a heightened sense of sound to give audiences a unique sensory cinematic experience. In this first volume, made with the full cooperation of Lucasfilm, Lucas narrates his own story, taking us through the making of the original trilogy-Episode IV: A New Hope, Episode V: The Empire Strikes Back, and Episode VI: Return of the Jedi-and bringing fresh insights into the creation of a unique universe. Complete with script pages, production documents, concept art, storyboards, on-set photography, stills, and posters, the XXL-sized tome is an authoritative exploration of the original saga as told by its creator.

These four early works by the internationally lauded filmmaking team deal with the subject for which they are best known: corruption and crime in situations that combine the real and the surreal with the hilarious.

Blood Simple deals with a cuckolded Texan bar owner who hires a slimy private investigator to kill his unfaithful wife and her boyfriend, but this is merely the start of a grisly chain of back-stabbings and murders.

In Raising Arizona, oddly paired criminal H.I. McDonnough and police woman Edwina marry, only to discover they are unable to conceive a child. In the name of parenthood, the couple kidnap one of the quintuplets of furniture tycoon Nathan Arizona. While trying to keep their crime a secret, H.I's convict friends, his boss, and even the Lone Biker Of The Apocalypse look to use Nathan Jr. for their own purposes.

Miller's Crossing, set in the era of Prohibition, focuses on Tom Reagan, the trusted lieutenant of irish crime boos Leo, endeavours to keeps the peace when Leo gets locked into a feud with rival mobster Jonny Caspar.

This edition also includes Barton Fink—an intense look at the psychological ruin of a New York playwright trying to make it in 1940s Hollywood—which is a masterful culmination of these themes.