Books > Arts & Architecture > History of art / art & design styles > From 1900 > Art styles, 1960 - > Conceptual art
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Object-Event-Performance - Art, Materiality, and Continuity Since the 1960s (Hardcover)
Loot Price: R1,657
Discovery Miles 16 570
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Object-Event-Performance - Art, Materiality, and Continuity Since the 1960s (Hardcover)
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A volume considering questions of conservation that arise with new
artistic mediums and practices. Much of the artwork that rose to
prominence in the second half of the twentieth century took on
novel forms-such as installation, performance, event, video, film,
earthwork, and intermedia works with interactive and networked
components-that pose a new set of questions about what art actually
is, both physically and conceptually. For conservators, this raises
an existential challenge when considering what elements of these
artworks can and should be preserved. This provocative volume
revisits the traditional notions of conservation and museum
collecting that developed over the centuries to suit a conception
of art as static, fixed, and permanent objects. Conservators and
museums increasingly struggle with issues of conservation for works
created from the mid-twentieth to the twenty-first century that are
unstable over time. The contributors ask what it means to conserve
artworks that fundamentally address and embody the notion of change
and, through this questioning, guide us to reevaluate the meaning
of art, of objects, and of materiality itself.
Object-Event-Performance considers a selection of post-1960s
artworks that have all been chosen for their instability,
changeability, performance elements, and processes that pose
questions about their relationship to conservation practices. This
volume will be a welcome resource on contemporary conservation for
art historians, scholars of dance and theater studies, curators,
and conservators.
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