Adapted for the screen by the author from her enormously successful novel about Josie Alibrandi and her relationship with her friends and family in her last year at school. Includes stills from the film and an introduction from the author.

A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle's Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.

Breaking and Entering is a modern drama which revolves around a series of thefts - some criminal, some emotional - set against a backdrop of London's changing geographical and cultural landscape. Will (Jude Law)) is a partner in a thriving landscape architecture firm which he runs with his friend, Sandy (Martin Freeman). Professionally, things could not be better but Will spends less and less time at home with his beautiful, melancholy partner, Liv (Robin Wright Penn) and her troubled 12 year-old daughter, Bea. Will's office has recently relocated to King's Cross, the centre of Europe's most ambitious urban regeneration site and their state-of-the-art studio repeatedly attracts the attention of a local gang of thieves. After one of the break-ins, Will follows teenaged freerunner Miro (Rafi Gavron) back to the apartment he shares with his mother, Amira (Juliette Binoche), a Bosnian refugee. With his relationship already in crisis, Will embarks on a passionate journey into both the wilder side of himself and the city in which he lives.

The official screenplay book tie-in to the highly acclaimed movie from Fox Searchlight Pictures, written by Diablo Cody (author of "Candy Girl") and directed by Jason Reitman ("Thank You for Smoking"), tells the story of a confidently frank teenage girl who calls the shots with a nonchalant cool and an effortless attitude as she journeys through an emotional nine-month adventure into adulthood.
While most girls at Dancing Elk are updating their MySpace page or shopping at the mall, Juno is a whip-smart Minnesota teen living by her own rules. A typically boring afternoon becomes anything but when Juno decides to have sex with the charmingly unassuming Bleeker (Michael Cera). Faced with an unplanned pregnancy, she and best friend Leah (Olivia Thirlby) hatch a plan to find Juno's unborn baby the perfect set of parents courtesy of the local Penny Saver. They set their sights on Mark and Vanessa Loring (Jason Bateman and Jennifer Garner), an affluent suburban couple who are longing to adopt their first child. Luckily, Juno has the support of her dad and stepmother (J.K. Simmons and Allison Janney). After the initial shock that their daughter has been sexually active with the unlikely "virile" Bleeker, the family bands together to help Juno. Dad Mac accompanies Juno to size up the prospective adoptive parents to make sure they are not a couple of "wing nuts" while stepmother Bren provides emotional support as Juno fights the prejudices of underage pregnancy. As Juno moves closer and closer to her due date, the veneer of Mark and Vanessa's idyllic life starts to show signs of cracking. While fall becomes winter and winter turns to spring, Juno's physical changes mirror her personal growth.With a fearless intellect far removed from the usual teen angst, Juno conquers her problems head-on, displaying a youthful exuberance both smart and unexpected.
In addition to the complete script, this Newmarket Shooting Scrip(R) book includes a foreword by director Jason Reitman, an exclusive introduction by Diablo Cody, a color photo section, and the complete cast and crew credits.

The work of acclaimed German artist Christoph Schlingensief spans three decades and a diverse range of fields, including, film, television, activism, opera, and theatre. "Christoph Schlingensief: Art Without Borders" is the first book to be published in English on Schlingensief's groundbreaking, politically engaged body of work. Leading scholars in the field offer a critical assessment of Schlingensief's hybrid practice, and an interview with Schlingensief himself provides the reader with insight into past and present projects. The book will be an essential resource for artists, curators, students, and academics in the fields of theater and performance studies, film studies, cultural studies, German studies, political activism, and art history.

New York comedian Alvy Singer reflects ruefully upon a failed relationship. When he first met Annie Hall on a tennis date, she was an insecure wallflower in trousers, vest and tie. But they shared a self-deprecating sense of humour, plus certain deep-seated neuroses, and love soon blossomed. Alvy supported Annie's hopes for a singing career and encouraged her to broaden her talents. But ironically, her increasing self-assurance, coupled with Alvy's obsession with death and his seeming inability to enjoy himself ('Life is divided between the horrible and the miserable'), spelt trouble for their affair. Annie Hall is a bittersweet comedic masterpiece, rich in irony, invention, romantic insights and classic Woody Allen one-liners. It won Academy Awards for Best Director, Best Actress, Best Original Screenplay and Best Picture of 1977.

Ten short films, each based on a broken commandment, set in and around an apartment block in Warsaw. The stories are simple, describing experiences and emotions common to us all - the fractured quality of modern family life, its sadnesses and hopes. These brilliant films explore the significance of the choices we all make, every day of our lives. This edition includes an introduction by Kieslowski about his work, together with the feature-length scripts for A Short Film about Killing and A Short Film about Love.

