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Books > Arts & Architecture > Architecture > Interior design
The new format and size of the revamped Buyers Guide had proved popular. The cover showcasing products from leading supplier Roche Bobois will stand out beautifully on the shelves and we urge you to please support the new issue with well placed and faced promotional space. It cannot sell if it's not shown effectively. The eagerly anticipated 27th edition of the Decor and Design Buyers' Guide will launch once again in August 2025. Immediately apparent is the revamped and restyled design template and the obvious increase in size from last year's issue. We have grown this edition to 600 pages from the previous edition at 564 pages. It's the biggest Buyers' Guide yet produced. The support from the industry for this edition has been absolutely unbelievable and were sure it will leave an indelible impression on the decor market. Having a presence in the most highly rated design directory in the country is essential for companies at the cutting edge of trend-setting innovation and design. SA Decor and Design has become a cornerstone of the design network in South Africa and a showcase for the local talent and expertise that contributes to the changing face of design in the country. This year we see some some stylish adjustments in design and layout and we have added some new chapters to add to the mix. Prepare to immerse yourself in a world of sophistication as you discover the creme de la creme of suppliers and retailers within this high-end guide. A carefully curated and handpicked selection of the absolute best in the industry is presented, providing the reader with a definitive reference and an unparalleled sourcing tool for all their needs.
A bold exploration of the role of the domestic interior in fashion photography and its importance in defining a new kind of fashion image. For three decades, the fashion image has shifted its focus from high-end shoots to the idiosyncratic, Instagram-style practice of pictures taken at home. That home may be a house, apartment or room – often, though not always, the antithesis of glamour and gloss. The Domestic Stage captures this fascination with the home as an 'uncurated' setting for presenting an individual’s private life and relationships, and for professional commissions with edge. Those behind the camera come from very different places, but all celebrate a sense of inventiveness and empowerment from working in the domestic space. How this space merged with the fashion image is revealed through the words and work of twenty-two such image-makers, most of whom talked personally to author Adam Murray. They include the pioneering Nigel Shafran; International Magic, who created virtual fashion shows with Martine Rose during the pandemic; and Carrie Mae Weems, whose 2024 Bottega Veneta campaign truly came 'home' – to show A$AP Rocky enjoying time with his children. Each and every contributor’s commentary is candid and revealing, their images even more so. The result is a provocative new take on fashion photography and its transformation in recent years.
The exhibition at the Vitra Design Museum explores the fashion show as a cultural ritual and a total artistic experience. It features iconic shows by Balenciaga, Chanel, Dior, Gucci, Helmut Lang, Maison Martin Margiela, Issey Miyake, Prada, Viktor & Rolf, and Louis Vuitton. The accompanying catalogue brings together historical sources, contemporary image series, and essays by leading voices in the fashion world. Model Malgosia Bela recounts the highlights and challenges of international runways. Legendary sound supervisor Michel Gaubert reveals how sound shapes moods and dramaturgy. Visionary buyer and curator Andreas Murkudis offers insights into the selection of key fashion collections. Fashion historian Caroline Evans analyses the social roles of the fashion show, Cathy Horyn reflects on its influence on contemporary fashion, and Valerie Steele, Director of The Museum at FIT in New York, situates it within the global cultural context. Catwalk is both an opulent visual archive and a definitive reference work, presenting the phenomenon of the fashion show in all its facets – well-founded, multi-voiced, and close to the action.
In this stunning new book, style visionaries Tommy Hilfiger and Dee Ocleppo Hilfiger invite readers inside their seven uniquely designed homes – each a bold expression of their iconic approach to living. “I’ve so enjoyed vicariously visiting Tommy just about everywhere in the world by poring over this book, which makes clear that he gives as much creative consideration to his interiors as he does to his runway collections.” - Anna Wintour, from the Foreword What makes a house a home? Is it the setting, the architecture, the interior design, the selection of objects and art carefully collected over many decades? In the case of Tommy Hilfiger and Dee Ocleppo Hilfiger’s homes, it is all these elements, but most importantly, it is the couple’s exceptional warmth and hospitality, combined with their innate sense of style. The Hilfigers have lived in many places, from Manhattan to Mustique, and though each home is different, every one exudes their unique approach to design―and life. Their tropical Palm Beach paradise is a world away from their bespoke Greenwich manor, their retro-glam, 1970s-style Miami home, their idyllic vacation house on Mustique, and their sleek Feadship yacht, Flag. In Hilfiger Homes, Tommy and Dee open the doors to seven of their most remarkable properties, superbly photographed by Douglas Friedman, a longtime creative partner of the Hilfigers, with dozens of intimate family photos scattered throughout. Our guide is James Reginato, the veteran chronicler of tastemakers and their lifestyle, and Anna Wintour, a defining force in global fashion, has contributed the foreword.
