Literally translated as ""wind-water,"" feng shui is the ancient Chinese art of working with the natural flow of an environment to create harmony in space. It is also a phenomenon across the United States, rapidly shedding its New Age, incense-and-candles image to become a generally accepted way of designing home and work areas for health, wealth, and prosperity. Yet, with all the expensive consultants and self-styled gurus out there, how do you find plain, reliable information on this exciting practice?
Look no further. The Learning Annex Presents Feng Shui packs all the knowledge, tools, and special tips of a Learning Annex seminar into a book with answers to questions like:
* What is feng shui?
* What are its basic principles?
* How can I analyze my home for good chi and correct problem areas?
* How can I enhance specific life areas?

Full of sidebars and other special features, The Learning Annex Presents Feng Shui gives you the tools and knowledge you need to create spaces that will enhance and improve your life-and all in a single night's reading

Beth Webb believes that regardless of who we are or what kind of style we prefer, beauty and comfort are paramount for any home. Because each room is an environment, her design elevates the everyday by speaking to the five senses. In this lavishly illustrated book, Webb explores the fundamentals of creating a home in which every element we see and touch, and how the room makes us feel, enhance our ability to live well. Drawing from her background in the fine arts, Webb offers insight into how form, line, and scale render a space timeless and promote a sense of well-being. There should be texture, calm colors, and plenty of visual moments to keep the eye moving. There should be impeccable tailoring and polished details. And most important, there should be soul, meaning that the house must reflect its owners and their evolving lifestyle. Webb gracefully shares ideas, images, and stories illustrating these principles throughout this rich visual resource and design reference.

Emotions in the workplace have until recently been seen simply as a distraction. We often think of work as rational, logical and non-emotional. But organisations are waking up to the key role of emotions and affect at work. Emotions influence how we make decisions, how we relate with one another and how we make sense of our surroundings. Whilst organisations are slowly embracing the pivotal role of emotions, designers and managers of workplaces have been struggling to keep up. New insights from hard sciences such as neuropsychology are presenting a radically different interpretation of emotions. Yet workplace designers and facilities managers still rely on measuring non-specific states such as satisfaction and stress. In this book we attempt to capture modern-day interpretations of emotion, looking at emotion in terms of transactions and processes rather than simple cause and effect. We entertain the idea of an 'emotionally intelligent building' as an alternative to the much-hyped intelligent building. The assertion is that we should create environments that are emotionally intelligent. Rather than focusing on the aptitudes or shortcomings of individuals at work, we should place closer attention on the office environment. It's not that we are emotionally disabled - it's the environment that disables us! The ability of you and me to interpret, control and express emotions may not simply be a result of our own make-up. A radically different outlook considers how our workspace and workplace debilitates or enables our emotional understanding. In the modern workplace there are many innovations that can undermine our emotional intelligence, such poorly implemented hot-desking or lean environments. Contrariwise there are key innovations such as Activity Based Working (ABW) that have the potential to enhance our emotional state. Through a series of unique case studies from around the world, we investigate key concepts that can be used by designers and facilities managers alike. No longer should designers be asked to incorporate emotional elements as intangible un-costed 'add-ons'. This book provides a shot in the arm for workplace design professionals, pointing to a new way of thinking based on the emotional intelligence of the workplace.

The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues. How is our interpretation of an object affected by the domestic environment in which it is placed? Why choose a stainless steel teapot over a leopard print one? How do the images hanging on the walls of our homes arrive there? In placing contemporary art in the context of the 'ordinary' home, this book embarks on the contentious topic of whether 'high' art impacts on 'ordinary' people. What is the size and nature of the audience for contemporary art in Britain? Do people really visit more art galleries than attend football matches? What is the significance of the home in relation to such questions? Indeed, what constitutes 'art' in the home?
This book carefully unpicks these questions as well as the troubled relationship between the home as a place of comfort and reassurance and the often unsettling and challenging images offered by contemporary art. Within the art world, the home has been addressed as a subject and even used as a temporary gallery and a space for installations, and yet it is not common for works by today's avant-garde artists to be conceived and marketed to participate in the domestic lives that most people live.
Handsomely illustrated, this book unites contemporary art, craft and design, with sociology, anthropology and cultural studies to provide an unusual and forthright addition to ongoing art and culture debates.