Shakespeare is everywhere in contemporary media culture. This book explores the reasons for this dissemination and reassemblage. Ranging widely over American TV drama, it discusses the use of citations in Westworld and The Wire, demonstrating how they tap into but also transform Shakespeare's preferred themes and concerns. It then examines the presentation of female presidents in shows such as Commander in Chief and House of Cards, revealing how they are modelled on figures of female sovereignty from his plays. Finally, it analyses the specifically Shakespearean dramaturgy of Deadwood and The Americans. Ultimately, the book brings into focus the way serial TV drama appropriates Shakespeare in order to give voice to the unfinished business of the American cultural imaginary. -- .

This new edition brings together all of Beckett's dramatic writings for radio, television and film, offering works which range from eloquent comic naturalism to an eviscerated and pared-down symbolism. Above all, Beckett found his unique uses for the radio-play, a medium 'for voices not bodies', compacted of speech, sound and silence - and the plays in this volume intently explore the resources and limits of the sound-stage. My father, back from the dead, to be with me. (Pause.) As if he hadn't died. (Pause.) No, simply back from the dead, to be with me, in this strange place. (Pause.) Can he hear me? (Pause.) Yes, he must hear me. (Pause.) To answer me? (Pause.) No, he doesn't answer me. (Pause.) Just be with me. (Pause.) That sound you hear is the sea. (Pause. Louder.) I say that sound you hear is the sea, we are sitting on the strand. (Pause.) I mention it because the sound is so strange, so unlike the sound of the sea, that if you didn't see what it was you wouldn't know what it was. (Pause.). Hooves! Contents: All That Fall, Embers, Words and Music, Eh Joe, Quad, Film, ...but the clouds..., Ghost Trio, Nacht und Traume, Rough for Radio I, Rough for Radio II, Cascando, The Old Tune Preface and Notes by Everett Frost

Loner Travis Bickle takes up driving a taxi in search of an escape from sleeplessness and disgust with the corruption around him. His pent-up rage, fueled by his doomed relationship with political campaign worker Betsy, leads to an inevitable descent into psychosis and violence. An award winner at the 1976 Cannes Festival, TAXI DRIVER was an important film during the seventies.

For the first time, Lucasfilm has opened its Archives to present the complete storyboards for the original Star Wars trilogy-the world-changing A New Hope and its operatic sequels, The Empire Strikes Back and Return of the Jedi-as well as never-before-published art from early conceptual and deleted scenes. From the opening chase above Tatooine in A New Hope to the Battle of Endor in Jedi, this book presents the visual inspiration behind now-iconic moments. Readers can finally see a full set of storyboards by legendary artist Joe Johnston, as well as early boards for Episode IV by Alex Tavoularis and for Episode V by Ivor Beddoes, rarely seen Episode VI boards by Roy Carnon, and Ralph McQuarrie's never-before-seen storyboards for Episode V.

This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices - in which ideas, emotions, people and personalities combine, cohere and clash - are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks 'into' script development from a theoretical perspective, and second looks 'out from' the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice.

TV Writing On Demand: Creating Great Content in the Digital Era takes a deep dive into writing for today's audiences, against the backdrop of a rapidly evolving TV ecosystem. Amazon, Hulu and Netflix were just the beginning. The proliferation of everything digital has led to an ever-expanding array of the most authentic and engaging programming that we've ever seen. No longer is there a distinction between broadcast, cable and streaming. It's all content. Regardless of what new platforms and channels will emerge in the coming years, for creators and writers, the future of entertainment has never looked brighter. This book goes beyond an analysis of what makes great programming work. It is a master course in the creation of entertainment that does more than meet the standards of modern audiences-it challenges their expectations. Among other essentials, readers will discover how to: Satisfy the binge viewer: analysis of the new genres, trends and how to make smart initial decisions for strong, sustainable story. Plus, learn from the rebel who reinvented an entire format. Develop iconic characters: how to foster audience alignment and allegiance, from empathy and dialogue to throwing characters off their game, all through the lens of authenticity and relatability. Create a lasting, meaningful career in the evolving TV marketplace: how to overcome trips, traps and tropes, the pros and cons of I.P.; use the Show Bible as a sales tool and make the most of the plethora of new opportunities out there. A companion website offers additional content including script excerpts, show bible samples, interviews with television content creators, and more.

