Collected volume of studies on the stage representation of Jews in
European theatre between 1830 and 1940. The way in which Jews are
represented on the stage stretches between the poles of
anti-Judaism and anti-Semitism on the one side and Jewish
renaissance and Zionism on the other. The individual studies all
consider the boundary conditions given by cultural and mental
history. This volume is the first attempt to view both the spoken
word and musical theatre from this point of view.
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