Sunlight profoundly influences the Earth's atmosphere and biosphere. Nature fuels the evolution of all living things, their visual systems, and the manner in which they adapt, accommodate, and habituate. Sun luminance measurements serve as data to calculate typical changes in the daily, monthly, and annual variability characteristics of daylight. Climate-based sky luminance patterns are used as models in predicting daylighting calculation and computer programs applied in architecture and building design. Historically, daylight science and daylighting technology has prioritized photometric methods of measurements, calculation, and graphical tools aimed at predicting or evaluating the daylighting of architectural design alternatives. However, due to a heightened awareness of general health and well-being, sunlight exposure and freedom from visual discomfort while undertaking visual tasks are now equally prioritized. Therefore, in order to assure optimal environmental quality, daylighting technology must be based on sound science. Daylight Science and Daylighting Technology, by Richard Kittler, Miroslav Kocifaj, and Stanislav Darula, sketches the entire evolution of daylight science from atmospheric science through apt visual workplace psychophysics.

The Interior Architecture Theory Reader presents a global compilation that collectively and specifically defines interior architecture. Diverse views and comparative resources for interior architecture students, educators, scholars, and practitioners are needed to develop a proper canon for this young discipline. As a theoretical survey of interior architecture, the book examines theory, history, and production to embrace a full range of interior identities in architecture, interior design, digital fabrication, and spatial installation. Authored by leading educators, theorists, and practitioners, fifty chapters refine and expand the discourse surrounding interior architecture.

The mid-20th century was one of the most popular, collectable and dynamic periods of international design. Drawing on the inventive style of the era, this range of gift products features exclusive illustrations of iconic mid-century designs, from Eames chairs to Poul Henningsen lamps and George Nelson clocks, all rendered in a distinctive graphic style. Featuring over ninety pieces by sixty designers and design duos, Mid-Century Modern: Icons of Design is arranged chronologically, and includes chairs, tables, storage, lighting, and product and industrial design. Each spread includes a graphic depiction of the piece and a concise text. The models, materials and designers index offers easy reference through the book.

Appropriated Interiors uncovers the ways interiors participate explicitly and implicitly in embedded cultural and societal values and explores timely emergent scholarship in the fields of interior design history, theory, and practice. What is "appropriate" and "inappropriate" now? These are terms with particular interest to the study of the interior. Featuring thirteen original curated essays, Appropriated Interiors explores the tensions between normative interiors that express the dominant cultural values of a society and interiors that express new, changing, and even transgressive values. With case studies from the late eighteenth century to the twenty-first century, these historians, theorists, and design practitioners investigate the implications of interior design as it relates to politics, gender, identity, spatial abstraction, cultural expression, racial expression, technology, and much more. An informative read for students and scholars of design history and theory, this collection considers the standards, assumptions, codes, and/or conventions that need to be dismantled and how we can expand our understanding of the history, theory, and practice of interior design to challenge the status quo.

A strong visual identity is hard to miss, instantly catching the eye. In children's spaces, it is best tailored with their unique outlook in mind as children perceive the world around them differently from the rest of us, responding to specific sets of details. Design and Visual Identity for Children's Spaces shares a variety of contemporary creative designs for children's spaces all over the world; they combine children-friendly visual elements with smart space design to tailor comfortable and conducive environments where they can learn, have fun, flourish, and be themselves. Over 35 projects that focus on educational institutions, enrichment centres, recreational clubs, play zones, concept stores, and children's hospitals, among others, share concepts that transform spaces to make them more relatable for children through thoughtfully considered visual identity and interior layouts that resonate specifically with them. Designers dig deep, even consult with children, to create designs that call out to them in fun, inspiring spaces that unleash imaginations, while they foster a sense of connection and belonging. Discover the rationales and inspirations behind these concepts, which also unify aspects of the business with a cohesive brand identity to promote the desired brand impressions and top-of-the-mind consumer recall. Through the projects in these pages, the reader is offered a host of thoughtful and creative solutions in designing children's spaces, making this book a handy tool for anyone in the business of managing children's spaces, or keen on designing children's spaces.

