Books > Language & Literature > Literature: history & criticism > Plays & playwrights > 16th to 18th centuries > Shakespeare studies & criticism
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The Connell Guide To Shakespeare's Macbeth (Paperback)
Loot Price: R250
Discovery Miles 2 500
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The Connell Guide To Shakespeare's Macbeth (Paperback)
Series: The Connell Guide To ...
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List price R265
Loot Price R250
Discovery Miles 2 500
You Save R15 (6%)
Expected to ship within 12 - 17 working days
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Macbeth may well be the most terrifying play in the English
language, but it hasn't always been seen that way. It has divided
critics more deeply than any other Shakespearian tragedy - and the
argument, in essence, has been about just how terrifying the play
really is and about how we should react, or do react, to Macbeth
himself. No Shakespearian tragedy gives as much attention to its
hero as Macbeth. With the exception of Lady Macbeth, there is much
less emphasis on the figures round the hero than there is in Hamlet
or Othello. Unlike King Lear, with its parallel story of Gloucester
and his sons, Macbeth has no sub-plot. And its imagery of sharp
contrasts - of day and night, light and dark, innocent life and
murder - adds to the almost claustrophobic intensity of this most
intense of plays. So why are critics so divided about Macbeth? Why
is it so disturbing? Why do we feel compelled to admire its hero
even as we condemn him? How reassuring is the last scene, when
Macbeth is killed and Malcolm becomes king? Do we see this as the
intervention of a divine providence, a restoration of goodness
after all the evil? Or do we see instead signs that the whole cycle
of violence and murder could be about to begin all over again? And
what does the play really tell us about good and evil? In this book
Graham Bradshaw answers these questions, and shows how it is only
in recent years that the extent of Shakespeare's achievement in
Macbeth, and the nature of his vision in the play, has really been
grasped.
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