Design consists of the solution proposals put forward by the designer for the target audience. The changing needs of the target audience cause the designer to change the solutions. Although the act of designing seems to take place in the triangle of mass-object-designer, it is also affected by the period it is in, independently of these components. The changing perception of taste with the change of the period, the adoption of fast consumption, the advancement of technology, the attempt to establish the real world in the virtual with this progress, and the widespread use of social media causes different effects on different user groups. Some users, who feel this effect, adapt to it and try to meet their needs in parallel, while the other part shows a conscious resistance to this effect and prefers to maintain a perception of "liking" from the past. It is important to share these views to break the resistance and ensure the construction of a new agenda. Contemporary Manifests on Design Thinking and Practice reveals the current problems, practices, and research of the period in design disciplines. It gives readers the opportunity to see the impact of the ever-present change and transformation in design as a whole. Covering topics such as alternative design models, social media interaction, and urban social sustainability, this premier reference source is a dynamic resource for designers, architects, industrial designers, business leaders and executives, students and faculty of higher education, librarians, researchers, and academicians.
An architect generally works to a client’s brief when designing a new home or renovating an existing dwelling. However, the opportunity for an architect or a designer to create their own home, without the constraints of a client, must certainly be at the top of their wish list. Featuring twenty architects from around the world, The Architect's House will truly inspire those contemplating building a new home or renovating an older style of residence to take on the adventurous spirit. At a time when people are being cautious, both in terms of finances and ideas, they will find inspiration to go beyond the prosaic or not simply to chase the idea of a home with only resale value in mind. The properties featured here are diverse – from apartments through to large detached homes surrounded by hectares of native forest. However, what ‘stitches’ them together is the architects’ determination to create homes that perfectly suit the way they choose to live, both in the present and in the future. And because the projects don’t follow trends but beautifully capture the ‘voice’ of the owners, they remain timeless.
This book helps you discover the latest trends and innovations in interior design for small spaces. Filled with superb full-colour photography, detailed architectural plans, and insightful project descriptions, this volume showcases some the most innovative and exciting trends in interior design for small spaces - the featured projects range in size from 16m2 to 40m2. From concealed storage to the clever use of light and colour, these projects will be an invaluable source of inspiration for interior designers working with limited space.
"Meeting Matteo, over 10 years ago in Hoxton Square has led me to develop a genuine respect and curiosity about his work and approach. I was excited and apprehensive when I decided to write his story. Such a responsibility. This book is not simply about Matteo's transformation from Marketing to the world of Interior Design over the past decade, but more about what inspires and drives someone and how they get through it. "From nothing, Matteo has created a design studio with a reputation for elegance, quality and quirkiness. I feel lucky to have been allowed such unlimited access, which has brought me closer to Matteo. I hope what I have discovered keeps you turning the pages, as I know that there is a lot more to come. Have a look for yourself." Matteo Bianchi is an award-winning Interior and Product Designer with an entrepreneurial flair. Born in Venice, Italy, Bianchi's inherent passion for design led him to train at the Chelsea College of Art & Design in London, after a career in marketing and advertising. Matteo Bianchi is the Founder and Director of Matteo Bianchi Studio, launched in 2007 and he also teaches Interior Design related courses at The Interior Design School, London and Chelsea College of Art in the United Kingdom and The United Arab Emirates. Matteo Bianchi's Studio combines unexpected, unique and refined Interior and Product Design.
Pointed Leaf Press is proud to announce a monograph on English interior designer Sue Timney. To say that Timney's work is eclectic is as obvious as calling the sky blue: eclecticism is her signature. Perhaps it is her peripatetic childhood that has given her a global vision. Born in Libya, her father's military career took her to Germany and Newcastle, England and she cites influences and interests as diverse as the Japanese filmmaker Kurosawa, the beatniks, and African tribal art. In addition to 25 years worth of captivating photographs and some never before published drawings, textile designs, and personal artworks, 'Making Marks' is a journey through a fascinating life - from a career launched in Japan, to the opening of the first Timney Fowler shop in London's hip Portobello area, and her successful career as an interior designer. An exhibition at the Fashion & Textile Museum in London is planned for November 2010.
