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Marfa Modern - Artistic Interiors of the West Texas High Desert (Hardcover)
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Marfa Modern - Artistic Interiors of the West Texas High Desert (Hardcover)
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Twenty-one houses in and around Marfa, Texas, provide a glimpse at
creative life and design in one of the art world's most intriguing
destinations. When Donald Judd began his Marfa project in the early
1970s, it was regarded as an idiosyncratic quest. Today, Judd is
revered for his minimalist art and the stringent standards he
applied to everything around him, including interiors,
architecture, and furniture. The former water stop has become a
mecca for artists, art pilgrims, and design aficionados drawn to
the creative enclave, the permanent installations called "among the
largest and most beautiful in the world," and the austerely
beautiful high-desert landscape. In keeping with Judd's
site-specific intentions, those who call Marfa home have made a
choice to live in concert with their untamed, open surroundings.
Marfa Modern features houses that represent unique responses to
this setting - the sky, its light and sense of isolation - some
that even predate Judd's arrival. Here, conceptual artist Michael
Phelan lives in a former Texaco service station with battery acid
stains on the concrete floor and a twenty-foot dining table lining
one wall. A chef's modest house comes with the satisfaction of
being handmade down to its side tables and bath, which expands into
a private courtyard with an outdoor tub. Another artist uses the
many rooms of her house, a former jail, to shift between different
mediums - with Judd's Fort D. A. Russell works always visible from
her second-story sun porch. Extraordinary building costs mean that
Marfa dwellers embrace a culture of frontier ingenuity and freedom
from excess--salvaged metal signs become sliding doors and lengths
of pipe become lighting fixtures, industrial warehouses are
redesigned after the area's white-cube galleries to create space
for private or personally created art collections, and other
materials are suggested by the land itself: walls are made of adobe
bricks or rammed earth to form sculptural courtyards, or, in one
remarkable instance, a mix of mud and brick plastered with local
soils, cactus mucilage, horse manure, and straw.
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