A Guide to Screenwriting Success, Second Edition provides a comprehensive overview of writing-and rewriting-a screenplay or teleplay and writing for digital content. Duncan's handy book teaches new screenwriters the process of creating a professional screenplay from beginning to end. It shows that inspiration, creativity, and good writing are not elusive concepts but attainable goals that any motivated person can aspire to. Duncan includes sections on all aspects of screenwriting-from character development to story templates-and breaks down the three acts of a screenplay into manageable pieces. A Guide to Screenwriting Success contains dozens of exercises to help writers through these steps. The second half of Duncan's practical book covers another, often overlooked, side of screenwriting-the teleplay. Aspiring writers who also want to try their hand at writing for television will need to learn the specifics of the field. The book breaks down this area into two parts, the one-hour teleplay and the situation comedy. There is a section on writing and producing digital content that embraces the "Do It Yourself" attitude to approaching a career in the entertainment industry. Success in screenwriting is no longer a dream but an achievable goal for those who pick up Duncan's guide.

Only 23-years-old when he directed his extraordinary debut feature Gummo, Harmony Korine has since continued to serve notice that he is the riskiest, most radical young talent in independent US film. This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

Woody Allen, who first became famous as a stand up comedian and a writer of comedy routines, has also had a distinguished career as a playwright and screenwriter/director. Allen owes his celebrity status primarily to his critically acclaimed films, such as Manhattan, Hannah and her Sisters, and Crimes and Misdemeanors. In Woody Allen: A Casebook, Kimball King, has selected major plays and films by Woody Allen and has chosen well-known scholars to examine their complexities in detail. Allen's sophisticated movie musical scores as well as his thoughtful studies of American character and life are analyzed by contemporary critics, such as William Hutchings, Tom Sahy, and King himself. The result is a volume that surveys artistic highpoints of the Allen canon and illustrates the creative impact of Allen's works on audiences and readers.

When "Thelma & Louise" opened in 1991, it was greeted with acclaim and controversy, quickly earning first-time screenwriter Callie Khouri a reputation as one of the only writers of real movie roles for women. She lived up to expectations with "Something to Talk About, " which won praise for its originality and authenticity. Published here in one volume, these two screenplays gives us an oppurtunity to savor the work of a groundbreaking author.

'Should be made compulsory reading . . . If it were up to me this clear-sighted yet emotionally charged hymn to the NHS would be added to the curriculum in every high school from Land's End to John O'Groats with immediate effect.' i newspaper July 2018 marked the 70th anniversary of the National Health Service Act. To Provide All People is the intimate story of the NHS in British society today, written by novelist, poet and dramatist Owen Sheers. Depicting 24 hours, with a regional hospital at the centre of the action, the poem charts an emotional and philosophical map of the NHS against the personal experiences that lie at its heart; from patients to surgeons, porters to midwives. This is a world of transformative pains, triumphs, losses and celebrations and joins us all in our universal experiences of health and sickness, birth and death, regardless of race, gender or wealth. Informed by over seventy hours of interviews, the work is punctuated with the historical narrative of the birth of the NHS Act. To Provide All People was filmed by Vox Pictures/BBC Wales.

A collection of the screenplays of Paddy Chayefsky which is part of a four-volume set of his work. The screenplays contained in this volume are Network, The Hospital and Altered States.

Starring Christopher Bale, Michael Caine, Gary Oldman, Cillian Murphy and Morgan Freeman, the trilogy commenced with Batman Begins, which traced the origins of how Bruce Wayne took on the role of the masked crusader to fight the forces of evil. But the Batman's adversaries in the first film paled in comparison to the forces of anarchy unleashed by The Joker in the second film, The Dark Knight. Physically and psychologically depleted by his encounter with The Joker, in The Dark Knight Rises, Batman must marshal all his forces to meet the threat to Gotham City posed by the masked villain Bane. These three films form a trilogy unique in the history of cinema - and express a dark imaginative vision that reflects the uncertainties of the 21st century. Nominated for thirteen BAFTA awards and nine Oscars, the Dark Knight Trilogy starred Christian Bale, Michael Caine, Tom Hardy, Gary Oldman and Morgan Freeman. Christopher Nolan's other films include Insomnia, Momento, Inception and most recently Interstellar starring Matthew McConaughey and Anne Hathaway.

This book examines the processes of adaptation across a number of intriguing case studies and media. Turning its attention from the 'what' to the 'how' of adaptation, it serves to re-situate the discourse of adaptation studies, moving away from the hypotheses that used to haunt it, such as fidelity, to questions of how texts, authors and other creative practitioners (always understood as a plurality) engage in dialogue with one another across cultures, media, languages, genders and time itself. With fifteen chapters across fields including fine art and theory, drama and theatre, and television, this interdisciplinary volume considers adaptation across the creative and performance arts, with a single focus on the collaborative.

Exploring one of the most dynamic and contested regions of the world, this series includes works on political, economic, cultural, and social changes in modern and contemporary Asia and the Pacific.