Scoring the Hollywood Actor in the 1950s theorises the connections
between film acting and film music using the films of the 1950s as
case studies. Closely examining performances of such actors as
James Dean, Montgomery Clift, and Marilyn Monroe, and films of
directors like Elia Kazan, Douglas Sirk, and Alfred Hitchcock, this
volume provides a comprehensive view of how screen performance has
been musicalised, including examination of the role of music in
relation to the creation of cinematic performances and the
perception of an actor's performance. The book also explores the
idea of music as a temporal vector which mirrors the temporal
vector of actors' voices and movements, ultimately demonstrating
how acting and music go together to create a forward axis of time
in the films of the 1950s. This is a valuable resource for scholars
and researchers of musicology, film music and film studies more
generally.
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