The home is, for many people, the location for their most intense relationships with visual things. Because they are constructed through the objects we choose, domestic spaces are deeply revealing of a range of cultural issues. How is our interpretation of an object affected by the domestic environment in which it is placed? Why choose a stainless steel teapot over a leopard print one? How do the images hanging on the walls of our homes arrive there? In placing contemporary art in the context of the 'ordinary' home, this book embarks on the contentious topic of whether 'high' art impacts on 'ordinary' people. What is the size and nature of the audience for contemporary art in Britain? Do people really visit more art galleries than attend football matches? What is the significance of the home in relation to such questions? Indeed, what constitutes 'art' in the home?
This book carefully unpicks these questions as well as the troubled relationship between the home as a place of comfort and reassurance and the often unsettling and challenging images offered by contemporary art. Within the art world, the home has been addressed as a subject and even used as a temporary gallery and a space for installations, and yet it is not common for works by today's avant-garde artists to be conceived and marketed to participate in the domestic lives that most people live.
Handsomely illustrated, this book unites contemporary art, craft and design, with sociology, anthropology and cultural studies to provide an unusual and forthright addition to ongoing art and culture debates.

Interaction for Designers shows you how to connect a product with its users, whether it's a simple toaster, a complex ecosystem of intelligent devices, or a single app on your smartphone. This book covers the entire design process so you can start with an idea and carry it through to an engaging final design. It carefully leads you step by step and richly illustrates each stage with examples drawn from business communication, social media and the social economy, consumer electronics, architecture and environments, health care, psychology, art and culture, education, athletics, automotive design, entertainment, fashion, the family home, and a wealth of others. You'll learn how to brainstorm ideas, research them, explore them, evolve them into finished designs, pitch them, all with the goal of helping you make things that people love. Includes over 200 color images, a glossary, and links to web resources highlighting design concepts and designer interviews. http://interactionfordesigners.com/

"Foundations of Interior Design," 2nd Edition, is a comprehensive introduction to the creative, technical, and business knowledge required by the interior design profession. The book encompasses color theory, design history, architectural elements, finishing touches, trend forecasting, and the basics of running a business, and includes an integrated CD-ROM designed to help students apply what they learn in a hands-on fashion. This thoroughly updated 2nd edition, which addresses contemporary concerns such as sustainability, universal design, and adaptive reuse, is richly illustrated with images that reflect current trends in products and interiors. The book is rooted in a practical approach to creating safe, comfortable, and aesthetically pleasing spaces for residential and contract clients.

How Drawings Work cheekily explains that what architects make is information that enables other people to make buildings. That information comes in a variety of forms: drawings by hand and computer, models both physical and virtual, and words as needed. The book reflects in witty prose on the nature of architectural drawings as tools of communication, pulling from a diverse and eclectic landscape of theories from grammar, functional linguistics, philosophy, art criticism, science fiction, popular culture, and, of course, architecture, to propose a new way to think about architectural communication.

Despite its limited number of inhabitants and rather small surface, the Belgian province of Limburg has a great number of designers with an international reputation. Based on the 10 principles of good design by Dieter Rams this book discovers the roots of Limburg's top design of the last 25 years. With famous names such as Martin Margiela, Raf Simons, Bram Boo, Dieter Bikkembergs and Pieter Stockmans but also unknown or almost invisible design. With contributions by Jesse Brouns, Veerle Windels, Hettie Judah, Virginia Tassinari, Nik Baerten. Cultural platform Design supports and promotes designers and design made in Limburg. In collaboration with different partners they provide inspiring thinking patterns about design and create a dynamic climate for design in Flanders.

The 1950s house was a scientific triumph. It had been designed in a laboratory and tested on inhabitants of all ages before being built for the masses. Never had the home been so contemporary - antiques and period styles were banished for an entire decade as householders concentrated on achieving a complete 'look' for the home. Mid-Century Modern explores the interior decor of this time, concentrating on all aspects of a home's decoration - walls, flooring, surfaces, lighting and, of course, furniture. The book goes on to feature case studies illustrating beautiful contemporary homes that exhibit the mid-century style in an exemplary way and reveal how the 1950s look, complete with collector's pieces, can be mixed and matched with interior elements of other styles and from other eras.