Covering a diverse range of typologies, this book provides a detailed analysis of different interior design projects, guiding the reader through the development of each design. Complete with before and after plans and laden with glossy photographs to illustrate the end result, this book forms an important go-to guide for students of interior design. Each project includes an informative discussion and also an analysis of the functional areas of the interior space, and the decision-making process behind how the placement of furniture and establishment of walking flow was made. With insights from world-famous interior designers, this book forms a valuable reference and source guide for any students of interior design.

Shaping Interior Space, 4th Edition, emphasizes the experiential contributions of interior design and teaches the principles of space planning. This book reinforces an understanding of conceptual, organizational, and spatial principles to diagnose, select, and execute appropriate design strategies for both residential and commercial environments. Intended for all design students, the author covers strategies for creating interior environments that work as a total system to enhance the experience of the user. Within the STUDIO, students will be able to: Study smarter with self-quizzes featuring scored results and personalized study tips. Review concepts with flashcards of essential vocabulary

There are many aspects to consider when evaluating or improving an indoor environment; thermal comfort, energy saving, preservation of materials, hygiene and health are all key aspects which can be improved by passive methods of environmental control. Passive Methods as a Solution for Improving Indoor Environments endeavours to fill the lack of analysis in this area by using over ten years of research to illustrate the effects of methods such as thermal inertia and permeable coverings; for example, the use of permeable coverings is a well known passive method, but its effects and ways to improve indoor environments have been rarely analyzed. Passive Methods as a Solution for Improving Indoor Environments includes both software simulations and laboratory and field studies. Through these, the main parameters that characterize the behavior of internal coverings are defined. Furthermore, a new procedure is explained in depth which can be used to identify the real expected effects of permeable coverings such as energy conservation and local thermal comfort as well as their working periods in controlling indoor environments. This theoretical base is built on by considering future research work including patents and construction indications which will improve indoor environmental conditions with evidence from real data. This makes Passive Methods as a Solution for Improving Indoor Environments an ideal resource for specialists and researchers focusing on indoor air quality, thermal comfort, and energy saving or with a general interest in controlling indoor environments with passive methods.

Events are becoming more complex as their range of functions grows, as: meeting places, creative spaces, economic catalysts, social drivers, community, image makers, business forums, and network nodes. Effective design can produce more successful business models that can help to sustain cultural and sporting activities even in difficult economic times. This process requires creative imagination, and a design methodology or in other words Imagineering .
This book brings together a wide range of international experts in the fields of events, design and Imagineering to examine the event design process. It explores the entire event experience from conception and production to consumption and co-creation. By doing so it offers insight into effective strategies for coping with the shift in value creation away from transactional economic value towards social and relational value which benefit a range of stakeholders from the community to policy makers. Mega-events, small community events, business events and festivals in eight different countries are examined providing an international view of social issues in event design.
A wide selection of current research perspectives are employed, integrating both theoretical and applied contributions. The multidisciplinary nature of the material means that it will appeal to a broad academic audience, such as art and design, cultural studies, tourism, events studies, sociology and hospitality.
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Walter Benjamin observed in his writings on the interior that 'to live means to leave traces.' This interior design theory reader focuses on just how such traces might manifest themselves. In order to explore interior design's links to other disciplines, the selected texts reflect a wide range of interests extending beyond the traditional confines of design and architecture. It is conceived as a matrix, which intersects social, political, psychological, philosophical, technological and gender discourse, with practice issues, such as materials, lighting, colour, furnishing, and the body. The anthology presents a complex and sometimes conflicting terrain, while also creating a distinct body of knowledge particular to the interior. Locating theory on the interior through these multifarious sources, it encourages future discourse in an area often marginalised but now emerging in its own right.

Within the reader individual excerpts are referenced to their place in the matrix and sequenced alphabetically. This organising strategy resists both a chronological and themed structure in order to provoke associations and inferences between excerpts. In this way the book offers the possibility of examining the interior from multiple vantage points: a disciplinary focus, the spatial and physical attributes of interiors, historical sequence, and topical issue based. Excerpts from Thomas Hope, Catherine E. Beecher and Harriet Beecher Stowe, Edith Wharton and Charles Eastlake provide contemporary nineteenth century accounts as the profession emerges, whereas Barbara Penner, Penny Sparke, Charles Rice, Georges Teyssot and Rebecca Houze offer re-interpretations of this period. The complexities of thetwentieth-century interior are revealed by Robyn Longhurst, Kevin Melchionne, George Wagner, John Macgregor Wise, Joel Sanders and many others.

