It is a near-future world, and in many ways London is the same bustling metropolis it has been for centuries; but look a little closer and Viral Inspectors roam public places delivering fines and forced immunisation against Avian Flu, and an organisation called the Genetic Protection Authority has been established with unnerving oversight. It is the role of the GPA to oversee the genetic future of mankind: a noble mission to protect humanity from the worst genetic diseases and impairments, but one that seems increasingly liable to abuse, using its vague definitions of eradicating anything more than 'three standard variations from the human norm'. When Sandra Small becomes pregnant with a child that has the same strain of achondroplasia dwarfism as her husband, Ivan Henry, an ugly domestic dispute escalates to a legal battle with the GPA and the High Court. What could have been a marital issue becomes a challenge to the GPA's authority and jurisdiction, in a test case that could set an alarming precedent for the whole country, redefining the very definition of what is, and isn't, human. The stakes for Ivan, dwarfs, and anyone else with a genetic condition, become increasingly larger threatening to engulf London and beyond. This ambitious and provocative script is a faithful recreation of Ross Martyn's original vision, looking at ethics, science, and society; a story of how small actions can lead to catastrophic consequences.

Wes Anderson startled audiences with his stop-motion animated film of Roald Dahl's Fantastic Mr Fox. He now displays his unique wit and playful visual sense in an action-filled saga of Samurai dogs.

This book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices - in which ideas, emotions, people and personalities combine, cohere and clash - are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks 'into' script development from a theoretical perspective, and second looks 'out from' the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice.

The complete Blackadder scripts by Richard Curtis, Ben Elton, Rowan Atkinson and John Lloyd. Twenty-six years ago, Edmund Blackadder made his first appearance on our screens. Comedy has never been the same since (nor indeed has history). Gathered here - in this twenty-sixth anniversary commemorative edition - are the complete scripts of Blackadder's adventures and, mostly, misadventures. Blackadder, Blackadder II, Blackadder the Third and Blackadder Goes Forth. Every word, every lie, every cunning plan and cock-up. From medieval nastiness, through Elizabethan and Regency glory, to the mud and sauteed rats of the First World War, Blackadder and his oafish underling Baldrick can be most definitely blamed for ruining England's reputation as a country with a great history. This historical record has been set down by Mr Richard Curtis, Mr Ben Elton, Mr Rowan Atkinson and Mr John Lloyd. Richard Curtis is the writer/director behind Four Weddings and a Funeral, Love Actually and The Boat That Rocked) and Ben Elton is the bestselling author and writer of The Young Ones, The Man From Auntie and The Thin Blue Line. The character of Blackadder was played by Rowan Atkinson, who is the star of the Mr Bean TV series and films, and Johnny English. The four Blackadder series, produced by John Lloyd, won numerous BAFTAs and also an EMMY.