The bestselling guide to interior design, updated with new code and technology Interior Design Illustrated is the definitive guide to design for interior spaces. Richly illustrated in author Francis Ching's signature style, this book introduces complex design concepts in a visually stunning format; from defining the space and using the elements of design, to planning building systems and incorporating sustainable materials, this volume embodies the idea that beauty and function are not separate entities, but two parts of a whole. This new fourth edition has been updated to reflect the latest building codes and design practices, with discussion of new materials related to acoustics, lighting, and sustainable furnishings. Renewed attention to sustainability includes new information on energy conservation, design for longevity and adaptive reuse of existing buildings, as well as an updated discussion on LED lighting, workplace design, use of color, and computer modeling software to provide a well-rounded view of how interior design firms are working today. This classic text brings the elements and principles of design to life, giving students the practical skills they need to transition from idea to concept. Understand the latest building codes and how to integrate them into your design Explore new advances in materials, lighting, and wireless technology Design from a perspective of sustainability, longevity, and energy efficiency Delve into BIM, including software for modeling lighting, acoustics, and more Interior designers work at the intersection of aesthetics, functionality, regulations, accessibility, sustainability, and technology. There's no one formula for getting it right, only an eye trained by experience, based on a mastery of design fundamentals. Interior Design Illustrated begins laying that foundation, guided by a leading global authority in the field.

This book is primarily concerned with the space planning of restaurants and, since their basic elements are much the same throughout the civilised world, is directed at an international readership. Although concentrating on the average restaurants, we also look at the wider commercial range-banquet ~ooms, cafeterias, fast food establishments, drug stores, sandwich bars and cafes-as well as private dining rooms, outdoor and in-transit situations. Where a particular environment is not specifically singled out, its elements can be deduced by comparison to similar spaces. At a detailed planning level, the design of dining spaces is not a well investigated and documented field. The present work attempts to fill this gap and address the designer's need for hard facts, dimensions, and sound spatial guidelines. The author of this book firmly believes that given rigorous scrutiny of all relevant data almost any design problem can be solved; and that the process of arriving at a solution (or recommendation) can and should be explicable in unequivocal terms.

This book is intended as a tool for architects, interior designers and other professionals to identify the space requirements for domestic or commercial kitchens and food preparation areas. The size and of kitchens are often determined by external shape factors rather than the internal operating requirements. The various factors of access, servicing and function, combined with the often predetermined size and shape make many food preparation areas unique. The purpose of this book is to identify the principles applying in various situations and to show by example how the same basic functional criteria can be satisfied within a variety of spatial contexts. The book is divided into five chapters dealing with domestic and commercial kitchens, food serveries and foods courts and retail catering. Each chapter identifies the various criteria to be borne in mind when preparing layouts, and provides specimen plans and information that can be applied directly to a wide range of food preparation facilities. In preparing this book we have consciously intended the information to be plagiarized or copied directly, either by photocopying, cutting and pasting, tracing or computer scanning. All the images are drawn to scale and can be used same size or resized as required. Our aim has been to provide information that will enable the designer to identify design parameters and our examples provide possible schematic solutions. In conclusion it should be noted that catering dE sign is an extensive and highly specialized subject.

Architecture 2030; BUG; Biophilic Design; BIPV; Circular Economy; LEED; Passive Design; Solar Chimney; Systems Thinking; WELL; Xeriscaping. What does it all mean? The complex and evolving language used in the sustainable design community can be very challenging, particularly to those new to environmentally friendly and resource-efficient design strategies that are needed today. Definitions of over two hundred terms with further sources. Clearly cross-referenced with Sustainaspeak, Theoryspeak, and Archispeak terms. Illustrated throughout with sustainable award-winning buildings by e.g. Behnisch, Brooks + Scarpa, EHDD, KieranTimberlake, Lake|Flato, Leddy Mahtum Stacy, SmithGroup, Perkins+Will, ZGF, VMDO, and McDonough + Partners. Sustainaspeak: A Guide to Sustainable Design Terms provides a current guide to the sustainable design strategies, terms, and practices needed for the next generation of designers, architects, students, and community leaders to design a carbon-neutral world for future generations.

These days, the architect and designer are both tasked with the challenge of designing the 'perfect' new home, be it traditional or modern in style, and everything in between. This grand edition pulls together an exceedingly diverse collection of 100 of the best contemporary houses from across the globe, each showcasing new and recent cutting-edge residential designs by some of the world's leading architects and designers. Following Images Publishing's incredibly successful 100 of the World's Best Houses series, this splendid volume features hundreds of stunning full-colour photographs that help underline the sensitivity of today's design practitioners to the natural environment, as well as the care and attention paid to stunning interior design and comfortable, practical everyday living. Each project illustrates how architects and designers showcase their authentic individual expression but work tirelessly to adapt their signature styles to accommodate the challenges posed by local topography and variations in climate, along with a sharp focus on optimum strategies for sustainable living. A touchstone for those looking to understand contemporary architectural trends across the world, 100 Houses rounds up a superb and unique collection that is at once exceptional, inspiring, and informative.

