Since its publication in 1936, Walter Benjamin's "Artwork" essay
has become a canonical text about the status and place of the fine
arts in modern mass culture. Benjamin was especially concerned with
the ability of new technologies-notably film, sound recording, and
photography-to reproduce works of art in great number. Benjamin
could not have foreseen the explosion of imagery and media that has
occurred during the past fifty years. Does Benjamin's famous essay
still speak to this new situation? That is the question posed by
the editors of this book to a wide range of leading scholars and
thinkers across a spectrum of disciplines in the humanities. The
essays gathered here do not hazard a univocal reply to that
question; rather they offer a rich, wide-ranging critique of
Benjamin's position that refracts and reflects contemporary
thinking about the ethical, political, and aesthetic implications
of life in the digital age.
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