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Dancing on the Color Line - African American Tricksters in Nineteenth-Century American Literature (Hardcover)
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Dancing on the Color Line - African American Tricksters in Nineteenth-Century American Literature (Hardcover)
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The extensive influence of the creative traditions derived from
slave culture, particularly black folklore, in the work of
nineteenth- and twentieth-century black authors, such as Ralph
Ellison and Toni Morrison, has become a hallmark of African
American scholarship. Yet similar inquiries regarding white authors
adopting black aesthetic techniques have been largely overlooked.
Gretchen Martin examines representative nineteenth-century works to
explore the influence of black-authored (or narrated) works on
well-known white-authored texts, particularly the impact of black
oral culture evident by subversive trickster figures in John
Pendleton Kennedy's Swallow Barn, Harriet Beecher Stowe's Uncle
Tom's Cabin, Herman Melville's Benito Cereno, Joel Chandler
Harris's short stories, as well as Mark Twain's Adventures of
Huckleberry Finn and Pudd'nhead Wilson. As Martin indicates, such
white authors show themselves to be savvy observers of the many
trickster traditions and indeed a wide range of texts suggest
stylistic and aesthetic influences representative of the artistry,
subversive wisdom, and subtle humor in these black figures of
ridicule, resistance, and repudiation. The black characters created
by these white authors are often dismissed as little more than
limited, demeaning stereotypes of the minstrel tradition, yet by
teasing out important distinctions between the wisdom and humor
signified by trickery rather than minstrelsy, Martin probes an
overlooked aspect of the nineteenth-century American literary canon
and reveals the extensive influence of black aesthetics on some of
the most highly regarded work by white American authors.
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