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Fights of Fancy - Armed Conflict in Science Fiction and Fantasy (Hardcover)
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Fights of Fancy - Armed Conflict in Science Fiction and Fantasy (Hardcover)
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This collection of fifteen original essays offers new perspectives
on armed conflict as a central aspect of science fiction and
fantasy writing. Looking past the superficial conventions
associated with ray guns and aliens, swords and sorcerers, the
contributors show how writers in the genre today are not so much
imagining war more fully as they are completely re-imagining it.
Science fiction and fantasy writing is no longer mired in epic or
chivalric models but is responding to new and more complex
""real-world"" motivations for armed aggression: advances in
weaponry, shifts in the theaters of war, and changes in battlefield
conditions. Most of the papers were presented at the annual J.
Lloyd Eaton Conference on Science Fiction and Fantasy Literature,
the field's most prestigious international gathering. The trend
throughout the book is away from critical interest in stories of
spatial or territorial conquest and toward works that deal with
topics related to wars of temporal logistics and the
internationalization of the combat zone, including urban street
violence, gender conflicts, and resistance to runaway technology.
The essays range from studies of the semantics and linguistics of
warfare in science fiction to a critique of Osip Senkovsky's
Fantastic Journeys of Baron Brambeus; from writer Joe Haldeman's
assessment of the impact of his Vietnam experiences on his fiction
to inquiries into a shared author/reader agenda in novels
concerning potential mass destruction, including Stephen King's
Dead Zone and M. J. Engh's Arslan. The collection also charts new
directions in writing, such as the anti-apocalyptic science fiction
of Samuel R. Delany, and embraces new modes of presentation,
particularly computer animation and the bande dessinee, or
illustrated narrative, as exemplified by French novelist Phillippe
Druillet's La Nuit. Musician Bob Marley, film actor/directors
Sylvester Stallone and Bruce Lee, and the cyberpunk film classics
Terminator and the Road Warrior series are among other topics
discussed. Together, the essays reinforce the editors' contention
that the true function of these fantasies and science fictions is
neither nostalgia nor fancy, but analysis. The contributors treat
the texts they examine as a means not of playing war games but of
understanding the role of war in the present and the future.
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