The Architecture Portfolio Guidebook shows you how to make portfolios for both academic and professional needs to provide reviewers exactly what they are looking for. In school, architecture curricula nurture the knowledge and skills to develop design work to varying levels of presentation. In the profession, those skills are further developed and applied in the creation of the built environment. In both contexts, a portfolio is a core component for admission and advancement. This book provides key strategies to: * develop an understanding of the unique needs of professional and academic organizations; * identify applicants' key differentiators; * highlight how applicants present themselves in their portfolios to address institutional needs; * create successful reinforcing documentation; * communicate using portfolios. Rather than proposing generic solutions, this book details the successful practices for portfolio creation by addressing portfolio creation academically and professionally. Supporting insights and examples from leading academics and architects from around the world reinforce the themes presented in this guidebook. An ideal read for students and professionals of architecture, landscape architecture, interior design, and urban design, looking to advance their studies and careers.

For all those interested in the relationship between ideas and the built environment, John Onians provides a lively illustrated account of the range of meanings that Western culture has assigned to the Classical orders. Onians shows that during the 2,000 years from their first appearance in ancient Greece through their codification in Renaissance Italy, the orders--the columns and capitals known as Doric, Ionic, Corinthian, Tuscan, and Composite--were made to serve expressive purposes, engaging the viewer in a continuing visual dialogue.

Designing Sustainable Residential and Commercial Interiors: Applying Concepts and Practices is a core text for students and designers seeking to apply sustainability to all stages of the design process for commercial interiors. The book provides an overview of the types of commercial interior design projects emphasizing a three-pronged approach to sustainability: equity, economy and ecology. Through inspirational case studies for a range of contract projects - such as office design, retail design, healthcare design, hospitality design, restaurant design and institutional design - readers will learn how to use a sustainable concept as the foundation for a well-designed, green project.

Universal Principles of Interior Design presents 100 concepts and guidelines that are critical to a successful visualization and application of interior design. Richly illustrated and easy to navigate, this comprehensive reference pairs clear explanations of every topic with visual examples of it applied in practice. By considering these concepts and examples, you can learn to make more informed and ultimately better design decisions. The book is organized alphabetically so that principles can be easily and quickly referenced. For those interested in addressing a specific challenge or application problem, the principles are also indexed by questions commonly confronting designers. Each principle is presented in a two-page format: The left-hand page contains a succinct definition, a full description of the principle, and examples of and guidelines for its use. Side notes, which appear to the right of the text, provide elaborations and references. The right-hand page contains visual examples and related graphics to support a deeper understanding of the principle. This landmark reference is the standard for interior design students, practitioners, and educators, and others who seek to broaden and improve their understanding of and expertise in interior design. The titles in the Rockport Universal series offer comprehensive and authoritative information and edifying and inspiring visual examples on multidisciplinary subjects for designers, architects, engineers, students, and anyone who is interested in expanding and enriching their design knowledge.

"This book explores and explains the fundamentals of interior design. Because it does not emphasize current trends and fashion, its value will be long lasting."

Events are becoming more complex as their range of functions grows, as meeting places, creative spaces, economic catalysts, social drivers, community builders, image makers, business forums and network nodes. Effective design can produce more successful business models that can help to sustain cultural and sporting activities even in difficult economic times. This process requires creative imagination, and a design methodology or in other words 'imagineering'. This book brings together a wide range of international experts in the fields of events, design and imagineering to examine the event design process. It explores the entire event experience from conception and production to consumption and co-creation. By doing so it offers insight into effective strategies for coping with the shift in value creation away from transactional economic value towards social and relational value which benefit a range of stakeholders from the community to policy makers. Mega-events, small community events, business events and festivals in eight different countries are examined providing an international view of social issues in event design. A wide selection of current research perspectives is employed, integrating both theoretical and applied contributions. The multidisciplinary nature of the material means that it will appeal to a broad academic audience, such as art and design, cultural studies, tourism, events studies, sociology and hospitality.