The Life Eclectic is a stunning interiors book that celebrates the individuality of eclectic decorating styles through 15 homes of creatives from around the world. Featuring homes of the world's most well-respected creatives, including Studio MacLean, Manfredi della Gherardesca and Martin Brudnizki, The Life Eclectic is a celebration of individuality, and embracing the joy that fluidity in taste can bring. How often have you leafed through an interiors book and wondered how you might be able to recreate the eclectic, joyful and chic style of famed designers, when your mis-match belongings seem to juxtapose in all the wrong ways? The Life Eclectic is an interiors book that through carefully selected case studies of homes from the UK, US, Australia, France and Denmark, shows how highly regarded designers, artists, gallerists and writers curate their treasured (and varied) possessions to glorious effect.
Studio environments can be defined as multi-dimensional integrated production spaces where basic design trainings take place and where design issues including theoretical notions such as sociological, political, phenomenological, and other dimensions are discussed. Present approaches within the literature and social media on this topic gives cause for students to evaluate their future professions over finished and pictorial products rather than ontological and processual means. While there are many resources available on the present approaches of aesthetics and visuality of interior spaces, there is not much research available on new design methodologies, related design processes, and new applied methods in interior arcitecture. Based on different contexts, these methods of design practice have the potential to enrich design processes and create multiple discussion platforms within project studios as well as other design media. These different representations and narration methods for research in the context of interior architecture can be effectively used in design processes. The Handbook of Research on Methodologies for Design and Production Practices in Interior Architecture proposes new design methodologies and related design processes and introduces new applied method approaches while presenting alternative methods that have been used within design studios in the field of interior architecture. The chapters deal with four major sections: the design process and interdiciplinary approaches; then scenario development and content; followed by material, texture, and atmosphere; and concluding with new approaches to design. While highlighting topics such as spatial perception, design strategies, architectural atmosphere, and design-thinking, this book is of interest to architects, interior designers, practitioners, stakeholders, researchers, academicians, and students looking for advanced research on the new design metholodologies and processes for interior architecture.
In some post-industrial areas, re-designing structural interiors in an attractive way is becoming increasingly important to community members, as it helps promote local pride and a higher quality of life. Design Innovations for Contemporary Interiors and Civic Art examines novel techniques in structural designs in various cultural and social scenarios. Featuring innovative application methods, emergent trends, and research on tools being utilized in the field, this publication is a pivotal reference source for designers, researchers, practitioners, and professionals interested in interior design, urban culture, and structural aesthetics.
"Performance, Fashion and the Modern Interior "examines the interior as a "stage" upon which modern life and lifestyles are consciously fashioned and "performed," and from which modern identities are projected by and through design. Scholars from Europe, Canada, America and Australia present a range of interior environments--domestic interiors, sets for stage and film, exhibition spaces, art galleries, hotel lobbies, cafes and retail spaces--to explore each as an intersection of fashion, lifestyle and performance. Sharing the thesis that the fashionably dressed body and the interior can be seen as part of the same creative and expressive continuum, the essays highlight the ways in which interiors can give shape to and dramatize modern life.
A Choice Outstanding Academic Title for 2010. Designing the Modern Interior reveals how the design of the inside spaces of our homes and public buildings is shaped by and shapes our modern culture. The modern interior has often been narrowly defined by the minimalist work of elite, reforming architects. But a shared modernising impulse, expressed in interior design, extends at least as far back as the Victorians and reaches to our own time. And this spirit of modernisation manifested itself in interiors, designed both by professionals and by amateurs, which did not necessarily look modern and often even aimed to imitate the past. Designing the Modern Interior presents a new history of the interior from the late 19th to the 21st century. Particular characteristics are consistent across this period: a progressive attitude towards technology; a hyper-consciousness of what it is to live in the present and the future; an overt relationship with the mass media, mass consumption and the marketplace; an emphasis on individualism, interiority and the 'self'; the construction of identities determined by gender, class, race, sexuality and nationhood; and the experiences of urban and suburban life. |
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