An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting's central role as both an expression of and a catalyst for innovations in modern and contemporary design. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 21-May 16, 2021) High Museum of Art, Atlanta (July 2-September 26, 2021)

David Halle's idea was simple but radical: to connect culture to everyday life by showing how people actually use the artifacts of culture - paintings, photographs, sculpture - in the most intimate of all settings: the home. In the first book of its kind, Halle gives a fascinating account of the uses and meaning of art for those who buy it and live with it. His study ranges from the affluent town houses on Manhattan's Upper East Side and row houses in blue-collar Brooklyn to middle- and upper-middle class suburbs on Long Island, resulting in an unprecedented portrait of the meanings of art for its primary audience. Are there differences in artistic preferences between social classes or races or between urban and suburban homes? Similarities? How do choices in art works - and the way we display them - speak to our dreams, desires, pleasures, and fears? And what do they say about the real cultural boundaries between elite and popular, high and low? Halle examines landscapes, both priceless heirlooms and mass-produced sunsets; abstract paintings and prints; "primitive" sculpture; and the vibrantly colored portraits of religious art. He also discusses the gatherings of family photographs that fill every home. Inside Culture also explores the architecture and design of the houses, from the eclipse of the formal dining room to the landscape of urban backyards. Refusing easy generalizations about culture and class, Halle shows that art has a different set of meanings outside the rarefied air of museums and galleries. He challenges received opinion about the role of the audience in the history and reception of twentieth-century art to show that the experience of art isn't always what artistsand critics say it is. With floor plans, drawings, and dozens of photographs, this lively book can be enjoyed on many levels. It describes for the first time the way a broad cross section of people live with art. It records for the first time the astonishing variety of artistic experience. And it permanently changes our ongoing conversation about what culture contains, what it controls, and what the products called "art" really mean.

This book is primarily concerned with the space planning of restaurants and, since their basic elements are much the same throughout the civilised world, is directed at an international readership. Although concentrating on the average restaurants, we also look at the wider commercial range-banquet ~ooms, cafeterias, fast food establishments, drug stores, sandwich bars and cafes-as well as private dining rooms, outdoor and in-transit situations. Where a particular environment is not specifically singled out, its elements can be deduced by comparison to similar spaces. At a detailed planning level, the design of dining spaces is not a well investigated and documented field. The present work attempts to fill this gap and address the designer's need for hard facts, dimensions, and sound spatial guidelines. The author of this book firmly believes that given rigorous scrutiny of all relevant data almost any design problem can be solved; and that the process of arriving at a solution (or recommendation) can and should be explicable in unequivocal terms.

This document was commissioned by the Facility Guidelines Institute as the sole reference for acoustics in health care facilities. It was written by the Health Care Acoustics Working Group, a permanent committee of the Acoustics Research Council (ARC), comprised of members of leading professional societies in acoustics, noise control engineering, acoustical consulting and related professions. ARC organized the health care Working Group in 2004-5 drawing its members from ten constituencies that range from medicine to law, public policy, architecture, design and engineering in order to provide constructive, guidance on sound and vibration based on research and best practices. "Sound and Vibration 2.0" has been adopted as the sole reference standard for acoustics in health care facilities by: the 2010 FGI/ASHE "Guidelines for the Design and Construction of Healthcare Facilities" (used in 60 countries); the US Green Building Council s "LEED for Healthcare" (used in 87 countries); The Green Guide for Health Care V2.2; and the International Code Council's IGCC (2011).

Sound and vibration are topics of increasing prominence in the design, construction, and operation of healthcare facilities. A satisfactory acoustical environment in a healthcare facility is now viewed as an essential component of effective healthcare.

Sensible acoustical and privacy planning in the early design stages of a healthcare facility project can be solved effectively and affordably with a few strokes of the designer's pencil. The recommended minimum design requirements presented in this work are therefore intended to aid designers in achieving satisfactory acoustical and privacy environments in healthcare facilities. This handbook includes comprehensive, practical, and measureable guidelines for all aspects of acoustics in the design, construction, and evaluation of all types of healthcare facilities, including large general hospitals, specialized patient care facilities, and ambulatory patient care facilities.

