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Moving Images - Nineteenth-Century Reading and Screen Practices (Hardcover)
Loot Price: R2,330
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Moving Images - Nineteenth-Century Reading and Screen Practices (Hardcover)
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Examines the moving image in relation to nineteenth-century
literature, theories of mind, and visual media This book examines
how the productive interplay between nineteenth-century literary
and visual media paralleled the emergence of a modern psychological
understanding of the ways in which reading, viewing and dreaming
generate moving images in the mind. Reading between these parallel
histories of mind and media reveals a dynamic conceptual, aesthetic
and technological engagement with the moving image that, in turn,
produces a new understanding of the production and circulation of
the work of key nineteenth-century writers, such as Lord Byron,
Walter Scott, Lewis Carroll, Charles Dickens and William Makepeace
Thackeray. As Helen Groth shows, this engagement is both typical of
the nineteenth-century in its preoccupation with questions of
automatism and volition (unconscious and conscious thought), spirit
and materiality, art and machine, but also definitively modern in
its secular articulation of the instructive and entertaining
applications of making images move both inside and outside the
mind. Key Features *Considers the impact of the dramatic
transformations in print and visual culture on our understanding of
the production, circulation and mediation of works by Byron, Scott,
Thackeray, Carroll, Dickens, Mayhew and James, as well as
lesser-known writers such as Ann and Jane Taylor, Pierce Egan,
Countess Blessington, and George Sims *Provides a new perspective
on the conventional opposition of the early cinema of attractions
to the immersive absorption of both nineteenth-century literary
formations and later classical narrative cinema
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