These days, the architect and designer are both tasked with the challenge of designing the 'perfect' new home, be it traditional or modern in style, and everything in between. This grand edition pulls together an exceedingly diverse collection of 100 of the best contemporary houses from across the globe, each showcasing new and recent cutting-edge residential designs by some of the world's leading architects and designers. Following Images Publishing's incredibly successful 100 of the World's Best Houses series, this splendid volume features hundreds of stunning full-colour photographs that help underline the sensitivity of today's design practitioners to the natural environment, as well as the care and attention paid to stunning interior design and comfortable, practical everyday living. Each project illustrates how architects and designers showcase their authentic individual expression but work tirelessly to adapt their signature styles to accommodate the challenges posed by local topography and variations in climate, along with a sharp focus on optimum strategies for sustainable living. A touchstone for those looking to understand contemporary architectural trends across the world, 100 Houses rounds up a superb and unique collection that is at once exceptional, inspiring, and informative.

This inspirational and practical guide to organizing and planning interior spaces is packed with photographs, diagrams, models, case studies and step-by-step instructions. It provides useful information on finding ways to start the design process, analyzing existing buildings, using planning diagrams, developing three-dimensional spatial compositions, designing in section, how to communicate your design ideas and much more.

This series investigates the historical, theoretical and practical aspects of interiors. The volumes in the Interior Architecture series can be used as handbooks for the practitioner and as a critical introduction to the history of material culture and architecture. Hotels occupy a particular place in popular imagination. As a place of exclusive sociability and bohemian misery, a site of crime and murder and as a hiding place for illicit liaison, the hotel has embodied the dynamism of the metropolis since the eighteenth century. This book explores the architectural significance of hotels throughout history and how their material construction has reflected and facilitated the social and cultural practices for which they are renowned. Contemporary developments in the planning and design of hotels are addressed through a series of interviews and case studies. Illustrated throughout, this book is an innovative and important contribution to architectural and interior design theory literature.

This fully revised, new edition of Innovations in Hospice Architecture responds to the need for an up-to-date, theoretically based reference book summarizing key historical and recent developments with respect to this rapidly evolving building type. This Second Edition presents: an overview of the historical origins of the contemporary hospice the diverse variations on the basic premise of hospice care a review of the scant architectural literature published on this subject to date a broad series of case studies of exemplary hospices around the world planning and design concepts for palliative care environments. Case study projects are from Japan, Canada, Europe, Africa, Australia, Indonesia, China, the United States and South America. Thirty-six case studies are individually presented and comparatively analysed, and prognostications for the future of hospice architecture are examined. Each case includes floor plans, technical drawings and beautiful, full colour illustrations. Through an in-depth discussion of the inner profundities of hospice architecture, the book presents this type as a humane, genuine expression of the spiritual, physical and psychosocial dimensions of the contemporary death and dying movement. Written with a broad audience in mind, the book provides both technical and conceptual information, blending narrative, images and diagrammation so that the audience may understand and articulate the complexities of this specialized building type in professional practice contexts.

The Wall Wizard brings his painting expertise to homeowners in this innovative and fun follow-up to his first book, "Painting Secrets."

"Faux Finish Secrets" focuses attention and detail on decorative (faux) techniques, such as sponging, ragging, combing, and color wash.

Illustrated step-by-step instructions demonstrate 15 of the most-asked-for faux effects, along with ideas for endless variations and combinations.

Real-life questions and comments from audiences at the Wall Wizard's popular seminars provide the basis for topics and material in this book.

Includes important information on surface preparation and basic painting condensed from the pages of "Painting Secrets."

Organised as a dialogue between nature and design, this book explores design ideas, opportunities, visions and practices through relating and uncovering experience of the natural world. Presented as an edited collection of 25 wide-ranging short chapters, the book explores the possibility of new relations between design and nature, beyond human mastery and understandings of nature as resource and by calling into question the longstanding role for design as agent of capitalism. The book puts forward ways in which design can form partnerships with living species and examines designers' capacities for direct experience, awe, integrated relationships and new ways of knowing. It covers: * New design ethics of care * Indigenous perspectives * Prototyping with nature * Methods for new design and nature relations * A history of design and nature * Animist beliefs * De-centering human-centered design * Understanding nature has power and agency Design and Nature: A Partnership is a rich resource for designers who wish to learn to engage with sustainability from the ground up.